Film historians who have studied Harold Lloyd movies cite the year 1919 as being pivotal to the comedian. He began to balance delicately on a fine line between sentiment and sentimentality. There is no finer example of this transition than in his February 1919's "Ask Father."
The ritual of asking a girlfriend's dad for his daughter's hand has always been a high tension, nerve racking ritual for the prospective son-in-law. Lloyd puts the formality to the test when his girlfriend says she won't marry him without her father's permission. The hitch is her dad is almost impossible to see during his working hours, the only time he can be seen.
Witnessing several people being physically kicked out of the father's office, Lloyd knows this won't be easy. Fortunately, he has two things going for him. Next door to the office is a costume shop. And secondly, the office's secretary, Bebe Daniels, has a pillow she sets up strategically to cushion his fall whenever he gets thrown out. "Ask Father" is also one of Lloyd's first movies he's shown scaling a building's wall, something he exaggerates in his most famous film, "Safety Last!"
The ritual of asking a girlfriend's dad for his daughter's hand has always been a high tension, nerve racking ritual for the prospective son-in-law. Lloyd puts the formality to the test when his girlfriend says she won't marry him without her father's permission. The hitch is her dad is almost impossible to see during his working hours, the only time he can be seen.
Witnessing several people being physically kicked out of the father's office, Lloyd knows this won't be easy. Fortunately, he has two things going for him. Next door to the office is a costume shop. And secondly, the office's secretary, Bebe Daniels, has a pillow she sets up strategically to cushion his fall whenever he gets thrown out. "Ask Father" is also one of Lloyd's first movies he's shown scaling a building's wall, something he exaggerates in his most famous film, "Safety Last!"