Decent Sylvester cartoon made in the waning years of the classic era for Looney Tunes. The plot to this one starts with Sylvester and his son watching a fishing program on television. Junior takes some jabs at dad's fishing abilities, which leads Sylvester to try and prove to his worth. So off to the aquarium they go where Sylvester tries to catch various exotic fish with predictably disastrous results. The gags are amusing and just about every line out of Junior's mouth will give you a chuckle. The animation and music are good for the period when quality was declining across the board for largely economic reasons. It's definitely not in the league of some of the earlier great Looney Tunes shorts but better than a lot of what was to come.
4 Reviews
"No matter WHAT father tries to do . . . "
oscaralbert6 December 2015
Warning: Spoilers
" . . . he always ends up going to the dog(fish)'s," Sylvester, Jr., concludes this FISH AND SLIPS "Looney Tunes" outing for Warner Bros. Following the same plot as the feline duo's earlier CAT'S PAW offering, but moving from a wilderness cliff setting to a (closed) Municipal Aquarium (and substituting fishing for bird-stalking), FISH AND SLIPS shows that Pops Cat is no match for anything that swims. Sylvester Sr. starts in the piranha tank, getting in further and further over his head from there. (At one point, he's swallowed by Shamu before being flipped around by Flipper and another water polo-playing dolphin.) Strangely enough, this episode begins with a rare cameo by Warner's long-time animated shorts editor, Treg Brown (who pieced together 865 "Merrie Melodies" and "Looney Tunes" between 1933 and 1979.) Mr. Brown supposedly has attracted Sylvester Senior's envy by catching a record-setting "sharp-nosed trout." As Mr. Brown opines to a radio interviewer, "'Twern't Nothing.'"
Canine fish trouble
TheLittleSongbird3 February 2018
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.
'Fish and Slips' is not one of Robert McKimson's best overall and there are better Sylvester and Junior cartoons. To me though, it is somewhere in the top middle of his later efforts. His late period saw a fair share of pretty weak cartoons (though nowhere near as bad-faring as the worst of Alex Lovy and Rudy Larriva), in what was in all fairness a patchy decade, particularly the latter part, generally for Looney Tunes, so seeing a cartoon that was pretty decent for that decade was pleasing.
Is 'Fish and Slips' a perfect cartoon? No. The story is pretty simplistic and predictable and budget limitations and time constraints is sometimes evident in some roughness here and there.
There is a lot to enjoy though. The plot is fairly standard but has tremendous energy and enough freshness and amusement to keep one interested.
While never quite hilarious, the gags are at least fun and amusing, with lively timing, while the dialogue has a good amount of sharpness and wit. Have always liked Sylvester and Junior together, they are a funny pair and there is also heart to their relationship. That can be seen in 'Fish and Slips' even if it has been stronger in their earlier cartoons.
Junior is amusing and avoids being too cutesy. The most interesting and funniest character is Sylvester, he takes the laughs to very funny effect and is suitably cunning but one roots for him too. Also love the fish.
Generally, the animation could have been so much worse considering the period. It is very colourful and there is fluidity and detail here, though there clearly wasn't the budget or time to be more imaginative or elaborate.
Am more of a Carl Stalling person myself, but Milt Franklyn's music is full of energy and lush and clever orchestration, while not quite enhancing the action that Stalling did so consistently brilliantly Franklyn's music always added a lot.
Mel Blanc very rarely put a foot wrong, he was an unequalled master at giving individuality to more than one (often multiple) character, always sounded like he was having fun and never phoned it in when his material was weak. As ever he is outstanding and clearly was enjoying himself a lot, helped by that his dialogue allowed him to do so.
Overall, not bad at all if not particularly mind-blowing. 7/10 Bethany Cox
'Fish and Slips' is not one of Robert McKimson's best overall and there are better Sylvester and Junior cartoons. To me though, it is somewhere in the top middle of his later efforts. His late period saw a fair share of pretty weak cartoons (though nowhere near as bad-faring as the worst of Alex Lovy and Rudy Larriva), in what was in all fairness a patchy decade, particularly the latter part, generally for Looney Tunes, so seeing a cartoon that was pretty decent for that decade was pleasing.
Is 'Fish and Slips' a perfect cartoon? No. The story is pretty simplistic and predictable and budget limitations and time constraints is sometimes evident in some roughness here and there.
There is a lot to enjoy though. The plot is fairly standard but has tremendous energy and enough freshness and amusement to keep one interested.
While never quite hilarious, the gags are at least fun and amusing, with lively timing, while the dialogue has a good amount of sharpness and wit. Have always liked Sylvester and Junior together, they are a funny pair and there is also heart to their relationship. That can be seen in 'Fish and Slips' even if it has been stronger in their earlier cartoons.
Junior is amusing and avoids being too cutesy. The most interesting and funniest character is Sylvester, he takes the laughs to very funny effect and is suitably cunning but one roots for him too. Also love the fish.
Generally, the animation could have been so much worse considering the period. It is very colourful and there is fluidity and detail here, though there clearly wasn't the budget or time to be more imaginative or elaborate.
Am more of a Carl Stalling person myself, but Milt Franklyn's music is full of energy and lush and clever orchestration, while not quite enhancing the action that Stalling did so consistently brilliantly Franklyn's music always added a lot.
Mel Blanc very rarely put a foot wrong, he was an unequalled master at giving individuality to more than one (often multiple) character, always sounded like he was having fun and never phoned it in when his material was weak. As ever he is outstanding and clearly was enjoying himself a lot, helped by that his dialogue allowed him to do so.
Overall, not bad at all if not particularly mind-blowing. 7/10 Bethany Cox
"I have a feeling that a disaster is about to happen"
boblipton19 July 2014
Sylvester and his son watch a TV show about fishing, then go fishing themselves -- at the aquarium. The daddy cat's efforts to catch a fish are not successful.
With the rise of television cartoons, the theatrical market was rapidly drying up and inflation was eating away at the budgets. Although director McKimson tries to compensate with simplified character design and limited animation, the pep was gone from the series.
While certainly watchable, even in this reduced state, thanks to a decent script by David Detiege, the handwriting was on the wall. Warners would soon close the cartoon department. Although there would be erratic revivals for the next few years, the era of classic animation at the studio would end.
With the rise of television cartoons, the theatrical market was rapidly drying up and inflation was eating away at the budgets. Although director McKimson tries to compensate with simplified character design and limited animation, the pep was gone from the series.
While certainly watchable, even in this reduced state, thanks to a decent script by David Detiege, the handwriting was on the wall. Warners would soon close the cartoon department. Although there would be erratic revivals for the next few years, the era of classic animation at the studio would end.
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