Ollie (Jonathan Groff) is a stuffed patchwork rabbit who after having been lost by his owner, a young boy named Billy (Kesler Talbot), winds up in a thrift store. At the store Ollie meets a old clown toy Zozo (Tim Blake Nelson) who has largely given up hope after having suffered his own loss with Nina, but with Ollie's arrival Zozo helps Ollie make a map made from Ollie's memories and the two set off along with Zozo's friend Rosy (Mary J. Blige), a pink teddy bear cobbled together from bits and pieces who's skilled in combat. As the trio set off home, Ollie recovers more of his memories revealing a tragedy involving Billy's mother (Gina Rodriguez) while facing various perils along the way.
Lost Ollie is an adaptation of the 2016 children's book Ollie's Odyssey by William Joyce, who many of you may known from his work on projects such as Toy Story, Robots, and Meet the Robinsons just to name a few. The miniseries sees author Joyce reunite with animation director Peter Ramsey who'd previously adapted Joyce's Guardians of Childhood series with the 2012 Dreamwroks film Rise of the Guardians and has since found subsequent success as the director of Spider-Man: Into the Spider-Verse. Combining CG animation, puppetry, and live-action, Lost Ollie takes us through a harrowing and emotionally draining journey that is worth every moment.
In terms of content, Lost Ollie is basically what happens when you mix bits of Christopher Robin, Toy Story, and A Monster Calls as despite this plot having served as the basis for things ranging from the heights of the Toy Story franchise to more obscure works like Raggedy Ann & Andy: A Musical Adventure, the series makes no secret of its darker harrowing tone from the opening where we see Ollie with a torn seam in a puddle on a rainy night. Make no mistake despite this movie having a similar plot to Toy Story it is by no means a "park your kids in front of the TV" type show but it can be watched as a family show assuming your kids are up for it. The show tackles issues of grief, bitterness, abandonment, and even death and these themes are explored with some truly haunting imagery that sticks with you long after "The End" credits roll. Aesthetically speaking this is a more earthen toned series in comparison to something like Toy Story as the story takes us through abandoned amusements parks, trash strewn vacant lots, or other areas that are rife with loss or neglect fitting tonally within where the story takes us.
The cast are all very good as Jonathan Groff plays our lead and is very endearing with his innocent personality coupled with a sense of driven loyalty to Billy that propels him forward on this journey, and Mary J. Blige and Tim Blake Nelson are both very good as Rosy and Zozo, Ollie's traveling companions and despite the two characters making a radical departure by the halfway point the writing is strong enough to justify it and it does tie in thematically with the film's ending message, even if I'm not personally a fan of how those two characters are resolved by the third act but I do acknowledge it works from a thematic point of view. Jake Johnson and Gina Rodriguez are both very good as Billy's Momma and Daddy (as they're credited since Ollie doesn't their last name) and the two have genuine chemistry in their scenes together and the heartbreak felt at key moments in the plot will ring strong especially if you've lost a family member in an untimely way. Kesler Talbot is also very good as Billy and to my knowledge this is Talbot's first starring role in a series having previously done some TV work such as Nancy Drew and Resident Alien and I was honestly really impressed with his performance.
The mixture of animation and live-action is nicely done and director Peter Ramsey and credited creator Shannon Tindle deserve a lot of praise for creating an immersive mixture of live-action and CG. To my knowledge this is Ramsey's first time doing live-action with his previous work having been in animated features and if Lost Ollie is any indication I can't wait to see what he brings to a larger scale project like Ahsoka. The movie is simply beautiful to look at with a world that feels living and tangible and also taps into the forgotten areas of the United States whose heyday has long passed and have been left to pot.
Lost Ollie takes a familiar story and makes it new again with an unapologetically harrowing tone and no holds barred approach to talking about issues frankly and without sugarcoating. The characters are all unique and interesting, the animation is beautiful, and the performances are great from all. In short: Stop reading this and go watch it!
Lost Ollie is an adaptation of the 2016 children's book Ollie's Odyssey by William Joyce, who many of you may known from his work on projects such as Toy Story, Robots, and Meet the Robinsons just to name a few. The miniseries sees author Joyce reunite with animation director Peter Ramsey who'd previously adapted Joyce's Guardians of Childhood series with the 2012 Dreamwroks film Rise of the Guardians and has since found subsequent success as the director of Spider-Man: Into the Spider-Verse. Combining CG animation, puppetry, and live-action, Lost Ollie takes us through a harrowing and emotionally draining journey that is worth every moment.
In terms of content, Lost Ollie is basically what happens when you mix bits of Christopher Robin, Toy Story, and A Monster Calls as despite this plot having served as the basis for things ranging from the heights of the Toy Story franchise to more obscure works like Raggedy Ann & Andy: A Musical Adventure, the series makes no secret of its darker harrowing tone from the opening where we see Ollie with a torn seam in a puddle on a rainy night. Make no mistake despite this movie having a similar plot to Toy Story it is by no means a "park your kids in front of the TV" type show but it can be watched as a family show assuming your kids are up for it. The show tackles issues of grief, bitterness, abandonment, and even death and these themes are explored with some truly haunting imagery that sticks with you long after "The End" credits roll. Aesthetically speaking this is a more earthen toned series in comparison to something like Toy Story as the story takes us through abandoned amusements parks, trash strewn vacant lots, or other areas that are rife with loss or neglect fitting tonally within where the story takes us.
The cast are all very good as Jonathan Groff plays our lead and is very endearing with his innocent personality coupled with a sense of driven loyalty to Billy that propels him forward on this journey, and Mary J. Blige and Tim Blake Nelson are both very good as Rosy and Zozo, Ollie's traveling companions and despite the two characters making a radical departure by the halfway point the writing is strong enough to justify it and it does tie in thematically with the film's ending message, even if I'm not personally a fan of how those two characters are resolved by the third act but I do acknowledge it works from a thematic point of view. Jake Johnson and Gina Rodriguez are both very good as Billy's Momma and Daddy (as they're credited since Ollie doesn't their last name) and the two have genuine chemistry in their scenes together and the heartbreak felt at key moments in the plot will ring strong especially if you've lost a family member in an untimely way. Kesler Talbot is also very good as Billy and to my knowledge this is Talbot's first starring role in a series having previously done some TV work such as Nancy Drew and Resident Alien and I was honestly really impressed with his performance.
The mixture of animation and live-action is nicely done and director Peter Ramsey and credited creator Shannon Tindle deserve a lot of praise for creating an immersive mixture of live-action and CG. To my knowledge this is Ramsey's first time doing live-action with his previous work having been in animated features and if Lost Ollie is any indication I can't wait to see what he brings to a larger scale project like Ahsoka. The movie is simply beautiful to look at with a world that feels living and tangible and also taps into the forgotten areas of the United States whose heyday has long passed and have been left to pot.
Lost Ollie takes a familiar story and makes it new again with an unapologetically harrowing tone and no holds barred approach to talking about issues frankly and without sugarcoating. The characters are all unique and interesting, the animation is beautiful, and the performances are great from all. In short: Stop reading this and go watch it!