Christy Canyon graduated to making her one movies, but this one written and directed by Tina Marie is a stinker. Both ladies come up zero.
Tina's awful dialogue and script plays to buttering up the boss, basically a tale of liberation as Christy breaks away from her neglectful producer husband Mike Horner to build an acting career for herself. This stress on independence is more corny than feminist, and clearly is a personal message by Christy (and Tina) that falls flat.
The lighting, sets and staging is that of a TV sitcom, and the situations are all cliche. Horner likes to hump his busty secretary Renee Foxxe and has trouble with talent, while the usual porn studs Peter North and T. T. Boy are on hand to service the ladies, replete with slow-motion cum shots. The whole movie is phony, right down to CC's "triumphant" finish (divorcing Horner).
Tina's awful dialogue and script plays to buttering up the boss, basically a tale of liberation as Christy breaks away from her neglectful producer husband Mike Horner to build an acting career for herself. This stress on independence is more corny than feminist, and clearly is a personal message by Christy (and Tina) that falls flat.
The lighting, sets and staging is that of a TV sitcom, and the situations are all cliche. Horner likes to hump his busty secretary Renee Foxxe and has trouble with talent, while the usual porn studs Peter North and T. T. Boy are on hand to service the ladies, replete with slow-motion cum shots. The whole movie is phony, right down to CC's "triumphant" finish (divorcing Horner).