My review was written in May 1987 after a Cannes Film Festival Market screening.
"Burnin' Love" is a far-out, irreverent sendup of the Salem Witch trials that packs plenty of laughs for its targeted Mel Brooks audience.
Producer Michael Gruskoff has worked with Brooks on several features and the influence shows. Besides the patented "Blazing Saddles" brand of flatulence humor there is a healthy respect for slapstick and vulgarity here, sometimes missing the mark but often scoring. John Moffitt, a tv grad, pilots with aplomb and Terrence Sweeney and Lanier Laney's screenplay is chock full of clever anachronisms.
Patrick Cassidy and Kelly Preston are well cast as idealized young loves in 1692 Salem, caught up in the witch hunt hysteria created by the unscrupulous town judge (Stuart Pankin) and mayor (Dave Thomas, using just a trace of his patented Bob Hope impression) who are burning landowners as witches in order to confiscate their property as part of a real estate development scheme.
A real witch (Barbara Carrera, deliciously sexy) shows up and accuses Preston of the crime in order to take Cassidy for herself. In the manner of "Tom Jones", which remains the template for these period tales (right down to Carrera's plunging decolletage), Georgia Brown as a local tavern owner shows up in court to reveal Preston's actual parentage and save the day.
Cast excels in this romp, with many outstanding turns. Bud Cort gets some big laughs as the local parson who is struck blind by Carrera (similar to Elizabeth Montgomery's tv witch on "Bewitched", she just has to squint to work magic), while Audrie Neenan as his crusty old mama steals many a scene using a voice like Margaret Hamilton's. Pankin and Thomas make a comfortable team of bumbling villains in powdered wigs while Cassidy and Preston are effective butts of many physical gags as the too-good leads.
Period feel is captured well on Canadian locations, with a satirical music score by Charles Fox ramming home the jokes (plus some outlandish touches such as The Kingsmen's hit "Louie, Louie" playing at Thanksgiving Dinner after the Indians pass around the peace pipe).
"Burnin' Love" is a far-out, irreverent sendup of the Salem Witch trials that packs plenty of laughs for its targeted Mel Brooks audience.
Producer Michael Gruskoff has worked with Brooks on several features and the influence shows. Besides the patented "Blazing Saddles" brand of flatulence humor there is a healthy respect for slapstick and vulgarity here, sometimes missing the mark but often scoring. John Moffitt, a tv grad, pilots with aplomb and Terrence Sweeney and Lanier Laney's screenplay is chock full of clever anachronisms.
Patrick Cassidy and Kelly Preston are well cast as idealized young loves in 1692 Salem, caught up in the witch hunt hysteria created by the unscrupulous town judge (Stuart Pankin) and mayor (Dave Thomas, using just a trace of his patented Bob Hope impression) who are burning landowners as witches in order to confiscate their property as part of a real estate development scheme.
A real witch (Barbara Carrera, deliciously sexy) shows up and accuses Preston of the crime in order to take Cassidy for herself. In the manner of "Tom Jones", which remains the template for these period tales (right down to Carrera's plunging decolletage), Georgia Brown as a local tavern owner shows up in court to reveal Preston's actual parentage and save the day.
Cast excels in this romp, with many outstanding turns. Bud Cort gets some big laughs as the local parson who is struck blind by Carrera (similar to Elizabeth Montgomery's tv witch on "Bewitched", she just has to squint to work magic), while Audrie Neenan as his crusty old mama steals many a scene using a voice like Margaret Hamilton's. Pankin and Thomas make a comfortable team of bumbling villains in powdered wigs while Cassidy and Preston are effective butts of many physical gags as the too-good leads.
Period feel is captured well on Canadian locations, with a satirical music score by Charles Fox ramming home the jokes (plus some outlandish touches such as The Kingsmen's hit "Louie, Louie" playing at Thanksgiving Dinner after the Indians pass around the peace pipe).