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Reviews
The Untouchables (1987)
An epic crime story, and told even more epically
This is De Palma's best work, without a doubt. Overall, it's an exceptional epopee (thanks to both cast and crew as well as composer Ennio Morricone), with historically backed, heroic storytelling. Theatric, one could even say. The film enjoys some very interesting characters: The Untouchables, four very likeable men, each in their own way, Al Capone, a classic villain, very competent, whose fate gives this film an intensely satisfying end. Also not to miss, in between all the action, it makes time for some very nice and lovely moments for some subtle comedy or romance.
Manchester by the Sea (2016)
An admirable film for the whole drama-genre
Rarely there is a film these days to come out of Hollywood that is so humane, realistic and straight to the point. Though it feels a little bit overdone at times, the performances and subtle writing made 'Manchester by the Sea' a drama of craftsmanship.
While many don't like it because it doesn't 'hit home', I like it just for that reason, cause it does 'hit home' in a way. The story is told in a way that happens exclusively in the real world, without escaping to some universe all the time. It's a tale of mourning, loss and pain. It could just happen to you. See, that's what gives 'Manchester by the Sea' it's relatability and humanity.
Shutter Island (2010)
Scorsese's Masterpiece of Mindfuck
Shutter Island is as mysterious and thrilling as they come, thanks to the story, Scorsese's creation of a lurid and psychotic universe and many cinematographic elements.
It is gifted with some very profound directing. With help of DiCaprio's outstanding performance, Scorsese puts an awful lot of emotion in this picture. He often leaves you on the wrong track and a lot of things undiscussed, he's toying with the viewers emotions.
'Shutter Island' also contains great characters. The way Teddy reflects on the war and how it influences his decisions give a nice twist to the film. Teddy's reaction to certain situations suggest there is a lot of stuff you don't know about, which also builds up the tension. He is clearly someone with a lot on his mind, and the way his dreams are shown gives us an introspective view on his character, which makes voice-over narration unnecessary.
Though the film hasn't the most sharp dialogue, like in, for example, 'Goodfellas', it is gifted with some impressively intelligent conversations.
The absolute greatest thing about 'Shutter Island' is - something I had never experienced before - how Scorsese seems to give us a choice at the end. Both his and the institutions reality add up to the story.
Overall, this is an excellent movie, the example for what a thriller should be.