Neon has picked up the North American rights to Sentimental Value, the upcoming film from Norwegian director Joachim Trier that reteams him with Renate Reinsve, star of Trier’s 2021 hit The Worst Person in the World.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
- 5/21/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Neon has prebought North American rights to Joachim Trier’s Sentimental Value, the latest project from the Norwegian director that stars Renate Reinsve.
It marks the second collaboration for Neon, Trier and Reinsve after 2021’s The Worst Person In The World, which was nominated for a Best International Feature Oscar in 2022 as well as Best Original Screenplay. That project also played in Competition at the Cannes Film Festival the year prior, where it earned Reinsve the Best Actress Award.
Eskil Vogt and Trier wrote the screenplay of Sentimental Value, which is described as a family drama about two sisters forced to deal with their estranged father following the death of their mother. Neon is planning a 2025 theatrical release for the title.
The film is produced by Maria Ekerhovd for Mer Film, Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Denmark/Sweden’s Zentropa, Juliette Schrameck for Agat Films,...
It marks the second collaboration for Neon, Trier and Reinsve after 2021’s The Worst Person In The World, which was nominated for a Best International Feature Oscar in 2022 as well as Best Original Screenplay. That project also played in Competition at the Cannes Film Festival the year prior, where it earned Reinsve the Best Actress Award.
Eskil Vogt and Trier wrote the screenplay of Sentimental Value, which is described as a family drama about two sisters forced to deal with their estranged father following the death of their mother. Neon is planning a 2025 theatrical release for the title.
The film is produced by Maria Ekerhovd for Mer Film, Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Denmark/Sweden’s Zentropa, Juliette Schrameck for Agat Films,...
- 5/21/2024
- by Diana Lodderhose
- Deadline Film + TV
Before making Joachim Trier’s 2021 hit The Worst Person in the World, Renate Reinsve was about to jack it all in. Three years later — after A Different Man, with Sebastian Stan, Another Life, with Gael García Bernal, and Handling the Undead, a chiller from Let the Right One In writer John Ajvide Lindqvist — she now finds herself not just back in Cannes but doing double duty at the Sundance, Berlin and Tribeca film festivals (“It’s a running joke that I have two movies everywhere”). Reinsve takes the lead in the Swedish drama Armand, directed by Ingmar Bergman’s grandson Halfdan Ullmann Tøndel.
Deadline: What can you tell us about how you were cast in Armand?
Renate Reinsve: Halfdan, the director, approached me 10 years ago, and we did a short movie together. I think we did it in two days. Afterwards, we both stood there with tears in our eyes,...
Deadline: What can you tell us about how you were cast in Armand?
Renate Reinsve: Halfdan, the director, approached me 10 years ago, and we did a short movie together. I think we did it in two days. Afterwards, we both stood there with tears in our eyes,...
- 5/17/2024
- by Damon Wise
- Deadline Film + TV
Ooh, we're looking forward to this one, folks. The film adaptation of John Ajvide Lindqvist's novel by the same name, Handling The Undead, is coming soon from Neon and it looks to be ready to seriously tug on our decaying heart strings. It has been quite some time since I read the novel but all seems in good order in the official trailer. The poster also arrived today, both preparing us for the exclusive release at the IFC Center on May 31st. The theatrical release will expand to other cities starting on June 7th. Below the official synopsis is a director's statement from Thea Hvistendahl. Handling The Undead stars Renate Reinsve and Anders Danielsen Lie. On a hot summer day in Oslo,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 5/8/2024
- Screen Anarchy
The zombie genre resides comfortably under the umbrella of horror that it is rarely explored through different means. Then, you have films like Maggie, which stars Arnold Schwarzenegger in a rare dramatic turn, that features the concept in a different light. Prepare for the emotion and despair of seeing your loved ones return in an unnatural manner in the trailer for the Norway horror drama Handling the Undead. The film is based on the novel Hanteringen av odöda from the Let the Right One In author, John Ajvide Lindqvist. The new haunting trailer was just released by Neon.
The official synopsis from Neon reads,
“On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they...
The official synopsis from Neon reads,
“On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they...
- 5/8/2024
- by EJ Tangonan
- JoBlo.com
"He needs to go to a hospital." "No. Then we'll lose him again." Neon has debuted the second official trailer for the indie horror thriller from Norway titled Handling the Undead, from Norwegian filmmaker Thea Hvistendahl. This initially premiered at the 2024 Sundance Film Festival earlier this year to mostly mixed & negative reviews. This dramatic horror-thriller film takes place on a hot summer day in Oslo, Norway. The newly dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? What does this resurrection mean and are their loved ones back? I'm guessing no... Adapted from the novel by the same writer who wrote the Let the Right One In book. Starring Renate Reinsve (from The Worst Person in the World), Bjørn Sundquist, Bente Børsum, Anders Danielsen Lie, Bahar Pars, and Inesa Dauksta. "A story about grief and loss,...
- 5/8/2024
- by Alex Billington
- firstshowing.net
Neon is set to release horror drama Handling the Undead, based on the novel by John Ajvide Lindqvist (Let the Right One In), later this month. A brand new trailer unveiled this morning introduces a haunting examination of grief when the dead mysteriously resurrect.
Handling the Undead releases exclusively at the IFC Center in New York City on May 31 before expanding in select cities on June 7, 2024.
In the film, “On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in...
Handling the Undead releases exclusively at the IFC Center in New York City on May 31 before expanding in select cities on June 7, 2024.
In the film, “On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in...
- 5/8/2024
- by Meagan Navarro
- bloody-disgusting.com
The idea of a zombie is pretty terrifying. Sure, no one wants to have a world overrun with dead people trying to bite you. But rarely do people think about who the zombie actually is. Would you be ok with killing a zombie who used to be your mother? Or your child? That’s the question at the center of the upcoming horror drama, “Handling the Undead.”
Read More: ‘Handling The Undead’ Review: Slowburning Existential Zombie Horror Grieves The Dead [Sundance]
As seen in the trailer, “Handling the Undead” offers a zombie film focused more on the existential dread of living in a world where dead people you knew come back to life as… something else.
Continue reading ‘Handling The Undead’ Trailer: Renate Reinsve Stars In Dark, Harrowing Zombie Drama at The Playlist.
Read More: ‘Handling The Undead’ Review: Slowburning Existential Zombie Horror Grieves The Dead [Sundance]
As seen in the trailer, “Handling the Undead” offers a zombie film focused more on the existential dread of living in a world where dead people you knew come back to life as… something else.
Continue reading ‘Handling The Undead’ Trailer: Renate Reinsve Stars In Dark, Harrowing Zombie Drama at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
“The Worst Person in the World,” Horror Version, this one is not. For their first post-“Worst Person” team-up, stars Renate Reinsve and Anders Danielsen Lie have taken on a human story of a different cast: a zombie tale. What’s more about life than a story about life after death?
