avisheksahu99 Reviews

Kuldip Patwal: I Didn't Do It! (2017)

Fame anonymous assumed guilty my lord!

[8/10 · 1 May 2024]

Anonymity of nous is magnanimity of noose for schmooze buggers buggering about in class entrenched in four corners is classy drenched in more gonners for stalling a cart for marts recognised can only be rise, all rise, and take your seats thus. Therein where challengers are duresses over duresses upstaged as mint tint shines in chaos theorised as video games to keep warfare socialism still when communism is experience dispensed to not rule in a land of upbeats downbeat by choice only to keep beats integral in integrity of hifi avoided in survival but oiled as survived or tillers bill for crust as a must in anonymity of enterprise killed by cartels to keep families over and above, the law!

Shagird (2011)

Antiquities appraise in words!

[9/10 · 1 May 2024]

The thirst for modus operandis as personality evaluated is a thirst for work appraised formally or maneuvers become out of sync with statements not made making professional responses unpredictable only in statements made thus. That said, if statements are indeed made to keep policy over enterprise to keep profits over cash allegiences of sentiments have to be made allegiance to style as default takeout in the world of guns and roses where biting a bullet killed a dink over ricochets assumed as precedence of predominance precedenced in self appraisal denied therein and thereby. In doing so, collaterals are witnesses in self-appraisal thus for if guilt moved buildings built over not guilty declared the movements of huff may not be enough to keep crowds of engendered double entendre in a quest not for policies, profit, cash, or modus operandis but for victories existential only in one's curious uptake of social enstrangement rooted in obedience subsumed by orders made, registered, or insinuated, in the least.

Masaan (2015)

Boat Rides on 30, at 30, for 40 Shades of Grey!

[8/10 · 11 January 2024]

Grey is white from below, black from atop, green from the sides, and blue in light when colour is black or white over grey scale to keep black right wing, white left wind, yellow center, and red bulls eye. If gun shots are accidental war is politics, when yellow is sunlight white is daylight, commotion is grub, promotion snub, chaotic the heir and share as good as stock. When share is stock, holder is insider, when heir is knock commotion is outsider, paper inherits over letters discarded thus keeping words over and above in letters as long as the ink belongs to no one. That is, if paper inherits the rule as well, words match letters over wherewithal of either or perishes over and above in survival of the fittest over ghats of fire applicable to paperwork for the rest.

Inside Man (2006)

Bank Heists of Cash, perhaps!

[9/10 · 4 October 2023]

Cash Reserve Ratios necessitate proprietorships or partners lie to families, companies lie to liabilities limited, and public lies to paper deeming itself government in microcosmic representations of itself with limited liability thus. That proprietorships are public is public as public or democracies dictating universal franchise as an imperative makes identification at voting booths fictional at best in localisation of intent manifested as world public by default thereby in universality of liability as unlimited to deem unlimited liability a blessing for proprietorships unlisted at poor man's Hollywood on suits and bling defining stock markets as grub for studios when not files of dirty paper keeping cooperatives over banks and banks over Switzerland thus. That is, if Central Banking came up without Switzerland, guns made roses and roses made us listed banks with our money paying ourselves to work for us thereby. If that's a heist, who's the proprietor?

Seemabaddha (1971)

Limits Stretched Already!

[10/10 · 6 August 2023]

Smart's a misnomer in offices of social wherewithal keeping records on paper for another day at heroism buttressed by inks on winks and dinks off kinks to keep the smarts smart in contexts declared historical for modernity beating in their cusps. The cusp of edges are depressions in vessels of hegemony challenged to survive in time like calendars do with companies and banks marketing raison détres of yore as choices hard chore brooked not with narratives parading as cultural artefacts peculiarly regional but with professional elan on dark schmooze keeping paperwork for distant fans air conditioning for the last man standing, deliberately, for lack of choices in any further professional manoeuvres at offices taken by those that call dibs on files and folders alien to smart cut trouser hems and locals to kitty parties without a regional licence in turn.

The Godfather (1972)

When Capitalism Beckoned Communism With a Dash of Olive Oil!

[10/10 · 5 August 2023]

This movie could easily be pitched as the most landmark creation in cinematographic history for setting the tone of Social Education in the coming years, given serious cosmetic evolution was just on the cards and more than ever, money just had to sit in the right hands to make social sense. While the thirst for bona-fide business ventures has been ripe within mankind for the longest time, it is just a badly kept secret that sticklers for reputation almost always fall back on triads and godfathers to save their skin from the vengeance of their hitherto ignorant audience suddenly awaken from their poverty induced deep sleep when outsiders take notice of their insouciance and insiders take notice of their pride. Made at the dawn of the fall of the family as a mega-institution, it insinuates that the appeal in gangsters never lay in the fashion or the thrust but in the starkly bare realisation imperative in their context that money finds you only when you have people around you to call family, for what needs to find you needs a road to find you, and the homeless never ever had it easy in times of war and in times of peace!

