"Night Gallery" A Question of Fear/The Devil Is Not Mocked (TV Episode 1971) Poster

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7/10
"Time again for your weekly excursion into the cultural." - Rod Serling
classicsoncall26 May 2017
Warning: Spoilers
It's a little difficult to tell that was Leslie Nielsen under the eye patch in the first entry of this episode. If I didn't know it was him up front I don't think I could have guessed. It's funny, but everything I've seen Nielsen in that he made prior to 1980's "Airplane", it's always been in a serious role. Here he's portraying a fearless Army colonel wagering fifteen grand on staying in a haunted house for one night without losing his nerve. The challenge is put to him by an acquaintance named Dr. Mazi (Fritz Weaver), and it's not until well into the story that we learn of a revenge motive in play on the part of the doctor. It appears Colonel Molloy would have won the bet in a straight up unrigged contest, but the vengeful Mazi set things up so that Molloy couldn't worm his way out of a losing proposition.

It's not too long into the second story before one should be able to figure out where this one is going. The Count's (Francis Lederer) flamboyant cape and the howling wolves outside his castle are a dead giveaway when a German high command officer (Helmut Dantine) comes calling to put an end to the Resistance forces lined up against the Nazi war machine. Rod Serling's intro to the story described it as one in which evil confronts evil, and in a way that was so, but anyone with a patriotic streak will view the resolution with some glee. Good job there, Count.
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7/10
I Was Pulling for Leslie
Hitchcoc7 June 2014
"A Question of Fear" is one of those bets that take place when a group of men have to exhibit their testosterone levels. Leslie Nielsen, normally a comedic actor, plays a soldier of fortune who is appalled by another man's (Fritz Weaver's) description of being utterly beset by fear attempting to stay in a haunted house.. Nielsen claims he has never been afraid and bets Weaver 10,000 dollars that he will not die of fright staying in the same house overnight. The game is afoot and Nielsen bids adieu to his rival. There is a great deal of techno-fear engendered by Nielsen is expecting this kind of stuff, and rejects it. Of course, we know that something more sophisticated and more cerebral is coming, so we wait it out. It's interesting. Throughout the entire episode I was pulling for the "bad" guy. I wanted him to have the wherewithal to succeed. This must have been a relatively expensive episode to produce.

I ran across "The Devil Is Not Mocked" a summer or so ago, so I knew how things would transpire. It tells the tale of a battalion of Nazis approaching a castle where they suspect an underground movement is being initiated. Rather than being repelled, they are met at the door by a gregarious, dignified man in a cape. He invites them in. Even their armor is allowed to enter the courtyard. The servants see to their needs. The host is unflappable. He continues to insist they will not find anything but are welcome to continue to search. The Nazi captain is convinced that there are escape routes but that no one will escape. This one can be figured out easily about a third of the way through. Still, it's a good deal of fun.
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7/10
Good writing and acting in this solid episode.
Hey_Sweden20 August 2020
'A Question of Fear'. Scripted by Theodore J. Flicker, based on a story by Bryan Lewis. Leslie Nielsen stars as Colonel Dennis Malloy, a veteran mercenary who prides himself on never feeling fear. Not putting any stock in superstition, he accepts a bet from a man named Dr. Mazi (Fritz Weaver): spend one night alone in a supposedly haunted house, earn $10,000. Malloy figures it'll be money in the bank. Well, he does experience some general weirdness, but he doesn't suspect what actually lies in store for him. This segment is a pleasant surprise, given that it marks a directorial effort for series producer Jack Laird; Laird was usually responsible for the forgettable comic interludes on the series. While never actually scary (and that's not really the point of the segment, anyway), it does have an appealing "lost in the funhouse" vibe - until the big twist is dumped into Malloy's lap. We then see how suggestible he really is. Taking up almost 80% of the total episode run time, 'A Question of Fear' is very engaging entertainment, with fun performances by Nielsen and Weaver. 11 years later, they were both in the anthology feature film "Creepshow", although they appeared in different segments there.

'The Devil Is Not Mocked'. Scripted by Gene R. Kearney (who also directs), based on a short story by Manly Wade Wellman. Host Rod Serling explains the effectiveness of the basic premise beforehand: what if one villain is faced with a different, even more insidious evil? Top Nazi von Grunn (Helmut Dantine) and his troops enter the Balkan castle of an unnamed Count (the well cast Francis Lederer), intending to expose the Count as the leader of a resistance. But von Grunn is going to get a nasty surprise from the Count. Again, we are treated to some great acting from the principals, with an officious Dantine and an amiable Lederer commanding our attention. The viewer might get the twist ending spoiled for them elsewhere, but yours truly will leave it to you to see for yourselves.

