Pauline Collins is a 42-year-old Liverpudlian housewife who talks to the walls. One day she gives husband Bernard Hill's Thursday steak to the hound of the snooty lady across the street; she has been keeping it on a vegetarian diet. Hill explodes when she gives him fish and chips; that's Tuesday's meal. Her friend Alison Steadman wins a trip for two to Greece, takes Miss Collins along and abandons her to her own devices. She has no issue with that. She enjoys Greek food, drinks retsina and has an affair with tavern owner Tom Conti.
In her second movie role -- she had played a stripper in an exploitation film in 1966 -- Miss Collins recreates her Tony-winning role in the stage's one-hander. Given the bareness of the actual stage production, there is a shift of tone, from fantasy to anomie, and the other characters are given little depth, Miss Collins seems to be the character she plays in this gender-switching variation on ZORBA THE GREEK. If it also seems reminiscent of EDUCATING RITA, that's because Willy Russell wrote both plays, produced their transfers to the screen under the same director, Lewis Gilbert. Miss Collins is, as you might guess from the above, wonderful.
In her second movie role -- she had played a stripper in an exploitation film in 1966 -- Miss Collins recreates her Tony-winning role in the stage's one-hander. Given the bareness of the actual stage production, there is a shift of tone, from fantasy to anomie, and the other characters are given little depth, Miss Collins seems to be the character she plays in this gender-switching variation on ZORBA THE GREEK. If it also seems reminiscent of EDUCATING RITA, that's because Willy Russell wrote both plays, produced their transfers to the screen under the same director, Lewis Gilbert. Miss Collins is, as you might guess from the above, wonderful.