Ardh Satya (1983)

Deals Out in The Open!

[9/10 · 5 August 2023]

Zeitgeists are impersonal when zeitgeists merge into the humdrum in execution of the not so humdrum in matters of the untenable where logic is concerned in cities and settlements bustling with what won't work in the absence of it, imperative to survive demands of boondocks averse to everything rustic, and inevitable in an open economy impending with onus of survival on the victim wallowing in cornucopia of zeitgeists on offer to tide you over what bites in the name of it. While deals over the top are clandestine in import, their conspicuous intertwinibility with business of the day ensures uptake of social nous on offer at every turn making businesses essential in tiding over rough tides that subside with a waiter's order for two cups of tea at up markets or with a casual dispensation of currency note at establishments keeping tab on a flying penny. The import being that an open economy can only hurt when deals with nemeses don't lead to the whitening of gaffes economically like gaffes could be tided over with deals that rule pagans in dealing with the wild religiously.

Mr. India (1987)

Mission Unstated

[8/10 · 5 December 2022]

Vision Statements are Mission Statements when stated for to state it is to sell it for a vision that thereby also has to be stated in exchange of listing of both as market dynamics independent of proprietorship consequential if business has to be made, inconsequential if business has been made in monetary terms incompatible with Business Policy when Fiscal Policy and Monetary Policy have to be reckoned with with every passing year if not in real time. Competencies engendered thereof have to be equivalently malnourished in security to survive in the mission untenable from point of view of the market when market is the benchmark and peremptorily inalienable from point of view of the market when business is the benchmark keeping market intact in the age of companies delivering food and medicines at the doorstep. The security established thus, when established as thus, can only be put down to kowtowing to the mission for survival shared in its shared upkeep demanding competencies enhanced not to survive as business but to persist in the business of survival relinquishing vision statements for vision unequivocal in focus to keep companies above the market and markets above missions stated in vision focused to keep Vision Statements above all in missions uncompromised as proprietorship undertaken thereby identifiable with every vision unstated in every mission unstated qualifying as lack of vision in the mission persisting thus.

Cat on a Hot Tin Roof (1958)

Tin is Noise, Steel Pain, Roof both.

[8/10 · 30 August 2022]

Incessant in patience is incessant in a test of it is persistence in a lack of it if persistent in a test of it to be concocted into design and aesthetics of roof, walls, and floors, for incessance in the persistence of it. When personified, is love, when not, is love, when neither is hate for neither is only possible through the test or through with the rest with neither to behold in a shot at either for either is solitude to be earned, savored, relished, beheld, and defended, under anything that goes, if not a hot, tin roof. Noise on tin is poise on bin, pain in steel is gain on heel, roof over both is hoof overboard, unattainable in insight if visionary in foresight, curtailable in foresight if visionary in insight, for commodities on exchange are forex in exchange, to be exchanged for persistence with tins, steels, or roofs, in the insistence for the test of either taken two at a time in patience, or all at a time in the lack of it.

Guide (1965)

Onward Backwards!

[10/10 · 30 June 2022]

Forwards is a coterie, Mid-field a system, Defense, an establishment, Rebellion a Goal-Keeper in limelight shunned off wisdom, gunned on it, and bunned inspite of it to keep rebellion hush-hush, defense not so much, midfield rush, and forwards mush. Walk off it, you are in Tigerland with cameras hidden somewhere off permit; walk on it, you trespass what you couldn't pass as humdrum but bright. Bright's right, light's might, dancers allright, bouncers tight, if you can keep it about yourself, just keep it about yourself, without falling for the follies of the upmarket, or dollies of the downmarket, beckoning you to give it all up, for saints are taints, kings are lings, ministers both, to keep it alive under a tree, just alive under a tree for celebrities in frocks and jewellery to understand that the vanquished prevail when all it takes is rain to cover his gain.