Familiar faces in bits include Jack Bannon and Martin Kosleck.

Seven out of 10.
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9/10
Hidden Horrors
AaronCapenBanner11 November 2014
'A Question Of Fear' - Leslie Nielsen plays a mercenary who accepts the bet made by a man(played by Fritz Weaver) who challenges him to spend the night in a haunted house for money. The mercenary scoffs at the cheap horror tricks on display in the house, but a hidden agenda comes into play, as the mercenary is faced with another horror entirely unexpected... Memorable tale is equal parts fun and menacing, with surprises and a nifty double twist ending.

'The Devil Is Not Mocked' - Francis Lederer plays a Transylvanian count who finds his castle invaded by the Nazis during World War II, but it then becomes a fight of who are the worst monsters... Most satisfying tale with an unbeatable premise of real vs. "unreal" monsters. Lederer's casting is most clever, having played this role before in "The Return Of Dracula".
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The Devil is not Mocked
paulbehrer221736 March 2009
Warning: Spoilers
In this segment, adapted by Gene Raser Kearney from the Manly Wade Wellman short story (Kearney also directed it), an SS unit led by Gruppenfuhrer Von Grunn (Helmut Dantine, who was well-known for playing Nazi officers in cinema and television) is moving through the Balkans and Carpathia to secure the areas for the Third Reich, coming to a dark castle owned by Count Dracula (Francis Lederer, who played this role in the 1958 film The Return of Dracula), who doesn't reveal his identity to Von Grunn until after all of Von Grunn's troops are savaged by the servants of the Count prior to telling his grandson the rest of his account of his wartime service to his country, displaying in a frame on a castle wall the decoration for said service therein. I enjoyed seeing it because the idea of a Nazi and his men being a midnight snack for Transylvania's most renowned bloodsucker and his servants, who were just as undead as he was, intrigued me a great deal. Spoiler Alert! Hank Brandt, who played Nazis in Combat! the Gene Levitt-produced World War 2 series featuring Vic Morrow and Rick Jason in the primary male leads, played the role of Standartenfuhrer Kranz, Von Grunn's ill-fated second-in-command in the segment.
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9/10
Very good!
Jordan_Haelend21 July 2009
This epi certainly poses a good question: what happens when evil collides with evil, as Serling himself puts it. I grant you that I was sort of bothered by some nitpicky details-- the uniforms the SS were shown wearing were wrong for the period and the Halftrack was an (obviously) American one. However, the use of the small staff car and the Mercedes-Benz six-wheeler were very good touches.

Francis Lederer was a man totally devoted to his craft, still teaching Acting until the end of his very long life, and I was amused by the fact that Dantine was himself a former concentration camp inmate!

All in all, this is one fine episode, thanks primarily to the acting that is on display here.
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7/10
Not bad!
mm-399 March 2024
Warning: Spoilers
A Question of Fear has the Naked gun guy play a heavy role. Strong start as MR Fearless is con into going into a haunted house. A slow burn story un ravels. What work was the stunts at the house which keeps the viewer guessing and entertained. Well the mind games plot twist I could see the twist coming a mile a way. Bit, dated but still entertaining. Well the Vampire one you could not take to seriously. Well well acted, and directed with a good clique Evil vs worse Evil. The Nazi vs Vampires who will win? Sounds like a video game. Entertaining, but could see the ending a mile away. One likes it when the villain has the tables turn on him and was too arrogant to see it coming. 7 stars.
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9/10
A Question of Fear; one of the series best
Mccadoo4 August 2021
I loved Night Gallery when it was first run just as I loved the reruns (was too young for first run) of The Twilight Zone. And while I've seen endless reruns of The Zone on cable, including the SyFy marathon every year I hadn't seen an episode of Night Gallery in years.

Two episodes of the series always stuck with me over the years though, the one in the pilot about the man scaring his father to death with paintings of the graveyard adjacent to their house and this one; A Question of Fear.

Since I couldn't find the series streaming anywhere I bought the first three seasons on DVD and just watched this episode for the first time in decades. A lot of these old shows don't hold up well over time, something we don't realize until we finally watch them again. The Zone is NOT one of those shows, it holds up perfectly. And I have to say that while I haven't watched any others yet this episode of Night Gallery has also held up very well.

Yes, the special effects are rudimentary compared to today but that really doesn't matter because everything else; the acting, and most of all the story, are just as good as I remembered them to be. And even though I already knew the plot twist at the end it didn't matter. It was a joy to finally watch this episode again and I look forward to working my way through all three seasons I have on DVD.

