I definitely see why *some* reviewers were turned off or annoyed by this film's slow pacing and lack of an in-your-face plot. The plot is there, but it's definitely not something like a John Wick or Joker where you feel as though every moment of the film is building on it and toward a specific outcome.
The story centers on two disaffected youths from different social backgrounds but who both live in and appreciate Brooklyn and NYC. I haven't seen New York presented as well as in this film in a long time, with long quiet (save for some background music in parts) scenes that capture the city as almost a character.
The dialog is slow and disjointed at times, but that's part of the deal when your protagonists are both somewhat introverted and still feeling out where they fit in their own skin and society at large.
The villain was a little over the top, and the strange (non) sex scene in which nothing actually happens but three semi-nude women writhing around all over each other in front of him was IMO totally unnecessary and, while filmed rather competently, amateurly conceived and included in the first place. That was good for a 2 star reduction right there.
The score was awesome and original. I loved most of the background music.
Look, this is the very definition of "art house" cinema. It reminded me of Uncut Gems but without the frenetic pacing, super uncomfortable situations and borderline psycho characters, not to mention the clear plot.
I give this one 6.8 stars rounded up to 7 as it was mostly a very engaging watch and sucked me in despite the no-frills production and sparse plot development (which, again, was intentional - leaving the viewer to read between the lines). If you're turned off by the negative reviews, then this one probably isn't for you and you can safely skip it. If you're in the mood for something different, relaxing even, give it a try.
The story centers on two disaffected youths from different social backgrounds but who both live in and appreciate Brooklyn and NYC. I haven't seen New York presented as well as in this film in a long time, with long quiet (save for some background music in parts) scenes that capture the city as almost a character.
The dialog is slow and disjointed at times, but that's part of the deal when your protagonists are both somewhat introverted and still feeling out where they fit in their own skin and society at large.
The villain was a little over the top, and the strange (non) sex scene in which nothing actually happens but three semi-nude women writhing around all over each other in front of him was IMO totally unnecessary and, while filmed rather competently, amateurly conceived and included in the first place. That was good for a 2 star reduction right there.
The score was awesome and original. I loved most of the background music.
Look, this is the very definition of "art house" cinema. It reminded me of Uncut Gems but without the frenetic pacing, super uncomfortable situations and borderline psycho characters, not to mention the clear plot.
I give this one 6.8 stars rounded up to 7 as it was mostly a very engaging watch and sucked me in despite the no-frills production and sparse plot development (which, again, was intentional - leaving the viewer to read between the lines). If you're turned off by the negative reviews, then this one probably isn't for you and you can safely skip it. If you're in the mood for something different, relaxing even, give it a try.