Philadelphia (1993)

Shady in High Rising Fashion

[9/10 · 7 June 2022]

High-rises distract from high-rises viewed from the road on a trip, by the lane, across the by-lanes, and amidst financial districts inaccessible without some sort of license for a scoop of ice cream in its whereabouts drawing first blood where carts won't do what carts did peddling pocket money as business nous. Nous is professional, noose is as much, fashion's loose, authorities choose what's in, what's out, and not just what's out and about to keep prejudices suspended flair, judgements upended dare, authority challenged tare, argument in line care, case won share in limelight moving from atop to make share stock, dare knock, tare shock, rare cock in a fight for survival as victor ostracized or vanquished upsized to fill high rises with what can be done, what couldn't be done, what has been done that can only be done in high rises until undone.

Black Swan (2010)

As apprentice from rigmarole with love!

[8/10 · 4 June 2022]

Rigmaroles are fashion for sparks as a given in rigmaroles merging to create the seminal, personal as business, business as personal, intertwined with the humdrum stoking cigarettes, coffee, deserts, with fait accomplis drawn under duress to be shown as wise. The more the sparks, the larger the sparks, for humdrum to be rigmaroles, and rigmaroles to be wise, in games designed by show business to keep business out of show business and show out of business until businesses are businesses for a show is just a show unaware of rigmaroles in show business making artists in rigmaroles drawing humdrum to be as wise as artists in the show!

American Hustle (2013)

You and me, for want of no other!

[9/10 · 3 June 2022]

Getting by can be tough with enemies, impossible with the other as one, and redundant with no other as one, as long as the chip on the shoulder can withstand heat in the sun degenerated by air conditioning in the foreground and clandestinely regenerated with chuckles in the background. The louder the noise in the party, the louder the noise about, the louder the noise with not so hearty, louder the noise all about. All about has to be all rubbish for all about is without all there is all about, if that's all on offer with all there is all about, I'll keep the pout, the bout, and the rout you know nothing about!

Shikara (2020)

Of Prosceniums and Boats

[8/10 · 5 May 2022]

Where shows have to be staged on stages the audience is as much troupe as props viewing affairs with detachment albeit as essential to tricks of commerce. The interpretations are deanatomized critically, the cast appraised also otherwise, the commerce documented in media, and the audience at it socially to keep the stock stock, the share share, and the price limited. With limits of trade thus prescribed hiding under nuances of history in the name of status-quo to keep the proscenium apart from what could be, what transpires to achieve the same effect on a boat by the stream to equate equations in business terms for those that understand nothing else while hidden from worldview for demands of the status-quo can only serve as legal compendiums of business when politics in business cannot save itself from the status-quo it must adhere to at all costs to keep business at bay until asked to pay the price.

Asuran (2019)

The Forests of Urbanity

[10/10 · 5 May 2022]

While no man can beat the thrust in his poise that emerges in stark moments of solitude with a bequest of seeing eyes on the hills and on the trees as figments of artistic leniencies, that that thrust becomes a misnomer in struggles of survival in even native realities is proof of patience being a bequest in return where dead-ends are as de rigueur as seminals on poise excavated as thrust. Hardly a luxury invoked on call of duty in treatises of history calling spoils of war sparks of development, that thrust is nurtured in the hustle and bustle of forests to keep satellites over and above passivity in denial can hardly be grub in nurturing patience for dead-ends to run roughshod over every thirst for glory making time only an aspiration in pieces.

Aparajito (1956)

The Ghats of Fire

[10/10 · 5 May 2022]

If holding your own were non-violence, slavery would have been condoned without offering a right to vote, or else guns would have ruled where guns have ruled to keep slavery intact without a license in return to make wisdom a one-way street. While one-way streets are logical inconsistencies for roads everywhere to lead nowhere, that wisdom partaken in subverting every call of rebellion is wisdom shared in its uptake ought to be taken as a vote for violence in a call for war with peddlers of guns in the backseat and peddlers of innocence at the frontline egging Ustaad Sri Satyajit Ray to veer to the right and then to the left and on and on like that with nous hinged a-center.

Collateral (2004)

Collaterals Are Pawns in a Losing Game!

[8/10 · 29 March 2022]

The Game's a game for games to be won in games that proffer a choice of alternative, red herring at best with the purported other side in the game, trap in the worst with spectators on popcorn not nails for play to be work in the age of sports as business and business in sport. As such, when pawns at shops become collateral on hip-hop kings and queens become players to survive where rooks and bishops call the shots on horses until its checkmate to survive in the game or checkmate with no pawn to show. Either way, as has always been with games of love and games of war for lack of alternatives in either, survival is about retaining your pawns in or out of the board for those in to call a checkmate checkmate, and those out to call the board a board.