I highly recommend this series. It's aged very well and still provides great entertainment. The likes of Rod Serling will not pass this way again, mores the pity.
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8/10
One of the grisliest for a surprising reason
mmallory-899263 November 2018
"A Question of Fear" has the time-honored premise of a boastfully fearless man dared to spend a night in a haunted house, though there is a lot more to it than that (I won't spoil). It is a long, measured horror/ghost story that is genuinely unsettling, but not for its special effects or gruesome makeups. While some of the effects are indeed startling, the makeup is shockingly amateurish. Fritz Weaver's spraycan white hair (which ostensibly turned white from shock) is downright embarrassing, and the makeup on a recurring apparition wouldn't pass the muster in a community theatre. What makes the story so scary is its implication and the performance of Weaver who describes a series of horrors in so chillingly that it doesn't need jumpcut scares and horrible faces. Leslie Nielsen is good as the ultra-macho "hero," but it is Weaver who really smacks this one out of the park.

"The Devil is Not Mocked" about a group of Nazis arriving at a Balkan castle to take it over during World War II is competently done, but anyone who cannot see the punchline coming a kilometer away should stop watching horror films. Particularly unnecessary is a wraparound sequence about a doting grandpa telling his grandson what he did in the great war.

This episode is worth watching largely for "A Question of Fear."
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10/10
Leslie Nielsen his usual brilliant self
fred_loeper25 October 2019
"A Question of Fear" is a very good episode. Neilsen and Weaver go hand in glove. The ending is a bit weak and could have been left ambiguous. Watching it first run had me going.
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5/10
Weak Ending Drags Down What Otherwise Would Have Been a Strong Show
chrstphrtully9 August 2009
Warning: Spoilers
I've always found "Night Gallery" to be one of the most frustrating series to watch. Far too often, the series' episodes would do a fine job of setting up their stories, then ultimately bungle the payoff. "A Question of Fear" is a perfect example.

While regaling club members with stories of a haunted house that turned his hair white, a visiting doctor (Fritz Weaver) is ridiculed by one of the club's members (Leslie Nielsen), an arrogant career soldier who has no respect for those who exhibit fear. The two then make a bet, that Nielsen cannot spend a full night in the house without experiencing fear. Once we get inside the house, the story goes through a few twists -- unfortunately, the last of these twists makes absolutely no sense, and cheats the viewer.

The problem comes with establishing Nielsen's character -- despite the negative traits we learn later (particularly, arrogance and sadism) -- he is otherwise presented as highly intelligent, resourceful and essentially fearless. Despite this, the final twist requires that the character be a fool and utterly gullible. Rather than the utterly fantastic scenario Weaver spins for Nielsen (with minimal to non-existent corroboration), it would have made far more dramatic sense to created a more realistic scenario that brings out a different type of fear (i.e., in response to a different, more realistic form of danger). Instead, the writers opted for the former, playing off the ghoulish nature of many episodes, betraying the strong story they've set up.

