I'll never forget walking into a supermarket in late March of 2020 and observing a mass of shoppers 'panic-buying,' emptying the store shelves of paper products and nonperishable items. I remember thinking to myself, is there something they know that I don't? As I look back, and as I thought back then, more so the other way around. In fact, these are the very types of people who seem to be COVIDLAND's intended audience, a highly significant docuseries that attempts to dehypnotize the zombie-like masses from their unquestioning, over-compliant collective trance, which has served as a facilitating force for the powers-that-be, whose goal it is, is to lead the world into global, totalitarian technocracy.
It should be noted at the outset that in no way do the filmmakers appear to deny the existence of SARS-CoV2, only to say that the virus has been blown way out of proportion in order to, a) keep 'COVIDians' (the greater majority of humanity) fearful, thus more easily controlled and, b) help usher in the globalist agenda.
In Episode 1 ("The Lockdown") the film questions the official narrative as to whether Covid has ever truly constituted a crisis and a 'State of Emergency,' as certain power-hungry organizations and bureaucratic parties have portrayed it as such and have wanted the world to believe; alarmist tactics that were used to justify various draconian restrictions which soon followed, that went onto wreak all sorts of (intended?) havoc in its wake, from massive increases in drug abuse and suicides to the destroying of countless small businesses...all the while as the super-rich got wealthier and the gap between the upper and middle classes widened dramatically. All just a coincidence, then how to explain the ruling elite's pandemic simulations (e.g. Event 201) that took place either a few months or a few years prior to Covid appearing on the world stage?
Whether it was the inflation of death counts, that is, the recording of people who died 'with' as opposed to just 'from' Covid (examples are given, like the one about a man who was listed as dying from the virus despite being the victim of a fatal gunshot wound), to videos that went viral showing near-empty or totally vacant hospitals, save for nurses and other staffers hoofing and joking around on the premises, one would think any normie-in-denial watching this would be unable to come away from it without being even a tad skeptical of what they've been fed by the mainstream media these past two-and-a-half years.
It should also be emphasized in this review that COVIDLAND is a fairly in-depth and rather lengthy film, consisting of three episodes, each one at a runtime of more than 90 minutes. As such, it would likely not appeal to the casual viewer with the attention span of tweeters and texters. For those, however, with the time and patience to sit through it in its entirety, in my opinion it's one of the better critiques out there on the whole Covid ado, despite the fact that in a sense it still only scratches the surface and fails to dig deep into the questions with regard to the larger picture of who exactly orchestrated the 'plandemic' and why. Content it seems to be in focusing on *what* all transpired during the thick of the Covid scare and calling a lot of it unscientific, and remiss it appears in its failure to highlight the likes of such highly relevant players like the shady Klaus Schwab, the World Economic Forum, and the contemptible Bill Gates.
Episode 2 ("The Mask") takes a look at the ever-shifting science behind the wearing of face coverings and the vacillating opinions of official 'experts' over whether masks are truly effective in protecting users from viruses...or whether all they do is awaken some folks up to their halitosis. (Heck, you think a solitary motorist wearing a facemask is something, I heard of one man who wore a facemask even to bed and who, but for a barefaced goldfish in the room in which he slept, lived alone.) The episode doesn't make too much of anti-maskers, other than to include a few video clips showing that some of these citizens were cruelly mistreated in fascistic fashion.
Among the several talking heads featured in COVIDLAND is the esteemed G. Edward Griffin, as well as Del Bigtree (a big hit with the ladies, so I'm told), archival footage of Kary Mullis (listen to what this inventor of the PCR test has to say about Anthony Fauci), et al, including some dude wearing a cowboy hat as he sits being interviewed indoors. The gravelly voiced Alex Jones also appears, as well as narrates the first two episodes.
The docuseries concludes by way of Episode 3, perhaps the most controversial of all three parts, as it centers on the Covid 'vaccines.' Here, where the unvaccinated are stigmatized and where biomedical segregation was for a time in effect. Do some of these 'vaccines' contain graphene oxide, nanoparticles, and sterilizing agents, or is this all just the ravings of so-called paranoid conspiracy theorists? What to make of the claims that some of these shots have led to serious health issues, like blood clots and myocarditis? And what is a former computer software developer with a messiah complex, a spoiled rich kid from Seattle, doing front and center in the third act (the solution stage) of this theatrical production? I'm referring, of course, to Bill Gates, the same guy who let what sounded to many like a Freudian slip drop during a TED talk not too long ago, in which he is quoted as saying: "If we do a really great job with vaccines, we can reduce the world population by 10% to 15%."
COVIDLAND is not the most exciting of viewing experiences but then for it to present all this sobering material in the form of infotainment would be inappropriate. So it is that I give it a full 10/10, not for any entertainment value is contains, but because I consider it such an important viewing, enough to rate it so highly.
Postscript: I'm presently reading and just about finished the 700-plus-page "Welcome to the Masquerade" by John Hamer & Shannon Rowan, and I highly recommend the tome to anyone who likes COVIDLAND and is wanting to dig deeper into this.
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