Seriously. You're on a foreign planet being eaten by a gigantic swamp worm. Talk later. Escape now. Instead we get melancholic music and a speech. This series regularly suffers by this writers trope, interjecting off-pace drama during time sensitive scenarios to manufacture danger. Heck, the same trope caused this crash - the previous episode would have been a clear cut escape, if the decoy had been utilised sufficiently. Again, crisis and action is put on hold while iterations of the title theme play as the camera switches between circling and close ups of our main characters. Cheap, manufactured emotions, again.
ESCAPPEE FIRRSSSTTT.
Essentially, this episode tried to emulate/recycle the earlier and superior 'Judy flashback' episode, when her Father was stuck down the mineshaft. Now it's her mother stuck in a chair. With truly talented writers, this show could have been a real gem. Instead, it's just okay.
Beats Star Trek Discovery, though!
ESCAPPEE FIRRSSSTTT.
Essentially, this episode tried to emulate/recycle the earlier and superior 'Judy flashback' episode, when her Father was stuck down the mineshaft. Now it's her mother stuck in a chair. With truly talented writers, this show could have been a real gem. Instead, it's just okay.
Beats Star Trek Discovery, though!