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Dark (2017–2020)
5/10
Done before (and will forever always have been)
5 May 2024
I find it hard to say anything strongly positive or negative about the show. It establishes a beautiful and consistent mood, but not in a way we haven't seen before. The music is also perfectly fitting, but doesn't take any risks (except by stealing a motif from Dexter). The storyline, I personally found really straightforward and sensible, as it uses philosophies and narrative styles that other productions have put on screen before.

That said, the show brings it all together in a way that is relatively smooth, without much fumbling. I just wonder, for the people who rave about its complexity or originality, if they just haven't seen much science-fiction. The whole thing was quite uninspired to me.

Final thought: Allow me to recommend watching this in the original German (with whatever subtitles you need). It's just better that way.
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Cloak & Dagger: Two Player (2019)
Season 2, Episode 8
2/10
What the other reviewer said, but with a sensible rating
14 April 2024
I love this show. Overall it's a 9/10 to me. It takes a truly artistic approach to the subject matter (rightly compared to Legion for its use of the surreal and the psychological). But this episode was the biggest misstep.

I can't tell if the director thought the rest of the show was a joke, and that's why she made this episode so ridiculous, or if she's just incompetent. I'm certainly not surprised she's gotten so little work in Hollywood. Only a few more credits to her name.

All in all, I have to agree with everything the other reviewer said. I don't know why he said all that, and still rated the episode 10/10.
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Echo: Chafa (2023)
Season 1, Episode 1
So far, it reminds me of Ms Marvel
10 January 2024
Sure, the tone is different. But both shows have two things in common: poor storytelling and production value... and a lead actress who is just so compelling, it almost saves the show.

Immense respect for the lead here. She is just fantastic, and I hope she gets a lot more work. She's certainly perfect for this role, but is deserving of better quality from the showrunners. The pacing and editing of the show are pretty awkwardly disjointed, with a lot of characters who are just sort of... there... without really giving any narrative momentum. But I suppose it works (passably) for TV.

One critical note: When the cave dwellers became humans, their outer layer of skin fell off, but suddenly they had layers of fabric appear with no explanation. (They magically had clothing on.) This really took me out of it, because it made me aware they were trying to appease censors. But why dramatically show layers falling off, if you're going to make new layers appear a second later, without explanation? It would have worked better if either (1) the natives just didn't have clothes for that scene, or (2) the subtraction and addition of layers were presented in the same way, with similar effects. As it was, it was just disjointed, nonsensical, bad editing, and bad storytelling.
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The Midnight Club: Gimme a Kiss (2022)
Season 1, Episode 4
3/10
This episode is a prime example of why this show is Flanagan's worst release
17 December 2023
As many have pointed out, this show is relentlessly amateur. Very silly happenings, often with the most overly dramatic music and unearned gravitas.

The kids play theater for a black and white portion that could have been done well, but doubled down on the campiness instead, and ended with a twist that didn't make sense. All of it culminated in an equally shallow apology (because there are plenty of clearly deplorable things that people claim to "love"--it's not self-authenticating).

Many other Flanagan shows are pure works of art, and I recommend them: Haunting of Bly Manor, Midnight Mass, and Haunting of Hill House.
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Agent Carter: Now Is Not the End (2015)
Season 1, Episode 1
4/10
The writers and director need some help
11 December 2023
To the showrunners,

Agent Carter is supposed to be smart. So having her make stupid mistakes is going to undermine the audience's ability to believe your little show. So if she asks someone to dip her at a dance to avoid being seen, don't have her immediately look right back with her face clearly visible; this makes no sense.

And don't make her a hypocrite either. If she faults someone for standing up for her, don't end the episode by having her standing up for another character. (If something isn't appropriate behavior at one juncture, it's not suddenly going to be okay for the lead character to do it later.) The first time I attempted to watch this show, back when it first came out, this alone was why I stopped watching.

I am presently trying again. Hoping it gets better.
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Luke Cage: On and On (2018)
Season 2, Episode 7
4/10
Sudden nonsense
3 December 2023
While this season has struggled overall to get back the solid footing of the first season, this episode in particular had so many suspend-your-disbelief moments.