Directed by first-time feature filmmaker Thea Hvistendahl, Reinsve and Danielsen Lie both star in “Handling the Undead,” the filmmaker’s adaptation of author John Ajvide Lindqvist’s novel of the same name. For fans of the writer’s work, like both “Let the Right One In,” the film and the show, “Handling the Undead” should feel both familiar and welcome. (The author also assisted Hvistendahl with her script.)
The film follows a trio of Norwegian families as they grapple with their beloved (and very recently dead) members suddenly coming back to life.
The film premiered at the Sundance Film Festival in January,...
Directed by first-time feature filmmaker Thea Hvistendahl, Reinsve and Danielsen Lie both star in “Handling the Undead,” the filmmaker’s adaptation of author John Ajvide Lindqvist’s novel of the same name. For fans of the writer’s work, like both “Let the Right One In,” the film and the show, “Handling the Undead” should feel both familiar and welcome. (The author also assisted Hvistendahl with her script.)
The film follows a trio of Norwegian families as they grapple with their beloved (and very recently dead) members suddenly coming back to life.
The film premiered at the Sundance Film Festival in January,...
- 5/8/2024
- by Kate Erbland
- Indiewire
Chicago – The 2024 Chicago Critics Film Festival on Day Six – Wednesday, May 8th – screens a feature film director debut about a hiking trip and the scattered remnants of disconnected people. “Good One” is by India Donaldson, and she will appear on behalf of the film For the full schedule, info and tickets, click Ccff May 8th. For individual films, click titles below.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/7/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Handling The Undead Photo: Courtesy of Sundance Institute The line-up has been announced for Sundance Film Festival: London 2024, which will run from 6 to 9 June at Picturehouse Central in London.
There will be 11 feature films screening along with additional shorts, including Indian coming-of-age tale Girls Will Be Girls, which won the Audience Award at this year's Utah edition. Other highlights in the line-up include the tragicomic Sasquatch Sunset - starring Riley Keogh and Jessie Eisenberg as you've never seen them before (or are likely to see again) - and Norwegian arthose zombie chiller Handling The Undead.
The festival previously announced that the festival will open with the UK premiere of Irish-language Kneecap and close with the UK premiere of Dìdi.
Eugene Hernandez, director, Sundance Film Festival and Public Programming said: “We’re delighted to return to London to celebrate independent cinema with British audiences. Over the course of four incredible days...
There will be 11 feature films screening along with additional shorts, including Indian coming-of-age tale Girls Will Be Girls, which won the Audience Award at this year's Utah edition. Other highlights in the line-up include the tragicomic Sasquatch Sunset - starring Riley Keogh and Jessie Eisenberg as you've never seen them before (or are likely to see again) - and Norwegian arthose zombie chiller Handling The Undead.
The festival previously announced that the festival will open with the UK premiere of Irish-language Kneecap and close with the UK premiere of Dìdi.
Eugene Hernandez, director, Sundance Film Festival and Public Programming said: “We’re delighted to return to London to celebrate independent cinema with British audiences. Over the course of four incredible days...
- 4/23/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
The line-up for the Sundance Film Festival: London 2024 edition includes surreal comedy Sasquatch Sunset, Chiwetel Ejiofor’s Rob Peace and A24 horror I Saw The TV Glow.
The festival takes place at London’s Picturehouse Central from June 6-9, and will present 11 feature films that premiered at the US edition of Sundance in January.
Sasquatch Sunset is directed by David and Nathan Zellner and stars Riley Keough and Jesse Eisenberg. It follows a family of sasquatch - hairy, human-like mythical creatures from the northwestern US - over a year. Ejiofor also stars in biographical drama Rob Peace, which is based on Jeff Hobbs’ bestselling book.
The festival takes place at London’s Picturehouse Central from June 6-9, and will present 11 feature films that premiered at the US edition of Sundance in January.
Sasquatch Sunset is directed by David and Nathan Zellner and stars Riley Keough and Jesse Eisenberg. It follows a family of sasquatch - hairy, human-like mythical creatures from the northwestern US - over a year. Ejiofor also stars in biographical drama Rob Peace, which is based on Jeff Hobbs’ bestselling book.
- 4/23/2024
- ScreenDaily
At the start of 2022, in the lead-up to the Oscars, Norwegian actress Renate Reinsve was in the spotlight. So was the story of how close she came to quitting acting before Joachim Trier offered her the role of Julie in The Worst Person in the World, a film that catapulted her, then 34, to a certain level of fame with two unlikely Oscar nominations. Have two years of attention brought some airs and graces? Don’t count on it. “I ran away from home to Scotland,” Reinsve recalls to me across a table at Berlin’s Ritz Carlton. “I jumped on a plane because it was just £1 and then I stayed for a year. I had to go back for an acting-school audition but I also had to go home because my intestines hurt so much, because you drink so much. I worked in a bar when I was 17. I was way too young.
- 3/4/2024
- by Rory O'Connor
- The Film Stage
Neon announced on Tuesday that it will bring Academy Award nominee Ava DuVernay’s acclaimed drama Origin back to 500 U.S. theaters on February 28, for a one-night-only special screening event, featuring an exclusive pre-recorded introduction and post-screening Q&a with DuVernay.
Released wide on January 19, Origin has recently been awarded Best Drama, Best Director and Best Actress by the African American Film Critics Association, also securing NAACP Image Awards nominations for Outstanding Motion Picture, Directing in a Motion Picture, Actress in a Motion Picture, and Youth Performance in a Motion Picture.
Written and directed by DuVernay, the film explores the mystery of history, the wonders of romance, and a fight for our future. While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
Aunjanue Ellis-Taylor leads a cast also including Jon Bernthal, Niecy Nash-Betts,...
Released wide on January 19, Origin has recently been awarded Best Drama, Best Director and Best Actress by the African American Film Critics Association, also securing NAACP Image Awards nominations for Outstanding Motion Picture, Directing in a Motion Picture, Actress in a Motion Picture, and Youth Performance in a Motion Picture.
Written and directed by DuVernay, the film explores the mystery of history, the wonders of romance, and a fight for our future. While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
Aunjanue Ellis-Taylor leads a cast also including Jon Bernthal, Niecy Nash-Betts,...
- 2/27/2024
- by Matt Grobar
- Deadline Film + TV
Copenhagen-based TrustNordisk has inked multiple deals on the Danish thriller “Boundless,” based on Jussi Adler-Olsen’s “Department Q” novel, which is currently dominating the Danish box office.
Ahead of the pic’s market screening Feb 17 at the Berlin European Film Market, the title, helmed by Ole Christian Madsen has sold to Wild Bunch Distribution for France, Vértigo Films for Spain, Frenetic Films for Switzerland, Film Europe Slovakia for Czech Republic, Vertigo Media for Hungary and Contents Panda for Korea.
“Boundless” is the second of six Department Q thrillers produced by Nordisk Film Production Denmark, after “The Marco Effect,” headlining Ulrich Thomsen as maverick detective Carl Mørck.
“It’s such a pleasure to handle this amazing ‘Department Q’ saga for Vértigo, and “Boundless” confirms again the power and seduction of this perfect thriller,” said Spanish distributor Andres Martín from Vértigo Films, who also acquired “The Marco Effect” from TrustNordisk.
