Home invasion has been a part of horror movies practically from the beginning. The Cabinet of Dr. Caligari (1920), Nosferatu (1922), Dracula, and Frankenstein (1931) all included moments of attackers entering homes uninvited and terrorizing unsuspecting victims.
Home invasion as a sub-genre unto itself came a bit later, as the suburbs sprung up and a false sense of security rose in the United States along with fears of “the other” that have always been a key aspect of horror movies.
These ten movies may not all be the best of this sub-genre, but they all bring something different to the table and pushed it, in large and small ways, in new directions.
The Desperate Hours (1955)
It is practically impossible to pinpoint the exact moment that started any new genre or movement within film but a good candidate for the foundation of the home invasion movie is William Wyler’s The Desperate Hours. The...
Home invasion as a sub-genre unto itself came a bit later, as the suburbs sprung up and a false sense of security rose in the United States along with fears of “the other” that have always been a key aspect of horror movies.
These ten movies may not all be the best of this sub-genre, but they all bring something different to the table and pushed it, in large and small ways, in new directions.
The Desperate Hours (1955)
It is practically impossible to pinpoint the exact moment that started any new genre or movement within film but a good candidate for the foundation of the home invasion movie is William Wyler’s The Desperate Hours. The...
- 5/13/2024
- by Brian Keiper
- bloody-disgusting.com
After concluding April with discussions of Ciarán Foy’s Eli (listen) and David Cronenberg’s eXistenZ (listen), we kicked off May with a revisit of Stephen Sommers’ delightful 1999 film, The Mummy (listen).
Now we’re headed into the past with Terence Young‘s adaptation of Frederick Knott‘s “disabled woman in danger” play, Wait Until Dark (1967).
In the film, recently blind Susy (Audrey Hepburn) is menaced by a trio of strange men, including sexually perverse ring leader Roat (Alan Arkin), “nice guy” Talman (Richard Crenna) and portly Carlino (Jack Weston). The men are looking for a doll full of heroin, which is located somewhere in her apartment, but she doesn’t know where!
Can Susy figure out the scam with the help of upstairs neighbor girl Gloria (Julie Herrod) or will she wind up hanging in the closet like Roat’s poor accomplice Lisa (Samantha Jones)?
Be sure to subscribe...
Now we’re headed into the past with Terence Young‘s adaptation of Frederick Knott‘s “disabled woman in danger” play, Wait Until Dark (1967).
In the film, recently blind Susy (Audrey Hepburn) is menaced by a trio of strange men, including sexually perverse ring leader Roat (Alan Arkin), “nice guy” Talman (Richard Crenna) and portly Carlino (Jack Weston). The men are looking for a doll full of heroin, which is located somewhere in her apartment, but she doesn’t know where!
Can Susy figure out the scam with the help of upstairs neighbor girl Gloria (Julie Herrod) or will she wind up hanging in the closet like Roat’s poor accomplice Lisa (Samantha Jones)?
Be sure to subscribe...
- 5/13/2024
- by Joe Lipsett
- bloody-disgusting.com
Fictional secret agent James Bond has gotten into his fair share of scrapes and close calls, but broadly speaking, the high-profile actors who have played him on screen have been pretty safe stepping into the character's expensive shoes. The Bond films have become famous for their jaw-dropping and boundary-pushing stunts, but those moments are the result of teams of people who design and choreograph everything to be as safe as possible for both the stars and their stunt doubles. The James Bond franchise is one of the most lucrative and longest-running film series of all time, but in its very first movie, we nearly lost its first lead actor in a gruesome death that would have robbed movie lovers of some legendary performances and ripped away the franchise's potential before it even got started.
In 1962's "Dr. No," Sean Connery's Bond notices he's being tailed by three assassins while driving up a mountain road.
In 1962's "Dr. No," Sean Connery's Bond notices he's being tailed by three assassins while driving up a mountain road.
