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Outlander: The Bakra (2017)
Season 3, Episode 12
6/10
Slavery being shown for gratuitous effect
15 October 2021
Warning: Spoilers
The depiction of slaves being held, branded and sold... especially with little exploration into their story... it's not only unnecessary but thoughtless.

Imagine being a POC watching this, and seeing slaves being traded, branded and bought... and then being used as a decorative plot device to further the heroic "white" characters.

That aside - we also have the problematic bargain they made with the slave they BOUGHT in order to then set him free.

Absolutely awful.
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10/10
Improv, at its best, by the best.
12 December 2020
What. A. Fascinating. Film.

Steven Soderbergh has outdone himself with such a fascinating, rich and unique film. What I found so unusual is that the screenplay consisted of only basic outlines for scenes. The dialogue was entirely improvised by the cast, which is just incredible. I've seen this happen before, and usually to a less successful end.

I'll interpret this to mean, that Steven Soderbergh presented the cast with a basic plot - and it was up to them to interpret their characters and roll with it... which is perhaps why this film is so unique. Each character was so rich, so human... so truly complicated and imperfect, it was a wonder to watch.

It's this style of film making that I love, because although a story has been conjured up, you're really leaving a lot to the imagination of your entire cast - not just a handful of producers and a writer sitting in a room. Each character was truly able to come into their own.

The cinematography and editing was, as is standard with Soderbergh films - done by Steven Soderbergh himself, under pseudonyms (in this case Peter Andrews, and Mary Ann Bernard). So although the dialogue was rich and diverse, the architecture, and physical structure of the film was directly tied to Soderbergh. There were a few of the scenes that I wish lasted longer, the visuals were simply so stunning I wanted to linger over them and take everything in for as long as I could... which for a film directed almost entirely on The Queen Mary 2 - is an exceptional feat.

Another significant stand-out for me, was the score. Thomas Newman (Tolkien, 1917, Skyfall, The Help). Newman is a well versed composer, with dozens of well known films under his belt. The score was rich, delicate and unique - inspired by vintage jazz.

The acting, given that the script was non-existent was truly, truly inspiring. Meryl Streep - as always is a visionary actress to behold. Lucas Hedges was a constant source of admiration and bewilderment, mostly because his character was continuously so sweet. Dianne Wiest and Candice Bergen were hilarious and gentle, giving very intimate performances. Gemma Chan was a stand-out as well, delivering a really intriguing performance that made you question the character, whilst also caring about what they were going to do next.

I can't wait to rewatch this film with a fresh new perspective, keeping in mind that there was no script; and that the performances were all inspired by the cast.
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Buffy the Vampire Slayer: Empty Places (2003)
Season 7, Episode 19
6/10
Betrayal
27 July 2020
Warning: Spoilers
Buffy Summers: (to Faith) Don't be afraid to lead them. Whether you wanted it or not, their lives are yours. It's only gonna get harder. Protect them. But lead them.

The writing of this episode is just awful, and everyone acts out of character - except bizarrely Faith.

Giles is bitter because of the events from Lies My Parents Told Me, and is taking it out on Buffy.

Xander and Willow - I can at least understand, they're hurt and worried because of what happened to Xander.

Kennedy as always is a waste of space, and Rona is angry because she's scared.

Dawn, however is the biggest betrayal. She kicks Buffy out of her own home. After 7 years of sacrifice, Buffy's friends all betray her and take her out of the equation.

Anya has never liked Buffy, and she did try to kill her earlier in the season - so I can understand why she was pissed...