In “Boundless,...
Ahead of the pic’s market screening Feb 17 at the Berlin European Film Market, the title, helmed by Ole Christian Madsen has sold to Wild Bunch Distribution for France, Vértigo Films for Spain, Frenetic Films for Switzerland, Film Europe Slovakia for Czech Republic, Vertigo Media for Hungary and Contents Panda for Korea.
“Boundless” is the second of six Department Q thrillers produced by Nordisk Film Production Denmark, after “The Marco Effect,” headlining Ulrich Thomsen as maverick detective Carl Mørck.
“It’s such a pleasure to handle this amazing ‘Department Q’ saga for Vértigo, and “Boundless” confirms again the power and seduction of this perfect thriller,” said Spanish distributor Andres Martín from Vértigo Films, who also acquired “The Marco Effect” from TrustNordisk.
In “Boundless,...
- 2/16/2024
- by Annika Pham
- Variety Film + TV
The first word that comes to mind when thinking of how to write about Thea Hvistendahl’s Handling the Undead is: dread. To expand: slow, ponderous dread. Written by John Ajvide Lindqvist (and based on his novel of the same name), this is a zombie movie in the tradition of the author’s own Let the Right One In. There are zombies here but, as with the vampires in the latter work, the focus is elsewhere, mostly. Its genre construct is meant to elevate a deeper kind of pain. In this incarnation, a series of sad people dealing with different variations of grief must contend with an unsettling new reality: those loved ones they’ve buried have come back to life.
But only somewhat. Stand-up comedian David (Anders Danielsen Lie) loses his wife (Bahar Pars) in a car accident, forced to face their two children in the immediate aftermath. Hours later,...
But only somewhat. Stand-up comedian David (Anders Danielsen Lie) loses his wife (Bahar Pars) in a car accident, forced to face their two children in the immediate aftermath. Hours later,...
- 1/29/2024
- by Dan Mecca
- The Film Stage
Early in Handling the Undead, an adolescent girl, Flora (Inesa Dauksta), plays a video game where shooting zombies is your ticket to staying alive. Rendered in crude 3D, these shambling, emaciated, flesh-hungry zombies are the familiar sort that have haunted the pop-cultural imagination, and this depiction stands in seeming contrast to the people who came back from the dead after a mysterious event in Thea Hvistendahl’s film. They don’t do much of anything except breath and stare from behind glassy eyes at a world we’re never really sure if they can comprehend. But while they’re shells of who they once were, silent and often immobile, they recall enough of where they came from to reach out to the people who grieve them.
Based on the novel by John Ajvide Lindqvist, who co-wrote the screenplay with Hvistendahl, the film moves between three non-intersecting subplots. In one, we...
Based on the novel by John Ajvide Lindqvist, who co-wrote the screenplay with Hvistendahl, the film moves between three non-intersecting subplots. In one, we...
- 1/29/2024
- by Steven Scaife
- Slant Magazine
The Sundance Film Festival announced its 2024 winners on January 26, two days before the festival’s end date. The Awards Ceremony took place at The Ray Theater in Park City, Utah. This year marks its 40th annual festival run taking place from January 18 to January 28.
In the Summer, a film director Alessandra Lacorazza, won the top honor, U.S. Grand Jury Prize, starring Lio Mehiel.
Last year, Mehiel told uInterview exclusively about the importance of trans representation.
“Whenever there is an uptick of queer or trans representation in the media, there is an equal and perhaps greater response from the other side … that are looking to suppress trans rights, trans agency [and] queer liberation,” Mehiel told uInterview founder Erik Meers. “While in Hollywood we are seeing trans representation and this film is able to be part of that movement, this film is more important now than ever because even just in Utah,...
In the Summer, a film director Alessandra Lacorazza, won the top honor, U.S. Grand Jury Prize, starring Lio Mehiel.
Last year, Mehiel told uInterview exclusively about the importance of trans representation.
“Whenever there is an uptick of queer or trans representation in the media, there is an equal and perhaps greater response from the other side … that are looking to suppress trans rights, trans agency [and] queer liberation,” Mehiel told uInterview founder Erik Meers. “While in Hollywood we are seeing trans representation and this film is able to be part of that movement, this film is more important now than ever because even just in Utah,...
- 1/27/2024
- by Ann Hoang
- Uinterview
A loud, high-pitched sound echoes through the streets of Oslo. Car alarms start going off everywhere. A citywide blackout begins. An elderly man, draped over his grandson’s grave, begins to hear the sound of muffled knocks coming from under the ground. “Grandpa is coming,” he says repeatedly. He grabs a shovel and begins to dig. So begins Handling the Undead, Thea Hvistendahl‘s somber feature directorial debut that acts as a haunting meditation on grief, daring to ask us what we would do if someone we loved returned from the dead.
Adapted from John Ajvide Lindqvist’s (Let the Right One In) 2005 novel of the same name (he also co-wrote the screenplay with Hvistendahl), Handling the Undead chronicles the lives of three families as they deal with the sudden return of their recently deceased loved ones. Anna is saved from a suicide attempt when her father Mahler (Bjørn Sundquist...
Adapted from John Ajvide Lindqvist’s (Let the Right One In) 2005 novel of the same name (he also co-wrote the screenplay with Hvistendahl), Handling the Undead chronicles the lives of three families as they deal with the sudden return of their recently deceased loved ones. Anna is saved from a suicide attempt when her father Mahler (Bjørn Sundquist...
- 1/26/2024
- by Trace Thurman
- bloody-disgusting.com
The 2024 Sundance Film Festival has announced its winners, with In the Summers taking the Grand Jury prize for U.S. Dramatic Competition and Porcelain War landing the award for U.S. Documentary Competition.
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
- 1/26/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The 2024 Sundance Film Festival awards were announced today at The Ray Theatre in Park City, Utah.
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
- 1/26/2024
- by Prem
- Talking Films
Filmmakers have parsed the zombie genre from seemingly every angle possible. George A. Romero innovated with the idea of using the undead to highlight social issues. “The Walking Dead” showcased how the living are the real villains in the face of a zombie apocalypse. And in between, there are thousands of derivations, with many just ending with the hordes of undead ripping people apart in horrifically gory ways. Zombies are monsters, right?
Continue reading ‘Handling The Undead’ Review: Slowburning Existential Zombie Horror Grieves The Dead [Sundance] at The Playlist.
Continue reading ‘Handling The Undead’ Review: Slowburning Existential Zombie Horror Grieves The Dead [Sundance] at The Playlist.
- 1/26/2024
- by Charles Barfield
- The Playlist
The Sundance Film Festival welcomed a new class of indie film stars on Friday, handing out its annual awards in Park City, Utah.
