'Halome Ami' was filmed silent, with a post-dubbed soundtrack, so I'll review the image and the sounds separately. The film consists of travelogue footage of Eretz Israel: the Palestinian homeland of the Jewish people before the nation of Israel was officially recognised. There is some fascinating footage of collective farms (were they already called 'kibbutzim' at this early date?), as well as a few Holy Land sites that are likely to be of greater interest to Christian viewers. There is also an enjoyable sequence with some Jewish girls performing a folk dance in festive costumes.
The soundtrack consists primarily of post-dubbed narration, but there is also some singing (a capella) by Cantor Rosenblatt, who was apparently the guiding force behind this film. There are a few very crude musical passages. The entire film was clearly made on a very small budget; the crudeness shows, and the director displays little aptitude for cinematic techniques.
At the time when it was made, 'Halome Ami' was probably intended to apprise audiences in America and Europe of the ongoing struggles of the Eretz Israelis to reclaim a homeland for themselves. This movie is definitely a piece of propaganda, although 'propaganda' is not necessarily an unfavourable term. Viewed from a modern standpoint, when the filmmakers' Zionist cause has long since been achieved, this movie's original purpose is no longer relevant. Fortunately, 'Halome Ami' is still a compelling film, due to its historical interest. And for those who are not especially interested in Israel's history, the travelogue footage and the folk dance sequences are still enjoyable.
I commend this movie's good intentions, but they are only partially successful. I'll rate 'Halome Ami' 5 points out of 10.
The soundtrack consists primarily of post-dubbed narration, but there is also some singing (a capella) by Cantor Rosenblatt, who was apparently the guiding force behind this film. There are a few very crude musical passages. The entire film was clearly made on a very small budget; the crudeness shows, and the director displays little aptitude for cinematic techniques.
At the time when it was made, 'Halome Ami' was probably intended to apprise audiences in America and Europe of the ongoing struggles of the Eretz Israelis to reclaim a homeland for themselves. This movie is definitely a piece of propaganda, although 'propaganda' is not necessarily an unfavourable term. Viewed from a modern standpoint, when the filmmakers' Zionist cause has long since been achieved, this movie's original purpose is no longer relevant. Fortunately, 'Halome Ami' is still a compelling film, due to its historical interest. And for those who are not especially interested in Israel's history, the travelogue footage and the folk dance sequences are still enjoyable.
I commend this movie's good intentions, but they are only partially successful. I'll rate 'Halome Ami' 5 points out of 10.
