I owe Robert De Niro this review, but not Al Pacino. A very, very curious sociology.
Even more curious: the implied atmosphere of Men of Honor is the Twilight saga. It isn't a perception, however, but just a reaction. Why?
Coastal town is one such theme, that bridges the two, but that would be a betrayal, to be the actual bridge. I rather try to bridge the two, by the method of waiting for the distance. Not the distance between the two, but just the distance within a natural landscape, featured between the two.
Essentially, what this implies, on top of the self-growing universe theory of life, is that the intensity of Carl Brashear is the logic of vampirism; if I say, that the distant nature images within the film compliment this truth, the distant comment about no distance between the two, but just the distance within a natural landscape featured between the two works a whole lot better.
Why?
Even more curious: the implied atmosphere of Men of Honor is the Twilight saga. It isn't a perception, however, but just a reaction. Why?
Coastal town is one such theme, that bridges the two, but that would be a betrayal, to be the actual bridge. I rather try to bridge the two, by the method of waiting for the distance. Not the distance between the two, but just the distance within a natural landscape, featured between the two.
Essentially, what this implies, on top of the self-growing universe theory of life, is that the intensity of Carl Brashear is the logic of vampirism; if I say, that the distant nature images within the film compliment this truth, the distant comment about no distance between the two, but just the distance within a natural landscape featured between the two works a whole lot better.
Why?