Character actor Frank Albertson is a decade too old to be believable as a recent college graduate brought onto a big city newspaper on a scholarship, coming into conflict with vet reporter Lloyd Nolan. Albertson tries desperately to get the hard drinking Nolan out of several scrapes, and the result is to his own detriment as the paper deals with the top story of the murder of two racketeers who had escaped from prison.
The film is decent for the most part but even at just 75 minutes seems too long, utilizing a radio broadcast of all things to have members of the newspaper staff acting out a comic strip for a small audience. It's just a silly unnecessary attempt to show the grown men goofing off and is out of place. The attitude of Nolan towards Albertson is stemmed from his integrity, but as it begins to aide him, Nolan changes his attitude.
A subplot involving a Mexican man framed for the murder and not even knowing that his innocent plea has been entered as a guilty one should have been expanded. Doris Davenport as Albertson's love interest, Robert Armstrong as the editor, Dick Elliot as a jovial journalist and Paul Harvey as the D. A. deserve singling out. As one of over a hundred films about the newspaper business made in the 1930's and early 40's alone, it's nothing special although it has its moments, even though it seems stifled in the mainly indoor setting.
The film is decent for the most part but even at just 75 minutes seems too long, utilizing a radio broadcast of all things to have members of the newspaper staff acting out a comic strip for a small audience. It's just a silly unnecessary attempt to show the grown men goofing off and is out of place. The attitude of Nolan towards Albertson is stemmed from his integrity, but as it begins to aide him, Nolan changes his attitude.
A subplot involving a Mexican man framed for the murder and not even knowing that his innocent plea has been entered as a guilty one should have been expanded. Doris Davenport as Albertson's love interest, Robert Armstrong as the editor, Dick Elliot as a jovial journalist and Paul Harvey as the D. A. deserve singling out. As one of over a hundred films about the newspaper business made in the 1930's and early 40's alone, it's nothing special although it has its moments, even though it seems stifled in the mainly indoor setting.