Baby
- Episode aired Oct 28, 2015
- TV-14
- 41m
IMDb RATING
9.4/10
7.3K
YOUR RATING
Sam and Dean's road trip to fight monsters and demons is chronicled entirely from the Impala's perspective.Sam and Dean's road trip to fight monsters and demons is chronicled entirely from the Impala's perspective.Sam and Dean's road trip to fight monsters and demons is chronicled entirely from the Impala's perspective.
Storyline
Did you know
- TriviaFirst time Dean Winchester has called Sam Winchester "Samuel".
- GoofsSam asks Dean "haven't you ever wanted more?" Completely ignoring the Lisa & Ben story-line.
- Quotes
Castiel: I'm not sure how orange correlates with black in a way that's new.
Dean Winchester: Step away from the Netflix.
- ConnectionsFeatured in MsMojo: Top 10 Supernatural Episodes (2016)
Featured review
The Pinnacle of Supernatural
Not only is this the best episode of all the series but it is one of the best hours in television of the last 30 years. Whether you are new to the series or have watched every episode repeatedly "Baby" lands perfectly as an encapsulation of the show's vibe, ethos and heart. And it does so by combining a great concept with an even more better realization. It is everything a fan of the show can ever want from an episode.
Supernatural combines a family melodrama-two brothers with a strained relationship filled with secrets-with a experimental take on legends, folklore and mythology. This is precisely what the script does in its purest form. By limiting the perspective to Impala's literal point of view the writer is forced to break up the script into radically different sequences. There is the use of French scenes (i.e. the scene changing by the entrance, exit of characters) compressed time changes, vision etc. to keep the plot moving while keeping the Impala involved. None of this feels forced and makes intelligent use in a lot of implied things the Winchesters must have done, i.e. sleep in the car, over the years. Thompson also manages to work in every call back you would expect-i.e. the legos, army men, but also "Goodnight jerk" while having it feel organic. John's cameo is quite emotional and the various mythos forwarding bits (monsters fighting the darkness) are subtle enough to make this feel like the very early monster of the week standalones. Even the monster are inventive and the humor is just *perfect* for what the episode does.
On the script level the best bit of business is how Thompson finds a way to give the Impala a secret vis-a-vis the valet and how that secret works into the climax of the episode. But as good as the script is it is the direction that makes this episode so special.
Wright's technical direction is among the best I have seen in the television format. Keeping an hour within a car is hard; not only did Wright find ways to keep the shots fresh and interesting but the overall vibe of the episode personifies the Impala. Supernatural-especially in the first few years-is really a show with two characters but the Impala has a good of a case as Bobby, Crowley, Cas etc. as being the third character. Wright sells this completely. Baby comes alive like she has never been before. This lessened in the later years but Supernatural is primary a road show and "Baby" is the most on the road the show has ever been.
Wright makes the most out the script's character interludes; the "Night Moves" sequence is pure mood and joy for the fans of the show. Jared and Jensen are give such natural, comfortable performances that only come about from playing the same characters for more than a decade. Season 11 overall has the show in notable decline but this masterpiece only comes about after years of crew, cast honing the show.
Supernatural combines a family melodrama-two brothers with a strained relationship filled with secrets-with a experimental take on legends, folklore and mythology. This is precisely what the script does in its purest form. By limiting the perspective to Impala's literal point of view the writer is forced to break up the script into radically different sequences. There is the use of French scenes (i.e. the scene changing by the entrance, exit of characters) compressed time changes, vision etc. to keep the plot moving while keeping the Impala involved. None of this feels forced and makes intelligent use in a lot of implied things the Winchesters must have done, i.e. sleep in the car, over the years. Thompson also manages to work in every call back you would expect-i.e. the legos, army men, but also "Goodnight jerk" while having it feel organic. John's cameo is quite emotional and the various mythos forwarding bits (monsters fighting the darkness) are subtle enough to make this feel like the very early monster of the week standalones. Even the monster are inventive and the humor is just *perfect* for what the episode does.
On the script level the best bit of business is how Thompson finds a way to give the Impala a secret vis-a-vis the valet and how that secret works into the climax of the episode. But as good as the script is it is the direction that makes this episode so special.
Wright's technical direction is among the best I have seen in the television format. Keeping an hour within a car is hard; not only did Wright find ways to keep the shots fresh and interesting but the overall vibe of the episode personifies the Impala. Supernatural-especially in the first few years-is really a show with two characters but the Impala has a good of a case as Bobby, Crowley, Cas etc. as being the third character. Wright sells this completely. Baby comes alive like she has never been before. This lessened in the later years but Supernatural is primary a road show and "Baby" is the most on the road the show has ever been.
Wright makes the most out the script's character interludes; the "Night Moves" sequence is pure mood and joy for the fans of the show. Jared and Jensen are give such natural, comfortable performances that only come about from playing the same characters for more than a decade. Season 11 overall has the show in notable decline but this masterpiece only comes about after years of crew, cast honing the show.
helpful•121
- CubsandCulture
- Oct 12, 2020
Details
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