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
- 1/26/2024
- by Matt Donnelly
- Variety Film + TV
At its heart, Sundance is about discovery. Some of our brightest, biggest filmmaking stars — we’re talking Steven Soderbergh, Richard Linklater, Ava DuVernay, Paul Thomas Anderson, Lulu Wang, Ryan Coogler, Aubrey Plaza, Catherine Hardwicke, Todd Haynes, Tessa Thompson, Jennifer Lawrence, Robert Eggers, the Duplass brothers, Michael B. Jordan, Amy Adams, Elizabeth Olsen, Brie Larson, Lakeith Stanfield, Miles Teller, Anya Taylor-Joy, and many, many more — first rose to acclaim by bringing their work to Sundance.
Some of the biggest films at this year’s festivals came to us through creators and stars we already know and love — it’s no surprise that Jesse Eisenberg and Kieran Culkin are so wonderful in Eisenberg’s “A Real Pain” or that “Worst Person in the World” star Renate Reinsve finds new dimension in both pitch-black comedy “A Different Man” and the off-kilter zombie drama “Handling the Undead” or that Kristen Stewart is riveting in...
Some of the biggest films at this year’s festivals came to us through creators and stars we already know and love — it’s no surprise that Jesse Eisenberg and Kieran Culkin are so wonderful in Eisenberg’s “A Real Pain” or that “Worst Person in the World” star Renate Reinsve finds new dimension in both pitch-black comedy “A Different Man” and the off-kilter zombie drama “Handling the Undead” or that Kristen Stewart is riveting in...
- 1/26/2024
- by Kate Erbland
- Indiewire
A grandfather quietly grieves over the fresh, newly dug grave of his preteen grandson. An elderly woman quietly mourns the passage of her life partner. A husband sits at the hospital bedside of the body of his wife. Separated by time and distance, each character, in their turn, faces a heart-shattering, soul-crushing, life-altering change for the worse in Norway’s capital city, Oslo, leaving their lives, individually and collectively, irrevocably devoid of purpose or meaning in Thea Hvistendahl’s deceptively quiet, stunningly brilliant adaptation of John Ajvide Lindqvist’s (Let the Right One In) novel of the same name, Handling the Undead (Håndtering av udød). With influences ranging from George A. Romero’s original Dead trilogy, Stephen King’s Pet Semetary, to the more recent French series, The Returned, and...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 1/25/2024
- Screen Anarchy
Sundance film festival: The Worst Person in the World’s Renate Reinsve leads a dour film about families dealing with the reappearance of deceased loved ones
The dead are returning in the chilly Norwegian drama Handling the Undead, a sad, somber attempt to guide the zombie genre from midnight movie to arthouse. It works in parts, as a study of the ache and irrationality of grief, asking its characters how much they’re willing to accept and deny in order to see their loved ones again. But the first-time director Thea Hvistendahl’s patience-insisting slow burn can be testing, like watching a block of ice slowly melt, a story told in the smallest of drips, some of which sink in deeper than others.
On a summer’s day in Oslo, three different dynamics are upended by this confounding re-emergence. A single mother (The Worst Person in the World’s Renate...
The dead are returning in the chilly Norwegian drama Handling the Undead, a sad, somber attempt to guide the zombie genre from midnight movie to arthouse. It works in parts, as a study of the ache and irrationality of grief, asking its characters how much they’re willing to accept and deny in order to see their loved ones again. But the first-time director Thea Hvistendahl’s patience-insisting slow burn can be testing, like watching a block of ice slowly melt, a story told in the smallest of drips, some of which sink in deeper than others.
On a summer’s day in Oslo, three different dynamics are upended by this confounding re-emergence. A single mother (The Worst Person in the World’s Renate...
- 1/24/2024
- by Benjamin Lee in Park City, Utah
- The Guardian - Film News
Sundance 2024 will launch its virtual option this week for badgeholders and individuals who want to buy individual tickets.
It’s a wonderful option for those unable to make the long trip to Utah.
Last year’s Sundance had many great offerings virtually.
Films such as Sometimes I Think About Dying, and Kim’s Video were highlights from the 2023 virtual catalog.
This year has a lot of promising entries, and some have already generated tremendous buzz. For example, Steven Yeun and Kristen Stewart have a movie getting rave reviews.
While the virtual option opens for press tomorrow, movie lovers can dig into the Sundance 2024 line-up beginning Thursday.
Here is a list of films offered online possibly worth streaming this week at Sundance.
Thelma Still image from Thelma. Pic credit: Courtesy of Sundance/David Bolen.
Action movies and senior citizens — what more could a moviegoer want from a Sundance Film Festival entry?...
It’s a wonderful option for those unable to make the long trip to Utah.
Last year’s Sundance had many great offerings virtually.
Films such as Sometimes I Think About Dying, and Kim’s Video were highlights from the 2023 virtual catalog.
This year has a lot of promising entries, and some have already generated tremendous buzz. For example, Steven Yeun and Kristen Stewart have a movie getting rave reviews.
While the virtual option opens for press tomorrow, movie lovers can dig into the Sundance 2024 line-up beginning Thursday.
Here is a list of films offered online possibly worth streaming this week at Sundance.
Thelma Still image from Thelma. Pic credit: Courtesy of Sundance/David Bolen.
Action movies and senior citizens — what more could a moviegoer want from a Sundance Film Festival entry?...
- 1/24/2024
- by John Dotson
- Monsters and Critics
Norwegian director Thea Hvistendahl’s zombie movie “Handling the Undead,” premiering at Sundance and to be released in the U.S. by Neon, sees the reunion of Renate Reinsve and Anders Danielsen Lie, the stars of Oscar-nominated “The Worst Person in the World,” in a poetic, visually-charged chronicling of a hot summer’s day in Oslo when the dead mysteriously come back to life.
Hvistendahl’s feature debut, an adaptation of the eponymous novel by “Let the Right One In” author John Ajvide Lindqvist, is not your conventional zombie movie. “It’s very important to mention to people who are going to see it that they shouldn’t expect the regular zombie flick. I made the film with the zombie genre in mind, and wanted to subvert some of the classic tropes, but if people are only looking for a thrill, this film might not be it!,” quips the director.
Hvistendahl’s feature debut, an adaptation of the eponymous novel by “Let the Right One In” author John Ajvide Lindqvist, is not your conventional zombie movie. “It’s very important to mention to people who are going to see it that they shouldn’t expect the regular zombie flick. I made the film with the zombie genre in mind, and wanted to subvert some of the classic tropes, but if people are only looking for a thrill, this film might not be it!,” quips the director.
- 1/21/2024
- by Rafa Sales Ross
- Variety Film + TV
Perhaps the best way to describe the Norwegian zombie movie, Handling the Undead (Handtering av Udode), is as a mournful reflection on grief, on the struggle of the bereaved to let go of their departed loved ones. Based on the book by Swedish author John Ajvide Lindqvist, whose debut novel, Let the Right One In, became one of the best vampire movies of the 21st century — yielding a solid enough American remake, a so-so Showtime series and an innovative British stage adaptation — Thea Hvistendahl’s debut feature is a slow-burn experience that demands patience.
The degree to which that patience is rewarded will depend on the viewer’s willingness to get lost in the mood of pervasive anxiety and sorrow in a movie whose elegant restraint make it more psychological study than horror. That applies even once the rotting flesh-eaters have been revealed. One selling point of the multistrand drama...