- 3/24/2024
- by Ben Pearson
- Slash Film
The biggest, most audacious James Bond movie during Sean Connery’s celebrated run as the British superspy is 1965’s Thunderball, a spectacular adaptation of the Ian Fleming novel of the same name. Thunderball sees the insidious terrorist syndicate Spectre steal two nuclear warheads from NATO and hold the world governments hostage for £100 million. After a run-in with Spectre operatives at a local clinic while recuperating from a recent mission, Bond suspects the warheads are hidden in the Bahamas and convinces M to investigate further. Upon arriving, Bond matches wits with high-ranking Spectre figure Emilio Largo (Adolfo Celi) and assassin Fiona Volpe (Luciana Paluzzi), romancing Largo’s girlfriend Domino (Claudine Auger) as he searches for the warheads.
Nearly 60 years after its initial release, Thunderball remains the highest-earning Bond film in North America after adjusting for inflation and is the second in the long-running series to win an Academy Award for Best Visual Effects.
Nearly 60 years after its initial release, Thunderball remains the highest-earning Bond film in North America after adjusting for inflation and is the second in the long-running series to win an Academy Award for Best Visual Effects.
- 3/7/2024
- by John Saavedra
- Den of Geek
“Bond, James Bond.”
62 years, 25 films and 6 lead actors — but it all began with this iconic line from Sean Connery in Dr. No.
This iconic British character, conceived by author Ian Fleming in 1953, has captivated audiences worldwide as the world’s most famous secret agent in the history of cinema.
To tell the full story of how 007 began, Eon Productions opened its archives of photos, designs, and production materials to Taschen. The result is this remarkable account of the making of Dr. No.
Related: James Bond Movies In Order: Filmography, Bond Women & Iconic Villains
Director Terence Young debuted Dr. No in 1962, featuring Ursula Andress as Honey Ryder, Bernard Lee as M., Joseph Wiseman as Dr. No, and Lois Maxwell as Miss Moneypenny.
The companion book provides a glimpse into the day-by-day account of what took place, which scenes were shot and who made the decisions that shaped the story and characters as it was filmed.
62 years, 25 films and 6 lead actors — but it all began with this iconic line from Sean Connery in Dr. No.
This iconic British character, conceived by author Ian Fleming in 1953, has captivated audiences worldwide as the world’s most famous secret agent in the history of cinema.
To tell the full story of how 007 began, Eon Productions opened its archives of photos, designs, and production materials to Taschen. The result is this remarkable account of the making of Dr. No.
Related: James Bond Movies In Order: Filmography, Bond Women & Iconic Villains
Director Terence Young debuted Dr. No in 1962, featuring Ursula Andress as Honey Ryder, Bernard Lee as M., Joseph Wiseman as Dr. No, and Lois Maxwell as Miss Moneypenny.
The companion book provides a glimpse into the day-by-day account of what took place, which scenes were shot and who made the decisions that shaped the story and characters as it was filmed.
- 2/28/2024
- by Robert Lang
- Deadline Film + TV
Terence Young's 1963 triumph "From Russia with Love" was the James Bond series' first sequel, and, 60 years later, it's still considered by many 007 aficionados to be one of franchise's finest installments. It's a brisk, surprisingly brutal film. The gadgetry popularized by 1964's "Goldfinger" (and launched well over the top by 1965's "Thunderball") is kept to a sensible minimum; for the most part, this is a revenge film in which our licensed-to-kill protagonist is lured into an elaborate defection plot designed to knock him off for having killed Spectre's Dr. No in the first movie. Narratively, it's as small potatoes as the mostly maligned "Casino Royale" follow-up "Quantum of Solace" (a revenge film in the other direction), but, at the time, it had the advantage of working within an unformed universe.
"From Russia with Love" has two of the Bond series' oddest highlights: the sexualized Turkish settlement brawl between Martine Beswick and Aliza Gur,...
"From Russia with Love" has two of the Bond series' oddest highlights: the sexualized Turkish settlement brawl between Martine Beswick and Aliza Gur,...
