Well first of all kitano started a new genre of movie making with sonatine
.I would like to propose a takeshi kitano trilogy to anyone new to his movies
First would be violent cop(directed in 1989)
.then comes sonatine(directed in 1993)
then comes hana-bi(directed in 1997)
..Well the greatness about kitano's movies is that they show the state of his mind
they are truly personal
..violent cop being his earliest effort is very raw
hana-bi being a later effort was extremely well polished and complete
but sonatine was directed at a time when kitano was contemplating suicide
It shows the disturbed state of his mind
..It is like a modern version of Samuel Beckett's "waiting for Godot"
.minimalistic dialog philosophical long shots and bursts of violence
.I think it depicts the state of a mind driven to an edge......You watch this movie when you are happy you perceive it differently
you watch it when you are sad you will perceive it differently
.It remains in your memory long after the final scene
..It is a visceral experimentation with a subject which movies rarely touch, suicide
It is kitano at his best and according to me the one of the greatest movies of the nineties
And the background track from Joe hisashi mesmerizing
..All in all if someone cannot appreciate this movie then they it means they cannot appreciate art
..Their minds are so consumed by the commercial formulaic jargon(manufactured emotions and exaggerated relationships) coming out of the stables of large film industries like :- Hollywood, hong Kong(martial arts wi-fi flicks) etc. that they cannot appreciate true gems like this one
.
Finally this movie was a commercial failure in Japan (even Japanese themselves find it hard to appreciate Kitano) ..But when it was shown to famous French film critic Alain Delon , He was taken aback by kitano's acting and is quoted to have said :- "what's THAT? [...], this is not an actor [...], he only got three facial expressions and he almost doesn't talk on top of this". At the same time he was both fascinated and puzzled by this new genre of movie making. Finally In 1995, Sonatine entered the 13th Festival Du Film Policier De Cognac (Thriller Film Festival of Cognac) in France, where it was critically acclaimed and got some recognition it truly deserved .
I would give this movie a ten on ten thank you ..
Finally this movie was a commercial failure in Japan (even Japanese themselves find it hard to appreciate Kitano) ..But when it was shown to famous French film critic Alain Delon , He was taken aback by kitano's acting and is quoted to have said :- "what's THAT? [...], this is not an actor [...], he only got three facial expressions and he almost doesn't talk on top of this". At the same time he was both fascinated and puzzled by this new genre of movie making. Finally In 1995, Sonatine entered the 13th Festival Du Film Policier De Cognac (Thriller Film Festival of Cognac) in France, where it was critically acclaimed and got some recognition it truly deserved .
I would give this movie a ten on ten thank you ..
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