Directed by
| Alan Rudolph | ||
Writing Credits
| William Reilly | ||
| Claude Kerven | ||
| William Shakespeare | ... | (title) (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Stuart Benjamin | ... | executive producer |
| Joseph M. Caracciolo Jr. | ... | line producer |
| John Fiedler | ... | producer |
| Taylor Hackford | ... | executive producer |
| Demi Moore | ... | co-producer |
| Mark Tarlov | ... | producer |
Music by
| Mark Isham | ||
Cinematography by
| Elliot Davis | ... | director of photography |
Editing by
| Tom Walls | ||
Casting By
| Donna Isaacson | ||
| John S. Lyons | ... | (as John Lyons) |
Production Design by
| Howard Cummings | ||
Art Direction by
| Bob Shaw | ... | (as Robert K. Shaw Jr.) |
Set Decoration by
| Beth Kushnick | ||
Costume Design by
| Hope Hanafin | ||
Makeup Department
| Joseph A. Campayno | ... | additional makeup artist |
| Scott H. Eddo | ... | makeup artist: Bruce Willis |
| Janet Flora | ... | makeup artist |
| Francesca Paris | ... | hair department head |
Production Management
| Donna E. Bloom | ... | unit manager |
| Joseph M. Caracciolo Jr. | ... | unit production manager |
| Doreen A. Dixon | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Vicki Cherkas | ... | dga trainee |
| Robert V. Girolami | ... | first assistant director (as Robert Girolami) |
| Jane Paul | ... | second assistant director |
| Jimmy Raitt | ... | second second assistant director |
| Greg Walker | ... | second unit director |
| Martha L. Mericka | ... | assistant director (uncredited) |
Art Department
| Suzy Abbott | ... | chargeman scenic artist |
| Dimitri Apletchef | ... | property master |
| Guido DeCurtis | ... | set dresser |
| Andrew Lassman | ... | set dresser |
| Laura Mernoff | ... | painter |
| Mark Paul Selemon | ... | set dresser |
| Anthony Baldasare | ... | set dresser (uncredited) |
| Tom Conway | ... | set dresser (uncredited) |
Sound Department
| Gary Alper | ... | sound mixer |
| Mark Berger | ... | Supervising Re-recording Mixer |
| Ann Ducommun | ... | assistant sound editor |
| Albert Gasser | ... | dialogue editor |
| Gary Gegan | ... | Foley/ADR Mixer |
| Gary A. Hecker | ... | foley artist (as Gary 'Wrecker' Hecker) |
| Doug Kent | ... | foley editor |
| Richard King | ... | supervising sound editor |
| Melissa Lytle | ... | assistant sound editor |
| Larry Oatfield | ... | re-recording mixer |
| Catherine Rowe | ... | foley artist (as Katherine Rowe) |
| Mark P. Stoeckinger | ... | dialogue editor (as Mark Stoeckinger) |
| Philip Rogers | ... | sound recordist (uncredited) |
Stunts
| Norman Douglass | ... | utility stunts |
| Marguerite Happy | ... | stunt double: Joyce |
| Steve Mack | ... | utility stunts |
| Phil Neilson | ... | utility stunts (as Phil Nielson) |
| Janet Paparazzo | ... | stunt double: Cynthia |
| Michael Russo | ... | utility stunts (as Mike Russo) |
| Rick Seaman | ... | utility stunts |
| Greg Walker | ... | stunt coordinator |
Camera and Electrical Department
| Nico Bally | ... | grip |
| Sam Bender | ... | chief lighting technician |
| Sandy Brooke | ... | assistant camera |
| Ted Churchill | ... | steadicam operator |
| Richard Dobbs | ... | dolly grip |
| Alec Hirschfeld | ... | director of photography: second unit |
| Roberto Jiménez | ... | best boy electric |
| Ron Kunecke | ... | musco light operator |
| Paul Postelnicu | ... | second assistant camera |
Casting Department
| Joy Todd | ... | additional casting |
| Grant Wilfley | ... | casting assistant |
Costume and Wardrobe Department
| Juliet Polcsa | ... | assistant costume designer |
| Melissa Stanton | ... | wardrobe supervisor |
Editorial Department
| Gary Burritt | ... | negative cutter |
| Peggy Davis | ... | second assistant editor (as Peggy A. Davis) |
| Ann Ducommun | ... | assistant editor |
| Sean Hubbert | ... | first assistant editor (as Sean Thomas Hubbert) |
| David Orr | ... | color timer |
| Daniel R. Padgett | ... | apprentice editor |
Location Management
| Steve Housewright | ... | location scout (as Steven E. Housewright) |
| John Penotti | ... | location staff |
| Anne Reddington | ... | location staff |
Music Department
| Tom Boyd | ... | oboe soloist |
| Sandy De Crescent | ... | orchestra contractor (as Sandy DeCrescent) |
| Stephen Krause | ... | scoring mixer |
| Richard McIlvery | ... | scoring stage manager |
Transportation Department
| Richard Curry | ... | driver: Ms. Moore and Mr. Willis |
| Patrick Hogan | ... | driver |
| Harry J. Leavey | ... | transportation captain |
Additional Crew
| Robert C. Albertell | ... | production assistant |
| Timothy Alberts | ... | supervisor |
| Daneen Lagrone Conroy | ... | assistant: Ms. Moore (as Daneen Conroy) |
| Anthony D'Esposito | ... | production assistant |
| Robert Girolami Jr. | ... | production assistant |
| Ilene S. Landress | ... | assistant accountant |
| Clare Leavenworth | ... | assistant: Mr. Willis (as Claire Leavenworth) |
| Lawrence F. Mullane Jr. | ... | technical advisor |
| Todd Rathner | ... | production assistant |
| Howard Samuelsohn | ... | dialogue coach: Demi Moore |
| Lori H. Schwartz | ... | production associate |
| L.J. Van Cleave | ... | post-production accountant |
| Jon Sperry | ... | dialect coach: Harvey Keitel (uncredited) |
| Mike Timoney | ... | stand-in: Bruce Willis (uncredited) |
Thanks
| Scott W. Anderson | ... | special thanks |
| David Blocker | ... | the producers wish to thank |
| John Keating | ... | the producers wish to thank |
