The seven previous reviewers have said it all. I felt no sympathy at all for the fugitive, who had no redeeming features. Obviously the film's emphasis was on his nice, devoted wife and her efforts to help her husband flee, but there were times when I wondered how plausible some of the actions were. It's one of those films where watching it again might help me understand it better - or determine actual flaws in the plot.
John Bentley and Sidney Tafler took the acting honours, with a very mixed range of support cast. The acting of several of the women failed to impress, notably that of the woman in the bathrobe. And it was strange that the publisher called his secretary "Terri", which was the name of Mona Freeman's character.
I've often wondered about vehicles' lights in these old films. IIRC, in Britain side-lights only were permitted on roads with street lamps, but out in the country there were times when the vehicles seemed to have no lights at all. (Perhaps the "night" scenes were filled during the time, with a back filter??)
John Bentley and Sidney Tafler took the acting honours, with a very mixed range of support cast. The acting of several of the women failed to impress, notably that of the woman in the bathrobe. And it was strange that the publisher called his secretary "Terri", which was the name of Mona Freeman's character.
I've often wondered about vehicles' lights in these old films. IIRC, in Britain side-lights only were permitted on roads with street lamps, but out in the country there were times when the vehicles seemed to have no lights at all. (Perhaps the "night" scenes were filled during the time, with a back filter??)