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Pretty Good Story-Telling
Snow Leopard19 November 2004
Although it is relatively simple, this short feature is a decent example of how some pretty good story-telling can make a movie work better than the material itself would suggest. The film shows a fairly simple (though dramatic) situation on a beach, but by showing two parallel stories that led up to it, the movie creates a little more interest and suspense.

Using relatively extensive cross-cutting, "Where the Breakers Roar" starts with a group having fun on the beach, while nearby a mental patient escapes from his guards. The seaside scenes create a believable atmosphere, and the chosen title for the film suggests that this was meant to be an important feature of the story. There is not really all that much action until nearer to the end, but the cross-cutting does work in building things up. It still remains a little flat, because the characters remain non-descript, so that you never get used to caring about them very much.

It's at least average, or a bit above average, for the time and genre. With a little more development of the stories and/or characters, it could have been quite good, since the story-telling technique itself is good. It was not long before Griffith learned how to make you care about his characters, to increase your interest in his stories about them.
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3/10
Swimsuit Fashions of 1908
wes-connors6 November 2007
Linda Arvidson and Arthur V. Johnson enjoy a romantic rendezvous at the beach; meanwhile, Charles Inslee escapes from a couple of policemen, who are bringing him to a nearby "Insane Asylum"; he gets one of the lawmen's guns, and dashes off for the beach. At the beach, Inslee abducts Ms. Arvidson, taking her off in a canoe (presumably to aid in his escape). Will the swimsuit set be able to rescue fair damsel from the clutches of the maniacal Inslee?

D.W. Griffith presents an interesting situation: having a insane criminal "invade" a group of innocent young beachgoers, who are presumably unrelated to the lunatic. Note that, along the way, Inslee accosts a man, serving no other purpose than to exchange the lunatic's gun for a knife. Those looking for Director Griffith to start every genre imaginably might call "Where Breakers Roar" the proto-type "slasher film"; however, there is no slashing. Mainly, this film is an opportunity to see 1908 swimsuit fashions.

*** Where Breakers Roar (9/22/08) D.W. Griffith ~ Arthur V. Johnson, Linda Arvidson, Charles Inslee
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The Trouble with Mack Sennett...
Single-Black-Male31 December 2003
is that he was difficult to get on with. He wanted to earn his fortune out of silent comedies, and imposed himself upon Griffith to facilitate that process. He made it perfectly clear to the crew on this film what his reservations were about them.
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