The degree to which that patience is rewarded will depend on the viewer’s willingness to get lost in the mood of pervasive anxiety and sorrow in a movie whose elegant restraint make it more psychological study than horror. That applies even once the rotting flesh-eaters have been revealed. One selling point of the multistrand drama...
- 1/20/2024
- by David Rooney
- The Hollywood Reporter - Movie News
If zombies weren’t so fixated on eating our brains, perhaps they’d be poignant to have around: semi-living, semi-breathing semblances of people we’ve loved, there to be seen and held and talked to, not truly present but not absent either. Whether that’s preferable to the void of death is the question underpinning “Handling the Undead” for much of its running time, even as the threat of the undead reverting to their usual habits gives this soft, sorrowful bereavement drama a core of cold-blooded horror. Thea Hvistendahl’s impressively restrained debut feature may keep its genre intentions just up its sleeve until the final act, but it never feels like a trick or a compromise: It’s a living-dead nightmare with a brain and a heart and, most importantly and inedibly, a soul.
The film’s somewhat liminal genre identity presents marketing challenges for U.S. distributor Neon...
The film’s somewhat liminal genre identity presents marketing challenges for U.S. distributor Neon...
- 1/20/2024
- by Guy Lodge
- Variety Film + TV
In the realm of zombie-themed films, a genre often fliled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.
Directed by Thea Hvistendahl, and written by Hvistendahl and John Ajvide Lindqvist, the film stars Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquist, Bente Børsum, Bahar Pars, Inesa Dauksta, Olga Damani, and Kian Hansen.
The story takes a subtle approach, diverging from the expected scenes of chaos and horror, while focusing on three families set against a backdrop of an apocalyptic event. The narrative is an exploration of human response to the unimaginable.
Handling the Undead opens with the camera hovering over a large apartment complex in the middle of a hot Oslo summer. Mahler (Sundquist) walks up the stairs to an apartment where his granddaughter (Reinsve) is blasting bossa nova music and painting her toenails before getting ready for work. There are pictures of...
Directed by Thea Hvistendahl, and written by Hvistendahl and John Ajvide Lindqvist, the film stars Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquist, Bente Børsum, Bahar Pars, Inesa Dauksta, Olga Damani, and Kian Hansen.
The story takes a subtle approach, diverging from the expected scenes of chaos and horror, while focusing on three families set against a backdrop of an apocalyptic event. The narrative is an exploration of human response to the unimaginable.
Handling the Undead opens with the camera hovering over a large apartment complex in the middle of a hot Oslo summer. Mahler (Sundquist) walks up the stairs to an apartment where his granddaughter (Reinsve) is blasting bossa nova music and painting her toenails before getting ready for work. There are pictures of...
- 1/20/2024
- by Valerie Complex
- Deadline Film + TV
Thea Hvistendahl’s “Handling the Undead,” fresh off its Sundance premiere, has already scared multiple buyers into submission, Variety has found out exclusively.
Starring “The Worst Person in the World’s” Renate Reinsve and sold by TrustNordisk, it has been picked up by Hungary (Vertigo Media), Benelux (September Film), Switzerland (Filmcoopi), France (KinoVista), Spain (Avalon Distribution), Korea (Pancinema), Japan (Tohokushinsha Film Corp.), Taiwan (Swallow Wings Films) and Anz (Signature Entertainment).
Neon Rated acquired North American and U.K. rights.
In the Norwegian film, Mahler and his daughter, Anna, mourn the too early passing of his grandson. Tora says her final goodbye to her wife at the funeral home, while a family of four face a life without a wife and mother.
Then, a strange electric field and collective migraine spread across Oslo on an especially hot summer day. Television sets, lightbulbs and electronics go haywire, and suddenly, it’s all over.
Starring “The Worst Person in the World’s” Renate Reinsve and sold by TrustNordisk, it has been picked up by Hungary (Vertigo Media), Benelux (September Film), Switzerland (Filmcoopi), France (KinoVista), Spain (Avalon Distribution), Korea (Pancinema), Japan (Tohokushinsha Film Corp.), Taiwan (Swallow Wings Films) and Anz (Signature Entertainment).
Neon Rated acquired North American and U.K. rights.
In the Norwegian film, Mahler and his daughter, Anna, mourn the too early passing of his grandson. Tora says her final goodbye to her wife at the funeral home, while a family of four face a life without a wife and mother.
Then, a strange electric field and collective migraine spread across Oslo on an especially hot summer day. Television sets, lightbulbs and electronics go haywire, and suddenly, it’s all over.
- 1/20/2024
- by Marta Balaga
- Variety Film + TV
It’s not so much a warning as an invitation: Thea Hvistendahl’s “Handling the Undead,” though it features “The Worst Person in the World” stars Renate Reinsve and Anders Danielsen Lie in leading roles, is not the usual expected reunion between two of Norway’s biggest acting breakouts. Leave it to first-time feature filmmaker Hvistendahl to clear that up: “It’s not ‘Worst Person in the World,’ just a horror version.”
But she’s not mad about the attention this canny casting is already earning her film, which adapts the John Ajvide Lindqvist novel of the same name and follows a trio of different families as they grapple with their beloved (and very recently dead) members coming back to life. In fact, Hvistendahl is quick to point out that Danielsen Lie was attached to the film in 2019, two years before Joachim Trier’s smash hit premiered at Cannes.
And Reinsve?...
But she’s not mad about the attention this canny casting is already earning her film, which adapts the John Ajvide Lindqvist novel of the same name and follows a trio of different families as they grapple with their beloved (and very recently dead) members coming back to life. In fact, Hvistendahl is quick to point out that Danielsen Lie was attached to the film in 2019, two years before Joachim Trier’s smash hit premiered at Cannes.
And Reinsve?...
- 1/20/2024
- by Kate Erbland
- Indiewire
TikTok has taken the world by storm — skyrocketing in use amid the pandemic as a source of entertainment and human connection — and now it wants to change the way Hollywood markets movies and TV series. The social video platform is hoping to make inroads at its first Sundance Film Festival — and it’s bringing a dozen people from its creators program to Park City.
Catherine Halaby, the head of entertainment for TikTok in North America, says Sundance creates an opportunity to support established and emerging creators and “uplevel their content and their industry savvy and their exposure.” She adds, “We’re really thinking from a content-first perspective and how we can be an accelerant to those creators in their growth on and off platform.”
Two of those creators spoke with The Hollywood Reporter ahead of the trip. Joe Aragon, known on TikTok as Cinema Joe, has more than 1 million followers,...
Catherine Halaby, the head of entertainment for TikTok in North America, says Sundance creates an opportunity to support established and emerging creators and “uplevel their content and their industry savvy and their exposure.” She adds, “We’re really thinking from a content-first perspective and how we can be an accelerant to those creators in their growth on and off platform.”
Two of those creators spoke with The Hollywood Reporter ahead of the trip. Joe Aragon, known on TikTok as Cinema Joe, has more than 1 million followers,...