I just. Can't. With this episode. It's only saving grace was Spike and Andrew.
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Buffy the Vampire Slayer: Showtime (2003)
Season 7, Episode 11
9/10
It's Showtime!
25 July 2020
Warning: Spoilers
One of my favourite Buffy episodes! But I keep being bugged by everyone saying that The First decides to attack now because of Buffy being brought back from the grave at the beginning of last season - when in reality the power imbalance started when she came back from the grave at the end of season 1, and Kendra was activated; then when Kendra was killed and Faith was activated (Faith carries the natural slayer line) and yet Buffy still exists! So the imbalance in the slayer line and between good and evil started long ago, not when she came back the second time.
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Buffy the Vampire Slayer: Selfless (2002)
Season 7, Episode 5
7/10
Buffy and the sudden change of heart vampire slayer
24 July 2020
It really irks me when they suddenly change a character without any lead up.

By Buffy's logic in this episode is irrational and out of character - by her logic she should have killed Spike long ago, she should have killed Willow last season... Her logic is flawed.

I like that in the lead up to this episode they had shown Anya showing remorse for her actions. Something Buffy should have taken into account.

Had they spent the beginning of this season developing the tension between Buffy and Anya I could forgive it. But it's just lazy.

Poor, lazy writing that this seasons sadly suffers from in boatloads.

Mutant Enemy production was spread so thin, writing and producing S7 of Buffy, S4 of Angel and S1 of Firefly.

Such a shame.

On a high note - Anya and Halfrek's relationship through the ages was beautiful and hilarious.
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Angel: Billy (2001)
Season 3, Episode 6
1/10
Misogyny is NOT the women's fault.
14 July 2020
Warning: Spoilers
I'm shocked, and disgusted and appalled that this episode ever made it to air.

I simply can't believe that an episode about a demon who was the product of rape, who had the ability to make men access their primal need to abuse women was ever made... and holds such a high rating. Its DISGUSTING

It's appalling. It's simply wrong in every way possible. And then, at the end... the writers HAD THE GALL TO SAY - that the primal misogyny that they felt was something that was done to them. They MADE THE MEN... the VICTIMS...

I have never been so ashamed of an episode of television ever. This is a whole new low.
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Buffy the Vampire Slayer: After Life (2001)
Season 6, Episode 3
9/10
After Life
13 July 2020
Warning: Spoilers
This arc of Buffy is a fascinating metaphor for depression. To know what happiness is, and to lose it. To go on day after day, knowing what life could be. But it's not. It's something I struggle with every day.

Buffy Summers: I was happy... Wherever I was... I was happy... At peace. I knew that everyone I cared about was all right. I knew it. Time... didn't mean anything. Nothing had form. But I was still me, you know...? And I was warm. And I was loved. And I was finished. Complete... I-I don't understand theology or dimensions, any of it, really... But I think I was in heaven... And now I'm not. I was torn out of there. Pulled out... by my friends. Everything here is hard and bright and violent... Everything I feel, everything I touch... this is Hell. Just getting through the next moment, and the one after that, knowing what I've lost...
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Buffy the Vampire Slayer: Into the Woods (2000)
Season 5, Episode 10
5/10
Bye Bye Iowa
6 July 2020
Warning: Spoilers
I'm so torn about the first half of this season, We've got the addition of Dawn, Glory and Joyce's tumour - and then we've got Riley. I'm so sick and tired of all of Buffy's love interests manipulating and taking advantage of her. Buffy is the Slayer, she has to contend with her every day vamps, and the occasional apocalypse; and now for the very first time she's faced with something she can't kill. The pain is so, very human. Her Mum has had a brain tumour, and Riley as always makes it all about him. He isn't the centre of her universe anymore (not that he ever was) he doesn't have super strength anymore, he's no longer a ranking officer in the initiative... he's just a man. He feels inferior, and so he goes out looking for "Vampire brothels" to be bitten. And as usual, he makes it all Buffy's fault. He's been driven to it because she wasn't paying enough attention to him. It's the typical, middle aged white male blaming the woman for everything. And it's a trope I am SO sick of seeing. What makes it worse, is that it was written by a woman. Marti Noxon... who also wrote in a future storyline where Buffy gets raped.

Let's just say that good riddance Riley left this show. Buffy deserves better. He was always written as a misogynistic tool. He's pathetic.
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