For example, Shades comes up with a believable narrative to cover up the man he killed, but then suddenly shoots the guy again, from an angle that makes clear the killing was execution-style. Why?

And Bushwhatever's choices in that ending scene don't make much sense either. He undermines his own choices just like Shades did, in a way that undermines both the drama and his own intelligence.

I also find it hard to believe Misty would just go to a bar in the middle of all this. It undermines her character, given how devoted we've seen her to be, to the storyline, and the fate of the other characters.

Also, watch the extras during Shades' rendezvous with the snitch. I blame the director for how ridiculous and over-the-top they behaved. Unbelievable.
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Goosebumps: You Can't Scare Me (2023)
Season 1, Episode 8
6/10
Stupid but watchable
4 November 2023
There are things I appreciate about this series. The actors and actresses themselves certainly show potential, and I hope they continue to get work. The idea of combining individual Goosebumps stories but telling an overarching narrative was ambitious and, I think, works decently enough. (Though, I know others don't think it works at all.)

But it continues to be frustrating seeing how often the directors and scriptwriters have the characters doing things that just aren't believable. Take the cellphones, for example. In the first episode, the director clearly had the teens keep their cellphone screens on (presumably to illuminate their faces) when they were using their phones as flashlights, even though this made no sense from the characters' perspective (as it would then be harder to see anything in the dark). And then in this episode, two characters are texting each other while inside the same car, without turning off their sound! No one trying to hide their text conversation (like they claimed to be doing) would ever be that daft.

Too many choices are made clearly for the sake of the audience, but don't make sense from a character perspective. If the scriptwriters were trying to be as childish as the source material, that's not a hard bar to meet. But that's not going to earn the show decent ratings either. They honestly seem to be aiming for something in the 4- to 6-star range.

I just wish they aimed higher.
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Loki: 1893 (2023)
Season 2, Episode 3
7/10
Loses steam, but overall enjoyable
20 October 2023
The music and set pieces continue to be the best thing about the show, and this episode got especially creative with variations on the Loki theme. Listen for its appearances, both subtle and overt.

We notably stepped up the tension and smooth balance of action and storytelling, at the beginning of the episode at least, which gave me hope for the future of the season, though honestly the second and third act weren't as well-handled. I'm not one who enjoys watching awkward, stiff conversation, and the show-runners seem to be doing it intentionally (possibly because it's an approach other popular shows have taken).

Another thing the episode excelled at: giving a deeper glimpse into the psyche, emotions, and motivations of Miss Minutes, while still leaving room for much more to explore with her. And her animation quality is award-winning (or at least it should be).
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Loki: Ouroboros (2023)
Season 2, Episode 1
A mixed bag
7 October 2023
Warning: Spoilers
Launching the second season with the protagonist being responsible for the death of an innocent woman was certainly a risky start. As was the deus ex machina trope that got him into her vehicle in the first place. (REALLY hard to suspend my disbelief there.)

The show has always been such a mix: gorgeous visuals, great actors, some of the best music in the MCU, betrayed by nonsensical narrative through-lines, inconsistent threats, and way too much spoon-feeding the audience while ignoring their most obvious questions.

This episode again excelled in visuals and music. But I got really annoyed every time Loki said "It's the past" or "It's the future," as if it weren't already 100% obvious.

I appreciated the opening shot wasting no time to pick up where we left off. Or at least I thought that was the case. The Season 1 finale left us wondering if we were in the same TVA and people's minds were just wiped (and the statue of HWR had always been there, but Loki simply didn't know who it was), or if Loki had entered a different timeline, or a different point on the same timeline. It was a great mystery. So why did this episode start with a closeup of a different statue? Why not use the same one? Later if you look in the background, you see there's more than one HWR statue, but it would have been far less confusing, and more dramatic, to start the episode with the same statue as where we left off.