- 1/19/2024
- by Ashley Cullins
- The Hollywood Reporter - Movie News
On the eve of Sundance Film Festival’s kickoff, Nick Shumaker — the New York-based boss of AC Independent, the sales and finance division of Anonymous Content (“Spotlight”) — is feeling celebratory. The banner will celebrate its first birthday with five movies playing in Park City: “Kneecap” (pictured above), “Between the Temples,” “War Game,” “Union” and “Handling the Undead.”
Within a year, AC Independent has become a force in the indie film landscape, handling sales and financing for some major projects, such as Alex Gibney’s “Musk,” “In Restless Dreams: The Music of Paul Simon” as well as the U.K. rights for A24’s “Talk to Me” and the recent Golden Globe-winning animated film “The Boy and the Heron.”
Shumaker, a former agent at UTA, talked to Variety about the company’s international DNA, his hopes for the theatrical market and optimism about the resilience of independent film — as illustrated by...
Within a year, AC Independent has become a force in the indie film landscape, handling sales and financing for some major projects, such as Alex Gibney’s “Musk,” “In Restless Dreams: The Music of Paul Simon” as well as the U.K. rights for A24’s “Talk to Me” and the recent Golden Globe-winning animated film “The Boy and the Heron.”
Shumaker, a former agent at UTA, talked to Variety about the company’s international DNA, his hopes for the theatrical market and optimism about the resilience of independent film — as illustrated by...
- 1/18/2024
- by Elsa Keslassy
- Variety Film + TV
The annual IndieWire Studio at Sundance returns for the 2024 season to honor the 40th anniversary of the iconic festival.
The IndieWire Studio at Sundance will feature interviews with the talent behind the most anticipated films of the festival with discussions taking place in-person on Main Street in historic Park City, Utah.
Presented by Dropbox, and with supporting partners ACLU and Cotopaxi, the IndieWire Studio at the 2024 Sundance Film Festival will serve as a hub for video interviews with the top attending talent from the hottest indie films presented at the fest. Actors, directors, producers, screenwriters, and documentary subjects will be interviewed by IndieWire’s senior staff for exclusive video and social media content.
Dropbox is the perfect partner for IndieWire — and for Sundance — because it’s a brand that recognizes the power of collaborative effort. Their tools keep creative teams on the same page, whether sharing dailies, shooting schedules, costume specs,...
The IndieWire Studio at Sundance will feature interviews with the talent behind the most anticipated films of the festival with discussions taking place in-person on Main Street in historic Park City, Utah.
Presented by Dropbox, and with supporting partners ACLU and Cotopaxi, the IndieWire Studio at the 2024 Sundance Film Festival will serve as a hub for video interviews with the top attending talent from the hottest indie films presented at the fest. Actors, directors, producers, screenwriters, and documentary subjects will be interviewed by IndieWire’s senior staff for exclusive video and social media content.
Dropbox is the perfect partner for IndieWire — and for Sundance — because it’s a brand that recognizes the power of collaborative effort. Their tools keep creative teams on the same page, whether sharing dailies, shooting schedules, costume specs,...
- 1/17/2024
- by Samantha Bergeson
- Indiewire
One of the hot horror movies on our radar at this year’s Sundance Film Festival is Krazy House, which looks to pervert the traditional ’90s sitcom with a bloody horror twist.
In the film from writers/directors Steffen Haars and Flip van der Kuil…
“When Russian workers in Bernie’s house turn out to be wanted criminals, Bernie has to man up and save his ’90s sitcom family.“
Watch the official trailer for Krazy House below, which is cleverly presented as a retro ’90s TV spot for a family sitcom. The final moments of the trailer tease the horror movie twist.
It seems there are Too Many Cooks in this particular kitchen…
Nick Frost (Shaun of the Dead) stars alongside Alicia Silverstone (Perpetrator), with the cast also including Jan Bijvoet, Gaite Jansen, Walt Klink and Kevin Connolly.
Maarten Swart produced the upcoming genre-bender.
The Sundance Film Festival takes place...
In the film from writers/directors Steffen Haars and Flip van der Kuil…
“When Russian workers in Bernie’s house turn out to be wanted criminals, Bernie has to man up and save his ’90s sitcom family.“
Watch the official trailer for Krazy House below, which is cleverly presented as a retro ’90s TV spot for a family sitcom. The final moments of the trailer tease the horror movie twist.
It seems there are Too Many Cooks in this particular kitchen…
Nick Frost (Shaun of the Dead) stars alongside Alicia Silverstone (Perpetrator), with the cast also including Jan Bijvoet, Gaite Jansen, Walt Klink and Kevin Connolly.
Maarten Swart produced the upcoming genre-bender.
The Sundance Film Festival takes place...
- 1/17/2024
- by John Squires
- bloody-disgusting.com
Festival runs January 18-28.
Sundance Film Festival kicks off on Thursday when the industry will gather on the mountain to put the world to rights and buyers will engage in the annual hunt for the festival’s must-have acquisition titles.
Streamers and theatrical buyers will vie for coveted breakouts and while there will almost certainly be a number of on-site deals as there were last year when Netflix swooped on Fair Play in a $20m deal, Apple forked out close to that amount for Flora And Son, and Searchlight Pictures paid $8m for Theater Camp, the post-Covid deal lag will...
Sundance Film Festival kicks off on Thursday when the industry will gather on the mountain to put the world to rights and buyers will engage in the annual hunt for the festival’s must-have acquisition titles.
Streamers and theatrical buyers will vie for coveted breakouts and while there will almost certainly be a number of on-site deals as there were last year when Netflix swooped on Fair Play in a $20m deal, Apple forked out close to that amount for Flora And Son, and Searchlight Pictures paid $8m for Theater Camp, the post-Covid deal lag will...
- 1/17/2024
- by Jeremy Kay
- ScreenDaily
Line-up for the 25th edition of the market includes 16 completed features, 15 Wip, 17 films in development.
Films by Sweat director Magnus von Horn and Margrete: Queen of the North filmmaker Charlotte Sieling will be presented at the 25th Nordic Film Market (January 31-February 2), the film marketplace of Goteborg Film Festival.
The projects are among the 15 Nordic films in post-production being showcased in the Works in Progress strand.
Scroll down for the full Market selection
Swedish director von Horn attends with The Girl With The Needle, a horror story set in 1910s Denmark, starring Trine Dyrholm and produced by Creative Alliance’s Malene Blenkov.
Films by Sweat director Magnus von Horn and Margrete: Queen of the North filmmaker Charlotte Sieling will be presented at the 25th Nordic Film Market (January 31-February 2), the film marketplace of Goteborg Film Festival.
The projects are among the 15 Nordic films in post-production being showcased in the Works in Progress strand.
Scroll down for the full Market selection
Swedish director von Horn attends with The Girl With The Needle, a horror story set in 1910s Denmark, starring Trine Dyrholm and produced by Creative Alliance’s Malene Blenkov.
