The Woman King is a scintillating portrayal of powerful women protectors driving change in one of world history's most pivotal and often heart-rending times: the era of the Trans-Atlantic slave trade. Yet even through the beautifully-filmed and well-choreographed battle scenes, moments of love triumph and make this film worth watching.
Set in the 19th century in the West African kingdom of Dahomey, The Woman King follows the all-female group of warriors, the Agojie, and their general, Nanisca (Viola Davis) as they fight, not just against the rival Oyo and Mahi tribes, but foreigners who wish to destroy their way of life and take their people. Along the way, Nanisca must grapple with her past... and Nawi (Thuso Mbedo), a young girl among the ranks of the Agojie who turns out to shape Nanisca's future.
Director Gina Prince-Bythewood outdoes herself. Beyond being a film that does its bit to rectify historical exclusion of African narratives in Hollywood, The Woman King is a superb crowd-pleaser, with familiar thematic beats of moralism, love, and community and a fresh-enough take on the "historical war film." The sets transport viewers to pre-colonial Benin, and the cinematography, especially the use of light (inside the palace barracks) and color (the earthy tones of Dahomey's villages), further enhances the viewing experience. The background score by Lebo M. And Terence Blanchard draws on traditional West African music. It's simply goosebump-inducing to watch the Agojie charge into battle accompanied by soulful singing and the djembe and marimba. Good Lord - can Viola Davis do no wrong? The highly-proclaimed actress is perfect for the role of the ruthless, defensive, protective leader; the emotional depth Davis taps into is frankly impressive. She hits all the notes - trauma survivor, bereaved mother, sister in arms - impeccably. Davis' character's more conservative, regimented, typically "top brass" attributes are beautifully offset by Thuso Mbedo's portrayal of Nawi, the newest recruit who seems to challenge every rule so carefully enforced by Nanisca (and isn't afraid to confront Nanisca as an "arrogant old woman"). Nawi and Nanisca's relationship flowers in a way that will make viewers say "aww" and though the two tussle every so frequently, the duo becomes the most lovable part of the film - a tough contest. A close second favorite is Izogie (Lashana Lynch), a more experienced member of the Agojie, who is equal parts hilarious, profound, and sweet. My favorite line of Izogie's is essentially, "We all have a lot to cry about; it is better to laugh."
The Woman King promotes liberty, staying true to yourself, standing up for what is right, keeping your head held high (but your arrogance in check), obeying authority while also making wise decisions for yourself, and protecting those you love. Nanisca fights against King Ghezo's (John Boyega) vision to sell their prisoners of war to the Europeans for guns and other "valuable" goods, acting as a strong voice against racism and the commodification of humans.
I give The Woman King 5 stars out of 5 and recommend it for ages 12 to 18, plus adults. The Woman King releases in theaters on September 16, 2022.
By Eshaan M., KIDS FIRST!
Set in the 19th century in the West African kingdom of Dahomey, The Woman King follows the all-female group of warriors, the Agojie, and their general, Nanisca (Viola Davis) as they fight, not just against the rival Oyo and Mahi tribes, but foreigners who wish to destroy their way of life and take their people. Along the way, Nanisca must grapple with her past... and Nawi (Thuso Mbedo), a young girl among the ranks of the Agojie who turns out to shape Nanisca's future.
Director Gina Prince-Bythewood outdoes herself. Beyond being a film that does its bit to rectify historical exclusion of African narratives in Hollywood, The Woman King is a superb crowd-pleaser, with familiar thematic beats of moralism, love, and community and a fresh-enough take on the "historical war film." The sets transport viewers to pre-colonial Benin, and the cinematography, especially the use of light (inside the palace barracks) and color (the earthy tones of Dahomey's villages), further enhances the viewing experience. The background score by Lebo M. And Terence Blanchard draws on traditional West African music. It's simply goosebump-inducing to watch the Agojie charge into battle accompanied by soulful singing and the djembe and marimba. Good Lord - can Viola Davis do no wrong? The highly-proclaimed actress is perfect for the role of the ruthless, defensive, protective leader; the emotional depth Davis taps into is frankly impressive. She hits all the notes - trauma survivor, bereaved mother, sister in arms - impeccably. Davis' character's more conservative, regimented, typically "top brass" attributes are beautifully offset by Thuso Mbedo's portrayal of Nawi, the newest recruit who seems to challenge every rule so carefully enforced by Nanisca (and isn't afraid to confront Nanisca as an "arrogant old woman"). Nawi and Nanisca's relationship flowers in a way that will make viewers say "aww" and though the two tussle every so frequently, the duo becomes the most lovable part of the film - a tough contest. A close second favorite is Izogie (Lashana Lynch), a more experienced member of the Agojie, who is equal parts hilarious, profound, and sweet. My favorite line of Izogie's is essentially, "We all have a lot to cry about; it is better to laugh."
The Woman King promotes liberty, staying true to yourself, standing up for what is right, keeping your head held high (but your arrogance in check), obeying authority while also making wise decisions for yourself, and protecting those you love. Nanisca fights against King Ghezo's (John Boyega) vision to sell their prisoners of war to the Europeans for guns and other "valuable" goods, acting as a strong voice against racism and the commodification of humans.
I give The Woman King 5 stars out of 5 and recommend it for ages 12 to 18, plus adults. The Woman King releases in theaters on September 16, 2022.
By Eshaan M., KIDS FIRST!