All of this is a real shame, because Nielsen gives a strong performance as a character in whom there's just as much to admire as detest. Weaver, too, is dependable (as always), and director Jack Laird does a good job of building suspense during the night in the haunted house. It's just a shame the writers and/or producers (including Laird) didn't have sufficient confidence in their characters and premise to see them through to a logical conclusion.
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A Question of Fear
paulbehrer2217313 March 2009
Warning: Spoilers
At a gentlemen's club Dr. Mazi (Fritz Weaver) is telling his friends of his experiences while at a haunted house, saying that until his visit there, he wasn't given to showing any fear, and that he was so scared that his hair turned white and he'd fainted, reviving to have no memory of the events. Colonel Denny Malloy (Leslie Nielsen) derides Mazi for his fear, saying that he himself is immune to being afraid as he doubts the existence of ghosts or demons, adding that he'd killed his first man in hand to hand combat while fighting Franco's army in the Spanish Civil War, and served in both the British and American armies in World War 2, the French Foreign Legion in the 1950s, and had been making his living as a mercenary up to now. Mazi bets $10,000 that Malloy won't be able to spend 1 night in that very house without being scared to death, and Mazi's friends add $5,000 to the bet. Malloy accepts the bet with a laugh, saying that for $15,000 he'd survive a night in Hell. Malloy arrives at the house that night, and begins his visit, taking his pack, a flashlight, and a .38 caliber Smith and Wesson revolver with a 4 inch barrel. While in the dining room, Malloy draws his gun and fires a shot at a ghost, only to see it vanish, leaving a blood trail. While in the kitchen, Malloy takes a spare light and extra bullets for his gun as he goes to check the cellar. He enters the cellar to find a slimy trail, sees the ghost again, and he empties his gun at it, only to see it vanish. He returns to the kitchen, puts fresh bullets in his gun, and drinks coffee from his thermos. When he hears the piano being played, Malloy checks the music room, and sees the ghost again, who turns to face him with flaming hands. Malloy sees a gas line attached, and suspects a setup. He cuts it, and the flames die out. Malloy says to Mazi that he should add an extra $10,000 to the $15,000 bet earlier since that was the amount of money spent by Mazi to arrange the setup. He goes to get some sleep, and is pinned to the bed by metal restraints, with a pendulum coming closer to his throat. When Malloy yells that bets can't be paid by dead men, the blade stops short of his throat. Malloy snarls that Mazi wants to see him afraid, and that he won't be reduced to Mazi's level. He goes to sleep, waking the next morning to find breakfast waiting for him. Mazi appears on a closed circuit TV in the kitchen, his hair now black, and tells Malloy that while the food is safe, the coffee in Malloy's thermos was laced with a sedative. He admires Malloy's courage and resolve in surviving Mazi's setup, but adds that as brave as Malloy is, all men have a breaking point, and Malloy has one, too. Mazi asks Malloy if he remembers the capture of his musician father while Malloy was in the British 8th Army during its drive to Tobruk, as America had yet to enter World War 2. Mazi's father, who was a junior officer in the Italian army at the time, was burning secret papers at Sidi Barani when Malloy's unit caught him. Malloy asked him about the arrival of Rommel's Afrika Korps, and when Mazi's father was unable to give him the information since he was a low-ranking officer, Malloy burnt his hands to useless stumps. Needless to say, Mazi's father would never play music again, and Mazi had made a vow before his father died to punish Malloy for this atrocity, adding that when he, as a biochemist, wasn't making biological and chemical weapons for the American military, he'd been tracking Malloy's routine, waiting for a chance to exact revenge. Mazi then tells him of a serum made to destroy the human skeleton, reducing the victim to an earthworm, or in the case of Mazi's colleague, a big slug, adding that while Malloy slept, Mazi gave him the serum, and that the change would happen in a matter of months, during which Malloy would be able to collect the bet. Mazi then says that even if Malloy went to the cops or a doctor, he would be disbelieved, and even if they did believe him, nothing could be done for Malloy as no antidote existed, and they would likely cover up the event anyway. Malloy is asked to check the cellar again, to see Mazi's colleague. Malloy goes to the cellar door, then stops. Mazi then taunts Malloy to go and see what he'd be. Malloy snarls, "You still lose, Mazi," turns his gun on himself, and fires. Mazi tells Malloy's corpse that he lost since the cellar was empty all along. This revenge tale really grips the throat of the viewer each time it is seen. Spoiler Alert: The limousine in which Malloy and Mazi arrive at the house is a 1969 Lincoln Continental, and it makes an appearance in several more segments.
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8/10
Two on the money stories
Woodyanders14 September 2018
Warning: Spoilers
"A Question of Fear" - Tough and unflappable war veteran Colonel Dennis Malloy (a fine performance by Leslie Nielsen) accepts a $10,000 dollar bet from Dr. Mazi (the always excellent Fritz Weaver) to spend a night in a haunted house. Director Jack Laird crafts a nicely spooky ooga-booga atmosphere and milks the moldy old abode setting for all it's worth. Nielsen makes for a deliciously arrogant macho jerk. The sadistic surprise twist ending is a doozy.

