Tony's anger levels increase and he takes over the 'executive game'.
This is a classic episode that has darkly humorous moments, an ironic plot, and interesting psychological themes.
Most of the scenes are either hilariously funny or excruciatingly awkward to watch.
Tony is on top form with both his agitation towards everyone and his reactions to everything he sees and hears. James Gandolfini plays the part brilliantly and he has great material to work with. You see the character's alpha-male tendencies and will to dominate others in full glory.
Robert Patrick's character Davie hurtles down a path of self destruction that gets more and more painful with each scene. The sense of dread surrounding virtually every moment he is on screen is fantastically written and performed.
The characterisations depicted show the corrupt shark-like nature of certain individuals as they prey on weak targets and exploit opportunities for personal gain.
It concludes with a very memorable final scene that has absolutely everything.
Aside from the main plot there are other little moments that help develop some of the ongoing arcs of the overarching series two narrative.
Jamie-Lynn Sigler, Steven Van Sandt, David Proval, and Michael Imperioli all have standout moments, particularly Van Sandt.
As ever the production values are excellent such as the cinematography and editing. The use of music is particularly memorable, especially in the final few moments.
It's a 9.5/10 for me but I round upwards.
This is a classic episode that has darkly humorous moments, an ironic plot, and interesting psychological themes.
Most of the scenes are either hilariously funny or excruciatingly awkward to watch.
Tony is on top form with both his agitation towards everyone and his reactions to everything he sees and hears. James Gandolfini plays the part brilliantly and he has great material to work with. You see the character's alpha-male tendencies and will to dominate others in full glory.
Robert Patrick's character Davie hurtles down a path of self destruction that gets more and more painful with each scene. The sense of dread surrounding virtually every moment he is on screen is fantastically written and performed.
The characterisations depicted show the corrupt shark-like nature of certain individuals as they prey on weak targets and exploit opportunities for personal gain.
It concludes with a very memorable final scene that has absolutely everything.
Aside from the main plot there are other little moments that help develop some of the ongoing arcs of the overarching series two narrative.
Jamie-Lynn Sigler, Steven Van Sandt, David Proval, and Michael Imperioli all have standout moments, particularly Van Sandt.
As ever the production values are excellent such as the cinematography and editing. The use of music is particularly memorable, especially in the final few moments.
It's a 9.5/10 for me but I round upwards.