Review of Mili

Mili (2022)
5/10
An ordinary fare which lacks originality and logic
20 January 2023
Another survival thriller, and not a very good one at that. First, the movie drags on for far too long, and it takes a lot of time until the film's main plot element comes to the fore. The big problem, however, is that much of what happens once the girl is stuck in the freezer lacks credibility and is amazingly cliché and predictable. There's no logic in freezers having no safety devices or inside door handles, especially inside malls. Even what happens out of it is poorly handled. How come no one thought to check the control room which would immediately whether she's left the restaurant. Everything Mili does in terms of decision making feels slow and not suitable for such a high-strung situation. That she doesn't keep herself in constant movement (for most of it she just sits rested) nor try to check the walls in due time and find an existing tunnel does not make any sense either. Above all, that she spends so much time inside it and is still in her senses, and she is, doesn't ring true for a minute. One can think of so many things she could have done to break the fans other than try to strike it with a stick or throw packages of frozen meat at them (like the ladder, for one).

Mili is watchable nonetheless, but another fault is the editing - the movement back and forth between the freezer and the girl's family looking for her is most exhausting. The film could have been shortened in a way that would have made the entire project much more effective and worth a watch. I think the sub-genre of survival films has become (like any other successful sub-genre) repetitive and this film just follows the same tropes without offering anything original. More than anything, Jahnvi Kapoor, who is pretty, is quite okay but honestly just isn't good enough this time. Not going to do what everyone else already does and compare her to her mother (and I've done this before so why do it again), and not going to say she isn't a good actress because she did well in other films, but here the lack of experience shows and she struggles a lot with the proceedings. Since in many ways this is a one-woman show, it required an actress so charismatic and expressive that many of its flaws would have been forgiven. Overall, Mili is, again, a watchable film which is overlong, predictable and not good enough. Many things could have been done to improve it.
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