"The Devil is Not Mocked" - Count Dracula (smoothly played by Francis Lederer) and his servants fight back against a battalion of Nazis led by General von Grunn (a perfectly slimy Helmut Dantine). This story proves to be a lot of fun, with an inspired central idea of pitting a legendary monster against even worse human monsters.
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5/10
And Just Where Did They Think Transylvania Was?
P_Cornelius9 March 2011
Warning: Spoilers
Well, about "The Devil is Not Mocked." My 15 year-old self (my age when the episode premiered and I first saw it) would probably have given this segment 9 out 10 stars. And it still sends a few chills down my spine. But much of that initial thrill has dampened through the years. Yes, Helmut Dantine is still a pleasure to watch, albeit he is there but briefly. And the collision of evil with evil is a wonderful idea. But two things irritate. First, the premise: that the count and his cohorts were a "patriotic" resistance group. Transylvania was (is?) a region populated overwhelmingly by Magyars. And, of course, the Magyars of Hungary were enthusiastic *allies* of the Nazis. Not the least because one of Hitler's rewards for Hungary's joining him was the return of Transylvania from Romanian control--Romania's control being considered an act of theft by most Transylvanians following the First World War. (Oh, and, by the way, Romania was also a Nazi ally, so however you look at it, the Count was a "traitor," not a "patriot.") Second, is the use of Dracula (another figure of Magyar/Hungarian heroic lore). He comes off pretty close to looking like Count Chocula, here. And aren't silver bullets for werewolves, not vampires? Still an enjoyable 20 minutes or so, even today.
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only the ending disappointed
stones7811 October 2010
Warning: Spoilers
This review is in regards to A Question of Fear starring the always entertaining Leslie Neilson as an arrogant general named Malloy who questions a doctor's inner fortitude. The good doctor with the funny name, Mazi, challenges the general to a wager to stay in an old abandoned house for just one night for $10,000; naturally, the confident Malloy accepts the bet and agrees to stay, and is rather smug about it. Considering this episode is from the early 70's, I thought the creepy house and effects were done rather well, except for the ridiculous flying bat which was very fake looking. The general reacts to most of the scares like I expected him to, very brash and confident; he even mocks Mazi. Soon after, the episode has an interesting twist in which Mazi speaks to Malloy on a television set in the old kitchen the next morning. The conversation revolves around drugs and slugs, and to me, this is where it takes an unfortunate downturn as the once cool Malloy suddenly loses his coolness without looking into the doctor's story while he takes everything he says at face value. Malloy shoots himself to death after being told this story by the vengeful doctor. My biggest qualm is how this proud general, whose been in war battles and is arrogant, suddenly falls apart without proving this fantastic story told to him.
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4/10
Come back Rod
BandSAboutMovies17 February 2023
Warning: Spoilers
There are only two stories in this visit to Night Gallery and it's the first episode where Rod Serling had nothing to do with the stories other than hosting. The first tale is decent but the second is expected.

In "A Question of Fear," mercenary Colonel Dennis Malloy (Leslie Nielsen) laughs when Dr. Mazi (Fritz Weaver) discusses how dangerous a haunted house is. Mazi challenges him to stay overnight to make $10,000, which the eyepatched military man believes is easy money. The ending, however, with its discussion of transforming men into earthworms, elevates this from a basic scare to inspired weirdness. It's also helped by Nielsen and Weaver's performances.

It's directed by Jack Laird and there, I actually said something kind about something that he did on Night Gallery. The script is by Theodore J. Flicker, the creator of Barney Miller and director of Jacob Two-Two Meets the Hooded Fang. He based it on a story by Bryan Lewis.

If the exterior of the haunted house is familiar, it should be. It's the Psycho house in Universal Studios.

"The Devil Is Not Mocked" finds SS General von Grunn (Helmut Dantine) meeting the owner of an Eastern European castle, a mysterious count (Francis Lederer) who may say that he's the leader of a small resistance group but you know, doesn't show up in mirrors.

Lederer played Dracula in The Return of Dracula, so it's pretty much assumed he is who he is when you first meet him. There are no surprises, but this is fine. It's not Rod Serling Night Gallery pitch blackness, however.

This was directed and written by Gene R. Kearney. It was based on a story by Manly Wade Wellman, whose story "Still Valley" was an episode of The Twilight Zone, "Rouse Him Not" on Monsters and the movie The Legend of Hillbilly John, which came from his book Who Fears the Devil?

Here's hoping for Serling to make a return next week.
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Malloy vs Mazi and Dracula vs Nazis.
BA_Harrison24 February 2023
Hidden behind a Phantom of the Opera mask and make-up for his previous Night Gallery appearance, Leslie Nielsen is more recognisable this time around, although he does sport an eye patch and a bushy moustache, and his hair isn't white. Dr. Mazi (Fritz Weaver) thinks he might be able to change that last detail: he challenges fearless Colonel Dennis Malloy (Nielsen) to spend a night in the haunted house that caused his own hair to go white. If he can survive the night without dying of fright, the colonel will receive $10,000.

A night of eerie events ensues, but Malloy manages to keep his calm, making it through to morning, when Mazi reveals his true colours: he is seeking revenge for his father, who Malloy tortured during World War II. He informs the colonel that, while he was asleep, he was injected with a serum that will slowly turn him into an earthworm. Now that is something I would have loved to have seen... Leslie Neilsen transformed into a writhing worm... but it doesn't happen. The colonel shoots himself instead, after which Mazi reveals that he was bluffing. I wanted an earthworm Leslie Nielsen, goddammit! I feel cheated.

Tale number two is wholly predictable: during WWII, the German army arrives at a castle in the Balkans which they suspect is the HQ of the resistance. No prizes for guessing that the count who owns the castle is Dracula and his servants are werewolves.
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