Finally, fans of awkward humor will enjoy the drawn-out segments of purposely cringey, surface-level dialogue. But that's not I.
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Loki (2021–2023)
A mixed bag
7 October 2023
Warning: Spoilers
Launching the second season with the protagonist being responsible for the death of an innocent woman was certainly a risky start. As was the deus ex machina trope that got him into her vehicle in the first place.

The show has always been such a mix: gorgeous visuals, great actors, some of the best music in the MCU, betrayed by nonsensical narrative through-lines, inconsistent threats, and way too much spoon-feeding the audience while ignoring their most obvious questions.

This episode again excelled in visuals and music. But I got really annoyed every time Loki said "It's the past" or "It's the future," as if it weren't already 100% obvious.

I appreciated the opening shot wasting no time to pick up where we left off. Or at least I thought that was the case. The Season 1 finale left us wondering if we were in the same TVA and people's minds were just wiped (and the statue of HWR had always been there, but Loki simply didn't know who it was), or if Loki had entered a different timeline, or a different point on the same timeline. It was a great mystery. So why did this episode start with a closeup of a different statue? Why not use the same one? Later if you look in the background, you see there's more than one HWR statue, but it would have been far less confusing, and more dramatic, to start the episode with the same statue as where we left off.

Finally, fans of awkward humor will enjoy the drawn-out segments of purposely cringey, surface-level dialogue. But that's not I.
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Barbie (I) (2023)
3/10
Hardly any laughter in my theater, though perhaps the film wasn't meant to entertain
25 July 2023
In one sense, this film was more inevitable than Thanos. What do you get when you're part of a society that fuels existential crises, by constantly eroding definitions and structures? Barbie and Ken aren't exactly human (they don't even have genitals); they're embodied ideas, and so they face this amorphous crisis of identity that pits their presuppositional views of a happy society against that of the "real world." But their perception of the real world is like seeing a plane for the first time and therefore thinking it's a dragon. So how much can an audience glean from the pontifications of characters who are essentially children? I would have greatly preferred scriptwriters more well-versed in sociology as well as comedy, writers who understand not only American ideals, and how those ideals have shifted, but the role that Barbie has played along the way. I get the sense that the writers here just KNOW Barbie had some impact, without really understanding much beyond that. There was so much to explore, and it could have been shown situationally, rather than through heavy-handed exposition.

Off-screen, apparently Ken had some interesting realizations about his misunderstandings of patriarchy, and Barbie had some realizations about how she treated Ken, but we don't get to see any of this nuance actually played out. Hugely missed opportunities there.

Bottom line: As fantastic as Robbie and Gosling were, I wish this movie just didn't exist. Keep the cast, but try again with a much better script and director.
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Futurama: The Impossible Stream (2023)
Season 11, Episode 1
6/10
Started off great, but....
25 July 2023
Enjoyable start to the episode, but then it just flushes itself down the tubes of meta jokes. How many shows do we need where the script is full of obvious and subtle winks to the audience? This episode would've been fantastic if we haven't already seen this sort of thing 100 times.

But we have.

Even so, I can appreciate that the new episode still carried some of the old spirit of mildly funny gags. And I mean that sincerely positively. Futurama rarely felt like it was trying too hard. Rather than writers always needing a punchline, it was more about creating an environment of irony, idiocy, and sci-fi world-building, and the reboot did retain some of that. It was more-of-the-same Futurama at first, and then more-of-the-same other shows.

Hopefully they got the latter out of their system, and can get back to pure Futurama in the remaining new episodes.
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Too much deus ex machina
13 July 2023
I loved Fallout (10/10!) so I was excited for this movie. And I must say I'm disappointed by the overuse of deus ex machina as a scriptwriting trope. I'm still trying to head-canon a few instances to somehow believe what happened, and of course that repeatedly pulled me out of the story.

I'm not going to rate this until I see the rest of the movie, to be fair, as this was only Part One. I'm interested in what happens, and I'm sure I'll catch more upon rewatching. But sometimes it felt like the script itself was written by an AI, and I found viewing to be a frustrating experience. Way too much deus ex machina.
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Black Mirror: Demon 79 (2023)
Season 6, Episode 5
Anjana Vasan carries it.
22 June 2023
What a compelling actress. She really sells the whole concept of the episode, silly as the synopsis sounds.

