"On one hand, Henry is too conceited to seek the middle ground, having been at the receiving end of humiliation for too long, he is righteous, headstrong, aloof and even a ghost of callousness can be sensed from his clash with a local fat cat Nordenson (Hjulström), which sounds rather personal, not to mention getting steamed up after an audience with Queen Victoria of Sweden (Björk). In his petty heart, he cannot tolerate disagreement. Fröler, always looks somewhat miffed with his perfectly trimmed mustache, refines Henry's wounded dignity with a mask of impassivity, which becomes his defense mechanism towards the world both inside and outside, his feelings for Anna is genuine, but he also resents her for putting him through the wrangler before tying the knot, and when he cannot stand her rich girl's temperament, he simply lashes out, the shouting match inside the chapel relating to their pending wedding arrangement is among one of the most candid and riveting squabbling scenes ever filmed and performed, it is Bergman's perspicacity and the two crackerjack sparring partners at work."
read my full review on my blog: Cinema Omnivore, thanks.
read my full review on my blog: Cinema Omnivore, thanks.