I honestly wanted to like this one, it is somewhat moody and slow and ponderous, which I normally don't mind if it is done well. Take David Lynch for example, to whom this movie is likened... Now he does that kind of thing probably better than anyone else I feel because he reaches right down deep into the subconscious, and even though one might not consciously understand exactly what is going on, there IS indeed a powerful atmosphere and you do really feel a tugging at your subconscious which can affect you rather deeply.
BUT... this movie here sort of tries to do that. Technically, it is put together really well, and the acting is fine. Even the basic idea of this special group who arranges 'Accidents' is intriguing. Unfortunately though, in my lowly and wretched opinion, there just isn't enough true substance behind it. Or... if it had even half of the kind of deep atmosphere that Lynch can create, then this could have worked better as more of an 'Art' film. But, I honestly feel that it simply just doesn't have enough going on to do that.
I usually don't mind 'Slow'... But, this one is really, REALLY SLOW, but without any underlying mood or strong enough vibe to make it truly interesting. Yes, the story and plot ultimately are quite good, and the running time most thankfully isn't drawn out unnecessarily which I feel would indeed have made it quite a bit worse. BUT... when all is said and done it really just comes across as very slight and I'm sure more superficial than the filmmakers intended.
There just is not enough characterization to interest you in the people. And, there also is simply not enough going on surrounding the intriguing concept I feel ultimately to make it truly satisfying or honestly in any way really entertaining. Just not much 'there' there...
So, I can see how some might be able to 'tune in' to the VERY mild and extremely understated vibe here and possibly enjoy it more so. But, to me the bottom line is that if you are going to make a story that is this extremely slow and somewhat mysterious, you absolutely HAVE to have more going on, at least in creating a substantial, palpable mood of some kind in order to justify the rather slight things that are happening on the actual screen.
So, yeah, because of what I felt was a pretty strong deficit in the result, despite a very intriguing idea, I really could only give this a '5' It wasn't awful, but I truly think it will leave many feeling like there is nothing much really there when it is over...
BUT... this movie here sort of tries to do that. Technically, it is put together really well, and the acting is fine. Even the basic idea of this special group who arranges 'Accidents' is intriguing. Unfortunately though, in my lowly and wretched opinion, there just isn't enough true substance behind it. Or... if it had even half of the kind of deep atmosphere that Lynch can create, then this could have worked better as more of an 'Art' film. But, I honestly feel that it simply just doesn't have enough going on to do that.
I usually don't mind 'Slow'... But, this one is really, REALLY SLOW, but without any underlying mood or strong enough vibe to make it truly interesting. Yes, the story and plot ultimately are quite good, and the running time most thankfully isn't drawn out unnecessarily which I feel would indeed have made it quite a bit worse. BUT... when all is said and done it really just comes across as very slight and I'm sure more superficial than the filmmakers intended.
There just is not enough characterization to interest you in the people. And, there also is simply not enough going on surrounding the intriguing concept I feel ultimately to make it truly satisfying or honestly in any way really entertaining. Just not much 'there' there...
So, I can see how some might be able to 'tune in' to the VERY mild and extremely understated vibe here and possibly enjoy it more so. But, to me the bottom line is that if you are going to make a story that is this extremely slow and somewhat mysterious, you absolutely HAVE to have more going on, at least in creating a substantial, palpable mood of some kind in order to justify the rather slight things that are happening on the actual screen.
So, yeah, because of what I felt was a pretty strong deficit in the result, despite a very intriguing idea, I really could only give this a '5' It wasn't awful, but I truly think it will leave many feeling like there is nothing much really there when it is over...