Anjana, you had a lot riding in your shoulders, and you carried it. Well done. And you rocked that jacket too.

Honorable mention to the music and the cinematography. And the more-deplorable characters were well done, too. Some characters became heavy-handed caricatures, sure, but the piece was meant to be stylized.

Black Mirror, admittedly, excels most when it stays focused on the impact of technology (in moods both surreal and cautionary), and of course this season drifts from that norm a bit. But still I appreciate the exploring, as the show has always been a mix of hits and misses. (Metaphorically, I mean, not with a hammer.)
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Black Mirror: Joan Is Awful (2023)
Season 6, Episode 1
7/10
Predictable but fine
18 June 2023
Okay, who saw Cate Blanchett and didn't immediately know what the twist was gonna be?

Even so, it was an enjoyable episode. A fun balance of humor and more-thoughtful matters. And the self-referential parts, though annoying, weren't as heavy-handed as they were in Bandersnatch.

I'd enjoy watching the episode again, especially with someone who doesn't have the stomach for the harsher episodes. But I honestly prefer the ones that leave you feeling devastated, through more-harrowing plot devices. Matter of taste, I suppose.

Black Mirror continues to posit some thought-provoking notions, fleshed out in compelling ways. What we saw in this episode may become nonfiction before we know it. And that's the cautionary beauty of the show.
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The Mandalorian: Chapter 17: The Apostate (2023)
Season 3, Episode 1
5/10
The first seven minutes
29 May 2023
This is a review of only the portion of the episode preceding the title card.

I don't know why I continue with this show. The idiocy of the characters and the production staff just continues to astound me. We open with a continuity error, as a bit of metal is forged. (The very last shot of the sequence shows the metal practically unbent, despite how crumpled it looked in the shot preceding.)

And then we have a fight sequence with a large crocodile-like creature. Despite the warriors having jet packs to fly, we see several of them tether themselves to the massive creature, who is not yet wounded enough that the tethering will accomplish anything but limit their options, and probably get them killed. Several of them probably died when the creature was blasted onto them at the end of the scene. (Darwin Awards for all!)

But Andor got really good, so maybe this one will too. And the score is fantastic as ever. To me that's been the one redeeming quality of this show. The rest has been no better than that one time the crew member in blue jeans was clearly shown in the middle of the shot, and somehow it still aired.
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7/10
Best GotG installment
9 May 2023
Not as good as Quantumania, but still enjoyable. This is the first Guardians release I can honestly say I like.

I'm in the camp of people who continues to stick by the MCU, and not feel fatigued by it, probably because I've always found the releases to be hit-or-miss. (If every release were an adrenal rush and emotional high, then yes, I'm sure I'd be feeling the fatigue.)

I will say, not getting to see my favorite Guardian much (except in flashback) was the biggest detractor for me. But the backstory was done believably and engagingly. And the villain was pretty darn perfect.

Excited for where the story goes. Would love a lot more depth to Adam Warlock in the future.
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Wednesday: Wednesday's Child Is Full of Woe (2022)
Season 1, Episode 1
Who wrote this?
16 April 2023
It's hard to get into a story where the main character will decry dependence on technology *while* repairing an espresso machine (technology) because she needs the caffeine. There are several hypocritical one-liners like this.

What makes the Addams family so morbidly comedic, to me, has been the twisted one-liners that show their fondness for torture, death, playful cruelty, and the like, making them outcasts from society but on the same page with each other. This show allows the schisms to divide the family too, and the darker one-liners always feel out of place, like they were written by another team and then later inserted into the script.

I've watched 3-4 episodes now and will probably finish the series, but what can I say? I miss what the Addams family used to be.
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Lost: Across the Sea (2010)
Season 6, Episode 15
4/10
Answers some little questions, but convolutes the ones that really matter
18 March 2023
Warning: Spoilers
I love LOST. It's my favorite show of all time. But this episode makes no sense. I'll share my thoughts as I rewatch....