- 1/16/2024
- by Ben Dalton
- ScreenDaily
Returning to an in-person edition, along with the continuation of virtual offerings, the Sundance Film Festival kicks off this Thursday and lasts through January 28, offering a first glimpse at the year in cinema. While the annual festival has its fair share of returning filmmakers, it is certainly most renowned as a beacon of discovery, and we look forward to providing extensive coverage that one can follow via our daily newsletter.
Before reviews arrive, we’re highlighting the premieres that should be on your radar––a few we’ve already had the opportunity to see. If you’re interested in experiencing Sundance in person or from afar, one can see available tickets here ahead of Thursday’s in-person opening and an online viewing window that kicks off January 25.
Between the Temples (Nathan Silver)
After working at a prolific pace throughout his early career, it’s been a few years since we...
Before reviews arrive, we’re highlighting the premieres that should be on your radar––a few we’ve already had the opportunity to see. If you’re interested in experiencing Sundance in person or from afar, one can see available tickets here ahead of Thursday’s in-person opening and an online viewing window that kicks off January 25.
Between the Temples (Nathan Silver)
After working at a prolific pace throughout his early career, it’s been a few years since we...
- 1/16/2024
- by The Film Stage
- The Film Stage
The Göteborg Film Festival’s film industry confab, the Nordic Film Market, unspooling Jan 31-Feb. 2, has unveiled in exclusivity to Variety its 2024 lineup comprising 58 new and upcoming Nordic films.
These are directed by newcomers and bona fide helmers such as Hans Petter Moland, Rúnar Rúnarsson, Charlotte Sieling, Daniel Espinosa and Pirjo Honkasalo.
Just over two weeks before kick-off, a record number of delegates – 507 from 33 countries – have signed up for the biggest film market in the Nordic region.
The 90-plus international buyers, 90 funding bodies, 60 festival programmers and 50 sales agents can look forward to a revamped showcase, both in terms of programming and set-up, with a new hub for networking and accommodation at the Clarion Hotel Draken. “We’re very excited about making this year’s venue both new and familiar for delegates coming to Göteborg,” said head of industry Josef Kullengård.
“The industry has entered a slowdown, but creatively, the Nordic...
These are directed by newcomers and bona fide helmers such as Hans Petter Moland, Rúnar Rúnarsson, Charlotte Sieling, Daniel Espinosa and Pirjo Honkasalo.
Just over two weeks before kick-off, a record number of delegates – 507 from 33 countries – have signed up for the biggest film market in the Nordic region.
The 90-plus international buyers, 90 funding bodies, 60 festival programmers and 50 sales agents can look forward to a revamped showcase, both in terms of programming and set-up, with a new hub for networking and accommodation at the Clarion Hotel Draken. “We’re very excited about making this year’s venue both new and familiar for delegates coming to Göteborg,” said head of industry Josef Kullengård.
“The industry has entered a slowdown, but creatively, the Nordic...
- 1/16/2024
- by Annika Pham
- Variety Film + TV
What was the biggest story at Sundance last year? That’s easy: when “Coda” sold big in 2021 and went on to win Best Picture in 2022. Would that happen in 2023? It didn’t, and what did happen at last year’s festival and what it means for the market in Park City in 2024 is now harder to pin down.
It might be the story of “Fair Play,” which sold to Netflix for $20 million and was the biggest sale in a market that also included aggressive bidding wars for “Flora and Son” (Apple) and “Theater Camp” (Searchlight). It could be the tale of “Talk to Me,” which A24 knew how to market into a $92 million worldwide box office hit when nothing else that premiered at the festival gained nearly the same box office traction. Or it could be that Lily Gladstone is taking time out of the Oscar circuit to hype “Fancy Dance,...
It might be the story of “Fair Play,” which sold to Netflix for $20 million and was the biggest sale in a market that also included aggressive bidding wars for “Flora and Son” (Apple) and “Theater Camp” (Searchlight). It could be the tale of “Talk to Me,” which A24 knew how to market into a $92 million worldwide box office hit when nothing else that premiered at the festival gained nearly the same box office traction. Or it could be that Lily Gladstone is taking time out of the Oscar circuit to hype “Fancy Dance,...
- 1/15/2024
- by Brian Welk
- Indiewire
Exclusive: Seth Brodie, Chief Financial Officer at Anonymous Content, is leaving the company.
Deadline understands that Brodie’s departure is amicable. No word on his next move.
The departure comes as Anonymous Content has been searching for nearly a year for a new CEO following the surprising resignation of Dawn Olmstead and COO Heather McCauley from the company. Sources close to the company told Deadline that it is in the final stages of the search.
The duo resigned in March. Olmstead resurfaced in December, teaming up with Charlize Theron and her Denver & Delilah partners Beth Kono and Aj Dix to launch a new venture.
Brodie joined Anonymous Content in 2021. Before that, he was SVP of finance and strategy at Legendary Entertainment, having joined that company from DreamWorks Studios, where he was VP for finance and strategic planning.
Anonymous Content, which is behind films including The Revenant, Spotlight and Eternal Sunshine of the Spotless Mind...
Deadline understands that Brodie’s departure is amicable. No word on his next move.
The departure comes as Anonymous Content has been searching for nearly a year for a new CEO following the surprising resignation of Dawn Olmstead and COO Heather McCauley from the company. Sources close to the company told Deadline that it is in the final stages of the search.
The duo resigned in March. Olmstead resurfaced in December, teaming up with Charlize Theron and her Denver & Delilah partners Beth Kono and Aj Dix to launch a new venture.
Brodie joined Anonymous Content in 2021. Before that, he was SVP of finance and strategy at Legendary Entertainment, having joined that company from DreamWorks Studios, where he was VP for finance and strategic planning.
Anonymous Content, which is behind films including The Revenant, Spotlight and Eternal Sunshine of the Spotless Mind...
- 1/12/2024
- by Peter White
- Deadline Film + TV
For those missing the billionaire voyeurism of “Succession,” Sundance film “Veni Vidi Vici” is poised to be a more sinister remedy.
Directed by Julia Niemann and Daniel Hoesl (and written by Hoesl), the film centers on the Maynard family, who live an “almost perfect” billionaire lifestyle, per the official synopsis. Patriarch Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences, as the logline for the social satire dark comedy teases.
“Destructive strength is creative strength,” a character says in the trailer. “But don’t predatory cats belong in the wild?”
The hunt for whomever the dangerous hunter with no regard for human life is takes over a community, as all fingers seem to point to the elite family at the center of the drama. Yet the whodunit takes on another social issue: When the presumed wealthy “madman” killer is revealed,...
Directed by Julia Niemann and Daniel Hoesl (and written by Hoesl), the film centers on the Maynard family, who live an “almost perfect” billionaire lifestyle, per the official synopsis. Patriarch Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences, as the logline for the social satire dark comedy teases.
“Destructive strength is creative strength,” a character says in the trailer. “But don’t predatory cats belong in the wild?”
The hunt for whomever the dangerous hunter with no regard for human life is takes over a community, as all fingers seem to point to the elite family at the center of the drama. Yet the whodunit takes on another social issue: When the presumed wealthy “madman” killer is revealed,...