Pulp Fiction (1994)

Elegance in Absurdity

[9/10 · 16 March 2022]

America is big because it has the capacity to give reputation to absurdity. This movie does just that: it is absurd in wisdom demanded off context, but it is beautiful for being unrepentantly obedient at that!

Thalapathi (1991)

High Drama

[8/10 · 16 March 2022]

Masala movies are beautiful: no explicit message, just a trip down the lanes of diurnal fantasy. This is not a fantasy movie though; it is just pure drama on the lines of Goodfellas; it is far more sombre and intense, but the stuff to excite you about the troubles and predicaments that beset the world of gangsters, is all there in an intense packaging. Indian actors are rarely method-actors but they usually have the ability to incite great passion and great empathy in their audience and with good reason: when they get the right directors, you can often see clearly then that for them, it was never about the money, but about the pleasure that comes from realising the deepest recesses of their craft.

Aadukalam (2011)

India In A Nutshell!

[9/10 · 16 March 2022]

Indians are highly competitive and often yearn to become champions in their art, but then envy strikes, and in the guise of critical appreciation of your talents, someone threatens to take away from you your reason for competitive hunger, hoping you could fill your belly with just the honors and the booty but nothing to show the world, you earned your time in the Sun!

Jerry Maguire (1996)

Courting Depression Where You Ought to Seek its Redemption

[8/10 · 16 March 2022]

Romances aren't overrated, in movies or anywhere else, just like a good meal isn't overrated, in a Michelin Star Outlet, or in a critically reviewed roadside joint, for the whole point in the brouhaha, conspicuous in the latter context at least, is the investment in an experience, traditionally, with nothing to show for it in the game of being socially relevant. If the point of being Buffet is to give away your wealth, if the point of being Buddha is to abdicate your throne, if the point of being a man is to go dancing with the wolves (sic), then the point in being in romance is to lose the hero in you that you went finding on your first chase after the skirt!

Good Will Hunting (1997)

For Want of a Crash

[8/10 · 16 March 2022]

Disillusionment is a profound luxury, for a library has been built over the blood of many, similarly unendowed, and dissimilarly acknowledged for their worth, for a little word in either context while creating ripples in the immediate surroundings of one could set fire to an industry in the other for not being able to contain the ripples in an age where fishes are finned at sea only to be grilled on land. This interpretation is starkly evident in the climax where the pain of guilt is neatly suspended for a new lease of life shelved abruptly back home by those who call dibs at being the underdog at leading with the chin at subliminal treachery.

Training Day (2001)

Living On The Edge With an Eye on The Whole

[9/10 · 16 March 2022]

Cops everywhere have a choice, stark in their face, when the job self-details itself as non-existent when obedience takes a front seat, and as a ticket to a life in stun with the bet on a payback that honors the absolute insouciance at the ways of the world when made to fit a pattern. That said, the payback if not impossible enough for the honors that a life in stun begets, has to be carved out of the possibility that only a front-seat tryst with obedience proffers as its salvage of pride lost in keeping one from flying over the cuckoo's nest yet gained at vicariously living large in someone's lost shot at hell, for what can be gained by all can only be gained by one when the rigmarole at question has always been about keeping just that one in check. Dead-ends inherent in the chase apart, the movie runs along as if multitudes of options just open themselves up, as long as neither the impossibility nor the possibility sees a sliver of possibility in the impossibility!

Catch Me If You Can (2002)

The Catch is in The Ignominy

[8/10 · 16 March 2022]

Reputation has always had a way with people as an incentive to follow society's agenda when the endeavor demands perspective to be firmly placed as its anti-thesis. While rationalizing as such could take you nowhere near the hallowed corners of every society's Australia, biting the bullet and going with the flow could only land you in a club of aberrations tuned to pursue an agenda larger than any individual within it and thereby immune to the threat of being an anti-social without the backing every spy thirsts for with his back to the wall.

Satya (1998)

Contradictions Are Money!

[8/10 · 16 March 2022]

Much of the social disasters documented in movies, especially here in India, emerge from seemingly unjustifiable contradictions inherent in the context of the heroism detailed whether or not what's detailed ends as a triumph or a loss. That however, given the follies that enrich such a journey, tends to give the audience a foothold into the context for having to highlight the misses in no uncertain terms. The movie, like that, beholds raw material that engender gangster legends across the land only to do a great job at showcasing what often goes wrong at the grassroots when workers in the field take their eye off the money to settle personal scores. More than any other movie, this one, by glorifying the contrary, stresses on the imperative of having bhadralok call the shots in the underworld.