We open with a Latina woman giving birth to two boys who look nothing like her, nor anything like each other. Additionally, throughout the episode, the boys keep modern haircuts, and their clothes always look brand-new. That sort of thing really takes me out of it.

Early in the episode, the boy-in-black asks his new adoptive Mother what death is, as if he's never seen death before (in finding things to eat). In the very next scene, after all, we see him hunting. So why did he not understand what death is? Again, takes me out. Doesn't make sense.

I'm fine with the whole mythology of the light. Some people find it hokey, but it works for me. It fits my observations of people in real life: in awe of light, its interplay with shadow, and all things that sparkle and glisten and shimmer. We talk about bringing things to light; we talk about God being light; clearly there is something about light that is at the core of human existence, so making it part of the LOST mythology did make sense to me.

But the dialogue is so dumb. For example, when Mother takes adult Jacob back to the cave, they're looking at the light when she says, "Do you remember what I showed you here?" and he says, "The light," as if they aren't looking directly at it in that moment. Huh?

And then in that scene, we suddenly hear her speaking in Latin again. Haven't they actually been speaking in Latin this entire time (even though we are hearing them in English)? Basic storytelling mechanics get self-contradicted here.

And somehow we are supposed to buy that the Man In Black was the son that Mother loved most. It's a core part of Jacob's struggle. And yet we never actually see any indication of it. There's no depiction of any disparity, so Jacob just comes across as a whiny drama queen.

And I'm still trying to make sense of what happened with the Man in Black's well. First we see it having magnetic qualities, but then MiB is able to wield his knife while down inside the well, with no apparent difficulty. Then Mother comes down, rams his head into a wall, carries him up the ladder herself, fills in the well completely, and breaks the stone structures. Um... how? Where did she get superhuman strength, the ability to make her sons immortal, and all her other powers? There has long been a theory that there are two smoke monsters (perhaps one black and one white) because we sometimes observe a smoke monster behaving inconsistently. Is she herself a smoke monster? How else could she cause such superhuman levels of destruction? Somehow she kills an entire village too. It's hard to really get into the drama here, or accept the character motivations, with such gaping holes in the narrative.

The biggest hole, to me, is this: we never actually find out what the smoke monster is. One explanation of what we see in the episode: the black smoke monster is the Man in Black, having been converted to that form by the light. But then how is his body still found? To me an alternate explanation is much more consistent with how the mechanics of the show have worked thus far: the smoke monster already existed (perhaps it was hiding in the cave) and has always had the ability to take on the form of a dead body that's on the island, and now the Man in Black is such a body. The smoke monster isn't the Man in Black; it's just taking his form, like it's taken the forms of other dead characters. We didn't learn anything new about the monster in this episode, at least not for sure, and this episode was supposed to be, in large part, the story of the origin of the monster. Wasn't it? As viewers, we were robbed.

I'm also confused how different ages of Jacob show up on the island, throughout the season. To my recollection, all other on-island appearances of the deceased have shown how old they were when they died.

We get answers to some little questions, but not the biggest ones. Ultimately this episode is practically meaningless and a waste of time.
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Brain Games: Watch This! (2011)
Season 1, Episode 1
If you want to feel smarter than the average person...
1 March 2023
If you want to feel smarter than the average person, watch this episode. You'll likely answer every sensible question correctly.

I will say, I was a bit surprised there were people (in the episode) saying they believe their perceptions are accurate indicators of the world around them. People who believe that, definitely need a show like this. How can we truly see one another, and treat each other with kindness therefore, if we don't yet have a healthy distrust of our perspectives?

I may skip ahead a few seasons to see if the show ever goes deeper than surface-level illusions and common misperceptions.
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8/10
Stands up to rewatches
22 February 2023
I've seen this film twice and it still grips me.

