"He changes path every day because he's afraid to loose everything" is the solution that Fellini gives to the audience. Why can't the director start writing a film, why can't he keep a relation with his blatant savior, why can't he decide about anything? Because he is a coward, so scared to not be able to love. All the story seems to be hopeless, the main character continuously tries to find solutions to avoid his problems, but when even the most extremist idea doesn't stop them, his mind is obliged to understand the truth. He is a coward, a man who doesn't know how to love.
The writing is PERFECT, Mastroianni is a monster and Fellini an incomparable GENIUS. I always avoided referring to a film as "perfect", but how else could you call a work that is the best version of itself?
The writing is PERFECT, Mastroianni is a monster and Fellini an incomparable GENIUS. I always avoided referring to a film as "perfect", but how else could you call a work that is the best version of itself?
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