- 1/11/2024
- by Samantha Bergeson
- Indiewire
Sweden’s Göteborg Film Festival unveiled its 2024 lineup today, featuring 250 feature films set to screen across ten days, with highlights including Handling the Undead, Norwegian filmmaker Thea Hvistendahl’s feature debut, starring Renate Resinsve and Anders Danielsen Lie. Other buzzy titles include the Finish title The Missile from filmmaker Miia Tervo and Morbius director Daniel Espinosa’s return to Nordic filmmaker with Madame Luna.
Handling the Undead opens the festival following its debut bow at Sundance. The pic, an adaptation of a novel by Let The Right One In writer John Ajvide Lindqvist, tells the story of three families recently left in mourning after the passing of loved ones. Suddenly, the power grid goes out, and the deceased begin to move.
Guests set to pass through Gothenburg include actor Ewan McGregor, who will receive the festival’s honorary dragon award for career achievement. He will also be in town to...
Handling the Undead opens the festival following its debut bow at Sundance. The pic, an adaptation of a novel by Let The Right One In writer John Ajvide Lindqvist, tells the story of three families recently left in mourning after the passing of loved ones. Suddenly, the power grid goes out, and the deceased begin to move.
Guests set to pass through Gothenburg include actor Ewan McGregor, who will receive the festival’s honorary dragon award for career achievement. He will also be in town to...
- 1/9/2024
- by Zac Ntim
- Deadline Film + TV
Actors Ewan McGregor, Sidse Babett Knudsen, Renate Reinsve, Anders Danielsen Lie, directors Ruben Östlund, Ernst de Geer, Ramata-Toulaye Sy and Cannes Film Festival honcho Thierry Frémaux are some of the stellar guests set to walk the red carpet at the 47th edition of Sweden’s Göteborg Film Festival.
This year’s Göteborg Fest unspools from Jan. 26 to Feb. 4.
For his last run as artistic director of Scandinavia’s biggest film festival, Jonas Holmberg has selected 240 films from 82 countries, and what he calls “one of the strongest lineups ever” for Göteborg’s main Nordic competition strand. Among the highly anticipated titles vying for the coveted Best Nordic Film Dragon Award worth Sek 400,000, is Norway’s “Handling the Undead” by Thea Hvistendahl, set to kickstart the festival on the heels of its Sundance world premiere.
“This will be the first time we open with a zombie horror,” notes Holmberg, who looks forward...
This year’s Göteborg Fest unspools from Jan. 26 to Feb. 4.
For his last run as artistic director of Scandinavia’s biggest film festival, Jonas Holmberg has selected 240 films from 82 countries, and what he calls “one of the strongest lineups ever” for Göteborg’s main Nordic competition strand. Among the highly anticipated titles vying for the coveted Best Nordic Film Dragon Award worth Sek 400,000, is Norway’s “Handling the Undead” by Thea Hvistendahl, set to kickstart the festival on the heels of its Sundance world premiere.
“This will be the first time we open with a zombie horror,” notes Holmberg, who looks forward...
- 1/9/2024
- by Annika Pham
- Variety Film + TV
The Göteborg Film Festival has unveiled the competition titles selected for its 47th edition, which runs from January 26 to February 4. (Scroll down for the full list).
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400,000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Madame Luna, Swedish filmmaker Daniel Espinosa’s return to Nordic filmmaking following a series of Hollywood titles such as Morbius and Safe House. Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia. When she is forced to flee to...
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400,000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Madame Luna, Swedish filmmaker Daniel Espinosa’s return to Nordic filmmaking following a series of Hollywood titles such as Morbius and Safe House. Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia. When she is forced to flee to...
- 1/9/2024
- by Zac Ntim
- Deadline Film + TV
John Ajvide Lindqvist’s vampire novel Let the Right One In (or Låt den rätte komma in) has inspired a Swedish film of the same name, an American film called Let Me In, and a short-lived Showtime series called Let the Right One In, while his short story Gräns served as the basis of the 2018 fantasy film Border. The latest adaptation of his work is the Norwegian film Handling the Undead, based on the novel Hanteringen av odöda. The film will be screening at the upcoming Sundance Film Festival as part of the World Cinematic Dramatic Competition, and has also secured a North American and UK distribution deal with Neon. Now that we know the film is heading to Sundance, a trailer for Handling the Undead has made its way online, and you can check it out in the embed above.
Handling the Undead marks the feature directorial debut of Thea Hvistendahl,...
Handling the Undead marks the feature directorial debut of Thea Hvistendahl,...
- 12/11/2023
- by Cody Hamman
- JoBlo.com
Girls Will Be Girls To Premiere At Sundance Film Festival 2024: Here’s Everything You Should Know About Chadha & Ali Fazal’s Debut Production! ( Photo Credit – Instagram )
Ali Fazal and Richa Chadha’s debut production, ‘Girls Will Be Girls,’ a female-led drama written and directed by debutante Shuchi Talati, is set to premiere at the prestigious Sundance Film Festival 2024. The film will be screened in the World Dramatic Feature category, marking an extraordinary achievement for producers as well as the director. ‘Girls Will Be Girls’ is one of 16 films chosen to participate in the competitive category of the renowned Film Festival.
The 40th edition of the Sundance Film Festival, which aims to provide a space to gather, celebrate, and engage with risk-taking artists who are committed to bringing their independent visions to audiences through independent storytelling, will take place from January 18–28, 2024, in Park City, Utah.
Speaking about the film, producer Richa Chadha earlier said,...
Ali Fazal and Richa Chadha’s debut production, ‘Girls Will Be Girls,’ a female-led drama written and directed by debutante Shuchi Talati, is set to premiere at the prestigious Sundance Film Festival 2024. The film will be screened in the World Dramatic Feature category, marking an extraordinary achievement for producers as well as the director. ‘Girls Will Be Girls’ is one of 16 films chosen to participate in the competitive category of the renowned Film Festival.
The 40th edition of the Sundance Film Festival, which aims to provide a space to gather, celebrate, and engage with risk-taking artists who are committed to bringing their independent visions to audiences through independent storytelling, will take place from January 18–28, 2024, in Park City, Utah.
Speaking about the film, producer Richa Chadha earlier said,...
- 12/10/2023
- by Shivani Negi
- KoiMoi
"I love you whether you like it or not." Neon has unveiled the first official trailer for the indie horror thriller from Norway titled Handling the Undead, marking the first narrative feature from Norwegian filmmaker Thea Hvistendahl. It was also announced today as part of the 2024 Sundance Film Festival line-up in the World Cinema Competition section. This dramatic horror-thriller takes place on a hot summer day in Oslo. The newly dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? What does this resurrection mean and are their loved ones back? Adapted from the novel by the same writer who wrote the Let the Right One In book. Starring Renate Reinsve (from The Worst Person in the World), Bjørn Sundquist, Bente Børsum, Anders Danielsen Lie, Bahar Pars, and Inesa Dauksta. Yes this is...
- 12/7/2023
- by Alex Billington
- firstshowing.net
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