For much of it's time it's hard to figure out exactly where this film is going as it slides from continent to continent, the world apparently heading for apocalypse while poor Demi Moore suffers like Mia Farrow in 'Rosemary's Baby' and Lee Remick in 'The Omen' seated in front of her television assailed by fifty-seven varieties of atrocity footage.
Highly unusual for having such a stress on religious practise it's unlikely if it was made today it would have a non-believer for a heroine; although Jurgen Prochnow's ever-present romantic stranger is in all probability almost certainly a Christ figure.
Highly unusual for having such a stress on religious practise it's unlikely if it was made today it would have a non-believer for a heroine; although Jurgen Prochnow's ever-present romantic stranger is in all probability almost certainly a Christ figure.