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Die Hard (1988)
10/10
The Christmas Classic
20 March 2022
The perfect action movie in all ways. A relatable leading man in Bruce Willis who has believable struggles, clever action working around its own restraints, one of the best cinema villains ever in Alan Rickman's Hans Gruber and some of the most believable character work in action, in an age where the norm was to have everyone be a cardboard cut-out without personality.

Bruce Willis was the perfect casting for every-man John McClane. His marriage is struggling for believable reasons, and when him and Bonnie Bedelia are on screen together, we can see both the chemistry that brought them together and the disputes that split them apart. He struggles with flying and feels out of place in the ridiculous prestige of the Nakatomi Plaza making him feel just as out of place as we would when everything ramps up.

The action was brilliantly crafted and directed, which was a welcome change from director John MctTiernan who had previously directed mindless violence in "Predator". "Die Hard" however is clever, with characters always taking paths that avoid risk and even when things do escalate, the characters are intelligent over violent which makes Bruce McClane's survival believable.

Then the Hans Gruber, calm and calculating at every turn. Alan Rickman perfectly portrays this making a drive and focused man who always completes his goals without delay or failure, crafting a character who is still one of the best cinema villains ever.

Then there is the much-debated Christmas nature of the film. I personally think that it is a Christmas film, and a great one at that. It has the bright colour scheme of a Christmas film, all the Christmas music you could want and in the end it's a film about family. What more could you want from a Christmas film?

I think of "Die Hard" as the perfect action movie, always taking itself seriously and treating itself realistically. Paired with some of the best action ever and one of the most compelling cast ever put into an action movie you are left with an amazing action movie if nothing else.
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Rush (I) (2013)
10/10
A Masterclass in character
20 March 2022
A true story following a rivalry between fascinating people, that if nothing else, manages to explore both of these people in great depth and provide us with insights into their motivation, drives and beliefs.

The first of these characters is Niki Lauda, portrayed by Daniel Brühl. A cool and calm man who is always in control of himself regardless of the situation, something he brings to his racing. But there is a deeper layer to him, a drive to achieve beyond what is given to him. To create his own achievements from scratch which leads him into racing and causes him to design the cars himself.

Then James Hunt, portrayed by Chris Hemsworth. The best performance of his I've ever seen; he embodies a madman who is involved in racing for two things. He wants glory and he wants thrill. He entirely opposed Lauda and strives for the public's approval through his reckless and eye catching driving, rather than self-approval through perfection like Lauda.

The brilliance of the story of the rivalry between these two paired with the seasoned direction of Ron Howard creates a brilliant viewing experience. The racing is extremely tense and engaging, genuinely heart pumping stuff, but the film really excels as a character study.

All in all, "Rush" is an amazing film that explores a tale that will stun you and amaze you with every turn, which is made even more unbelievable by the fact its true.
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Drive (I) (2011)
10/10
Eccentric yet Brilliant
20 March 2022
Warning: Spoilers
"Drive" is an entirely unique experience from start to finish. If the film was described to you without seeing it, it would sound like a run of the mill crime thriller, without anything to elevate it above and beyond. But the film itself oozes style and is captivatingly unique.

Ryan Gosling puts in a typically minimalistic performance, something I'm usually not fond of, but in this case it actually works towards the mysterious nature of the character, someone who is so mysterious the film doesn't even give him a name. The standout however is Carey Mulligan who perfectly portrays a women trapped in a bad situation, constantly trying to move on but always chained down by something, originally here child but it then turns into being associated with Ryan Gosling.

The direction of the film from Nicolas Winding Refn is phenomenal with the colour scheme and imagery throughout drawing the viewers' attention to the film. Even when nothing is happening plot wise, something is always happening with the camera that makes the film enthralling throughout.

But the real highlight of the film is the score, perfectly complementing the eccentric artsy nature of the film. If this film ever comes up in conversation, the score is always going to come up as well, with the song "A Real Hero" so good that it's used twice and it doesn't feel old or overdone the second time around, you're just happy you got to hear it again.

It's a fantastic achievement that clearly set out to produce one man's vision, something everyone executed perfectly to make a film that feels like a dream, but unlike a dream you will remember this film long after it finishes.
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5/10
A Rare Misstep From a Master of Horror
20 March 2022
Warning: Spoilers
Mike Flanagan is one of the best directors of modern cinema, but he slightly missed the mark with this one. It has the bones of a good movie, but it fails to effectively combine everything and put the finishing touch on it.

