7/10
The best entry in the series thus far! [+73%]
30 October 2022
There is a certain level of satisfaction when you learn how the oppressed residents of Kasturba Nagar took matters into their own hands and finished off a true, unflinching monster - Akku Yadav. Director Umesh Kulkarni details the proceedings over 3 episodes, an hour each. While it begins with the titular murder incident that took place in a district court room in Maharashtra, the real meat of the story lies in what preceded it, dating almost 5 years back (1999-2004).

Akku Yadav was a terror-inducing presence in the Kasturba Nagar slum inhabited mostly by Dalits. He inflicted various kinds of harm on the community as a whole, especially on helpless women and children, with the menfolk unable to do much except join their families in plight. This is truly the stuff of nightmares, especially when you have to live in fear of harassment, attack, or abuse on a daily basis. Maybe, that's why it's so relevant to give these ladies a platform to candidly voice out how they felt living life in those times.

The makers also do not go the exploitative route, giving the victims due respect and letting them reveal just as much as they want to. The crimes of Akku Yadav are narrated in ghastly detail but the visual recreation never resorts to shocking imagery unlike the previous couple of entries. Even a particularly horrific murder committed by Yadav is handled without the usual blood-soaked frames.

Some of the women sound off on Yadav's intimidating presence, how much they detested him, and their own attempts to kill him without thinking twice. Their confidence is just exhilarating to watch, and translates over to viewers as well. Of course, it's an absolute failure of the police and judicial systems, allowing a criminal like Yadav to go about doing what he did for so long. The perspective of journalists, friends, and lawyers of Yadav obviously lean a different way, but it's easy to look past that. Yeah, even if you don't applaud the ladies for deleting Yadav from existence in the gnarliest way, their lives are proof enough to acknowledge the levels of oppression that they've been through.

P. S - I whistled when Usha brought out an open gas cylinder and confronted Yadav who was ready to barge into her house and possibly kill her. The point is, documentaries don't always offer such moments. This one did!
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