Through Fousseini (a Muslim firmly attached to his faith and traditions) and his family, Haramuya draws a picture of Ouagadougou in the traps of modernism and traditionalism. Wealth in a modern town and poverty in the suburbs. Fousseini tries to take care of his family according to the old precepts and the code of honor inherited from his ancestors. One of his sons is a cinema projectionist and supports all the family against the will of his wife. The other son idles around all day long in Ouagadougou, looking for a girlfriend.