The characters felt strong, but upon further inspection they could have used with one or two less characters as in the end lots of them feel shallow, like we know nothing about them. Mikey (the boyfriend) for example, dies late in to get the climax moving and I realised, we know nothing about him. Even the children feel slightly shallow and whilst we know lets about them it just felt like they need that little extra something to help define them beyond the clichés associated with their character, to elevate them from characters into people.

The movie itself also feels slightly short, possibly gaining from an extra 15 minutes. The film lacks rising tension and just seems to jump from key points without the necessary details to earn getting there. The girl goes from being possessed, to doing typical creepy kid stuff, to murdering people. There needs to be escalation in between with the child going from creepy child to something worse, then murder not just creepy kid suddenly starts murdering people.

Then there is the climax, the entire thing is overly jump scare reliant, to an unreasonable degree. I'm not the kind of person who will crucify a film for having jump scares, but the climax of this movie is exclusively jump scares and by the end they just feel tired and predictable. This paired with the confusing "stop the voices" thing which is never properly explained just makes you regret watching the film all the way to the end, a really disappointing finish.

It's not a bad film and it has some good things going for it, but it falls significantly short of the standard Mike Flanagan has set for himself and I would not recommend it.
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About Time (I) (2013)
10/10
Masterpiece
20 March 2022
Warning: Spoilers
I've been a huge admirer of Richard Curtis' work ever since I saw "Love Actually" and I really enjoyed "Four Weddings and a Funeral" and "Notting Hill" but in my opinion this his best work ever, if not the best film ever. It combines the heart and humour that was present in the aforementioned films with a stronger emotional core and more mature direction. Regardless of the fact that I'm trying I honestly believe that this is not a film you can describe with words, with the closest being perfect.

One of the most emotionally powerful movies ever, appreciating the beauty of everyday life and how every day is a blessing when it is spent with a loved one. This is perfectly acted by everyone involved, with the chemistry between Domhnall Gleeson and Rachel McAdams, and the performance by Bill Nighy standout.

So many films are about the highs and lows of being a superstar or superhero or something like that. "About Time" is a refreshing change from this as we follow Tim Lake as he discovers the highs and lows of regular human life in a beautiful journey of discovery. He discovers how beautiful life can be and we discover it with him.

This is perfectly complimented by the time travel which one would expect to remove the relatability of the character, but it magnificently amplifies it as we watch him discover no-win-scenarios and finally discover the beauty of life as it is, that it doesn't need adjusting or changing.

Finally, there is the romance, the centre of this film for most of its run time. It is the perfect child of a brilliant script, a relatable and realistic romance that is not interspersed with unbelievable scenarios or ridiculous love triangles, but just a real relationship. Yet it's also fantastically fictitious, with two characters who so perfectly match it feels unbelievable in all the best ways.

"About Time" is a heart-warming, emotionally impactful film that had me at tears at points, alongside pulling the biggest smiles I've ever had making what is my mind a perfect film.
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8/10
A unique film with a foreboding atmosphere
20 March 2022
Warning: Spoilers
Whilst this film does have issues, mostly that at points it feels more preoccupied with flaunting its design and attention to detail than progressing the plot and consequently slightly drags. Nevertheless, when the plot does get in motion the film is consistently engaging and builds a terrifying atmosphere that by the end boils over into a jaw-dropping climax.

Both the script and direction from Robert Eggers pair to craft a scintillating experience that has you on the edge of your seat from the word go. There is a constant feeling that the characters are being watched, with the woods being perfectly mysterious, providing a constant point of tension, never really sure what could come out of them.

All the characters are well written, and each performance portrays them as neither good nor evil, just human. A mother drowned in sorrow brought on by religion, a father too proud to let go of religion and admit he was wrong and four children who can't find the faith he demands and are thus loathed by their parent.

All of this culminates in the family destroying themselves due to the differences they create, with a sprinkling of witchcraft and devilishness on the side.

All things considered whilst it can be slightly slow sometimes and the experimental nature of the script makes it hard to understand at points, it is still a magnificent finished product with great performances, script and direction.
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