Veteran genre filmmaker BTS revisits his earlier martial arts success with this vehicle starring Edward John Stazak as the indestructible cop Jason Blade, out to avenge the death of his partner. Familiar faces (and voices) Michael Carman and John Stanton feature in supporting roles in a generally fast-moving, colourful and exciting flick made for and of its time.
Garish Miami Vice style wardrobe (that's the pastel shirts and pleated trousers sans belts for the men, whilst the ladies live perpetually in bikinis) and synthesiser sounds paints the 80s excess well, even if it's all cliched. But it's the action sequences which standout, and BTS handles these with his usual flair, beginning with the rooftop foot-chase through the industrial estate, through to the rousing climax with Baxter the enforcer (Richards).
Nicely lit visuals of the Swan river and Perth surrounds, no-nonsense, functional dialogue that doesn't become sentimental nor melodramatic, there's even a half-dozen or so sweaty workout /aerobic dance sequences (including a montage that finishes with a roll in the hay) to keep the pulse-racing in between the well-choreographed roundhouses. It's no 'Man from Hong Kong', but as far as Oz-styled chop-socky goes, it's easy to enjoy matinee-grade material, good enough to go hand in hand with a simultaneously filmed sequel.
Garish Miami Vice style wardrobe (that's the pastel shirts and pleated trousers sans belts for the men, whilst the ladies live perpetually in bikinis) and synthesiser sounds paints the 80s excess well, even if it's all cliched. But it's the action sequences which standout, and BTS handles these with his usual flair, beginning with the rooftop foot-chase through the industrial estate, through to the rousing climax with Baxter the enforcer (Richards).
Nicely lit visuals of the Swan river and Perth surrounds, no-nonsense, functional dialogue that doesn't become sentimental nor melodramatic, there's even a half-dozen or so sweaty workout /aerobic dance sequences (including a montage that finishes with a roll in the hay) to keep the pulse-racing in between the well-choreographed roundhouses. It's no 'Man from Hong Kong', but as far as Oz-styled chop-socky goes, it's easy to enjoy matinee-grade material, good enough to go hand in hand with a simultaneously filmed sequel.