First off, Scott (Paul Rudd) has excellent chemistry with everyone. The way Hope shines alongside him as they fight together really shows how much a heroine she is, even though the original Wasp gets more fleshed-out here than she (which is fine, because it was Janet's turn for that). And in all his interaction with Cassie, the love feels real, the frustration feels real, and the camaraderie is 100% consistent with where her character was when she was young. I'm amazed at how much attention was paid to dramatic detail and character-arc continuity. (Some recent MCU releases have lacked in those areas.)

Also, I genuinely appreciated that Scott didn't fully learn the lesson Cassie sought to instill in him (caring about the plight of strangers just as much as family members), so this leaves room for his character arc. I'm glad it wasn't instant-morality-learned-in-a-snap. And in subtle ways, she also saw that her naïveté lacked wisdom and planning. She had a lot of heart, but needed practicality. Again, room for character growth, and it was beautiful to see so much of that explored in an action film.

And there were some other things left open, that I won't get into here, so I'll just say how much I appreciated that. Too many superhero movies wrap everything up in a nice little bow by the end.

Finally, I loved how the movie didn't get bogged down in attempts at humor. To me it was just the right amount, and almost always felt natural. The acting chops of the cast certainly helped.

Excited to see where the story goes next!
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South Park: Cupid Ye (2023)
Season 26, Episode 1
6/10
Rehash
9 February 2023
Warning: Spoilers
I was excited to see a new episode had been released. But I must say, if I want to see old jokes, wouldn't I just rewatch those old episodes? I don't need to see them redone here.

And I know griping about the changing voices is so 'last season,' but it did take me out of it. I don't know what's happening here. It's not like the voice actors have gone through puberty since the show started.

I'm also confused by an incongruity: in Tolkien's bedroom, his father sees Cartman in the room, indicating Cartman was always actually doing the Cupid Me stuff, peeing in characters' mouths and everything. I thought it was a hilarious reveal. But then later the characters say they see something flying around, and they see Cupid Ye on their TV screens. So the reveal gets quickly contradicted. We've had other alternate-identity storylines in the past, and it's usually made some level of sense, so I'm rather confused right now.

So if you can look past all that, you may enjoy the episode. Due to my ethnicity, you might think I should have some level of control over the show. But alas, I do not.
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Calls: The End (2021)
Season 1, Episode 1
7/10
Gripping and interesting.
16 January 2023
The frequent misspelling of "whoa" was the only thing that really took me out of this presentation. All in all, really completing narrative, told in such a risky, experimental way.

I haven't decided if I'll stick with it, but for now I'm appreciating how gripping and interesting this was.

Of course, the fact that some big-name actors are in future episodes is a bit of a draw, but I also wonder if that choice perhaps undermines the genius of what they set out to accomplish here. I honestly would have preferred to have been denied the star power, and just been asked, instead, to appreciate the creativity of this show on its own amateur merit.
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8/10
So fun!
9 December 2022
Yeah, her accent is atrocious, but why hold this to big-screen-level standards? It's just a super-delightful little short, a glimpse into everyday people having subversive fun, and I was smiling just as much as the bystanders in the short.

Of course, I'm curious how large a camera they used for this, and if a large one meant that everyone present was actually (1) clued into what was actually going on or (2) a hired extra. I'd definitely like to know how real the reactions and interactions were. Was this treated as a small production or something slightly larger, with a noticeable crew present?

Either way, I enjoyed it! The banter with the 'bumblebee' was hilarious.
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3/10
Uhhhh...
26 November 2022
I mean, without any familiar faces, this production woulda been a 0/10. Awkward, even sadistic at times, oddly paced, with bad graphics to boot.

But just seeing some familiar faces helps to save it. A couple stars for Rocket (and the dog), and one more star for everyone else. Nice hearing The Smashing Pumpkins in it, too.

You have to wonder if Gunn set out to achieve anything noteworthy, or if this was supposed to be just a superficial romp. I just can't imagine anyone liking this, unless they're so drunk they're about to pass out.

In conclusion, this script was written by a seven-year-old. An eight-year-old would have made something much better.
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