Beau Brummell (1954)
7/10
Colorful and sensitive film with full of color about an ambitious English dandy's rise and fall.
24 May 2022
George Bryan Brummel (a stunning Stewart Granger) , a British military officer, loves Lady Patricia (Elizabeth Taylor who never looked more gorgeous under the loving gaze of the colour camera) , the betrothed of Lord Edwin Mercer (James Donald) . Despite her own desperate love for the scandalous Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales (unforgettable Peter Ustinov) and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Patricia who has any chance of helping him. Soldier, poet, adventurer, rogue, gambler, lover ! ...the Most Beautiful Romance in all History . Lover! Scoundrel! Adventurer! . Millions Know His Name, But This is the Flesh-and-Blood Man From M-G-M in Gorgeous Color. And thus was Beau Brummel's faith in love and women shattered. The turning point which changed a lovable youth into a sneering cynic who rode to success on a clotheshorse, whose only fortune was his fascination and whose fame lay in his follies.

Lavish production casts Stewart Granger in the character of the rags-to-riches dandy and chief adviser to the Prince of Wales well played by Peter Ustinov in his usual style . The latter reveals the Prince as a man not be laughed at , but sympathised with . Granger scores a great hit as the handsome dandy who works his way into the good graces of the Prince , son of the insane king George III and future George IV . Packing magnificent period piece cinematography by cameraman Oswald Morris , spectacular sets , great musical score by Richard Addinsell and glamurous costumes . The Regency atmosphere is wonderfully well caught in this agreeable portrait of the leader of fashion in his day , spendthrift and scoundrel . Shot on location in England's gorgeous countryside , many of the interior shots are from a 15th-century mansion , Ockwell mansion , located near Windsor Castle . It is a remake of the 1924 silent film by Harry Beaumont with John Barrymore . As George Bryon 'Beau' Brummel , Mary Astor Mary Astor , Willard Louis and Irene Rich.

The motion picture was professionally directed by Curtis Bernhardt . He was a Hollywood craftsman who worked in various Majors as Warner Bros and MGM, largely on the strength of Carrefour (1938) which proved so enduring that it was remade as Dead Man's Shoes (1940) in the UK and as Crossroads (1942). Bernhardt rapidly achieved a reputation as a woman's director with occasional forays into suspense with varied results and providing stunning casting in his impressive films . He directed one of Humphrey Bogart's least popular films, Conflict (1945). Soon after , he moved to RKO, which was entering its final chaotic decade, directing The Blue Veil (1951), a remake of a French film. He did a one-shot gig at Columbia, directing Bogie once again in the hopelessly set-bound Sirocco (1951) and this Beau Brummell (1954) that was one of the brilliant and convincing slices of history that MGM ever financed . Rating : 7/10 , better than average . This is a must-see for admirers of the Technicolor movies nearing its peak of perfection .
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