- 10/8/2023
- by Jeremy Smith
- Slash Film
The casual James Bond fan might think that author Ian Fleming invented all of 007's trademarks before his novels were adapted for the screen, but the truth is a lot more complex. One of the biggest influences on the Bond we've all come to know and love was director Terence Young, who oversaw the spy's first big-screen outing in 1962, "Dr. No." Without Young, Bond would have arguably failed. The filmmaker brought his sophistication, fashion sense, and humor to Bond, all of which would come to define the character in the popular consciousness.
Of course, Young undoubtedly benefited from having Sean Connery as his star. Playing James Bond was, however, a double-edged sword for Connery. The actor debuted as England's greatest spy in "Dr. No," but over the course of the next decade would punctuate his tenure as 007 with remarkably nuanced and powerful performances in such classics as 1965's "The Hill...
Of course, Young undoubtedly benefited from having Sean Connery as his star. Playing James Bond was, however, a double-edged sword for Connery. The actor debuted as England's greatest spy in "Dr. No," but over the course of the next decade would punctuate his tenure as 007 with remarkably nuanced and powerful performances in such classics as 1965's "The Hill...
- 9/3/2023
- by Joe Roberts
- Slash Film
Few American filmmakers of the last 40 years await a major rediscovery like Hal Hartley, whose traces in modern movies are either too-minor or entirely unknown. Thus it’s cause for celebration that the Criterion Channel are soon launching a major retrospective: 13 features (which constitutes all but My America) and 17 shorts, a sui generis style and persistent vision running across 30 years. Expect your Halloween party to be aswim in Henry Fool costumes.
Speaking of: there’s a one-month headstart on seasonal programming with the 13-film “High School Horror”––most notable perhaps being a streaming premiere for the uncut version of Suspiria, plus the rare opportunity to see a Robert Rodriguez movie on the Criterion Channel––and a retrospective of Hong Kong vampire movies. A retrospective of ’70s car movies offer chills and thrills of a different sort
Six films by Allan Dwan and 12 “gaslight noirs” round out the main September series; The Eight Mountains,...
Speaking of: there’s a one-month headstart on seasonal programming with the 13-film “High School Horror”––most notable perhaps being a streaming premiere for the uncut version of Suspiria, plus the rare opportunity to see a Robert Rodriguez movie on the Criterion Channel––and a retrospective of Hong Kong vampire movies. A retrospective of ’70s car movies offer chills and thrills of a different sort
Six films by Allan Dwan and 12 “gaslight noirs” round out the main September series; The Eight Mountains,...
- 8/21/2023
- by Leonard Pearce
- The Film Stage
When you consider the evidence, the 1970s was the greatest crime movie period since the 1930s. Maybe it’s because of the grim film stock, but those 10 years were so filled with the criminal element even a highly-rated political journalism feature like All the President’s Men (1976) is really an investigation into indictable acts. The decade is defined by Francis Ford Coppola’s first two The Godfather movies, but those tell the story of the dons who live in compounds on Long Island. Most illicit infractions are committed on the street, and so many fall between the cracks.
Crime and gangster movies historically and consistently break boundaries in motion picture art. This is especially true when independent filmmakers muscle their way in packing something heavy. The 1970s was an experimental decade for motion pictures with wildly varied visions behind the lens. Some of these films were considered old-fashioned, others have proven...
Crime and gangster movies historically and consistently break boundaries in motion picture art. This is especially true when independent filmmakers muscle their way in packing something heavy. The 1970s was an experimental decade for motion pictures with wildly varied visions behind the lens. Some of these films were considered old-fashioned, others have proven...
- 8/12/2023
- by David Crow
- Den of Geek
Laird Koenig, who wrote “The Little Girl Who Lives Down the Lane,” died in Santa Barbara on June 30, Jamie Dixon, the son of Koenig’s collaborator Peter L. Dixon, told Variety. He was 95.
Koenig was an American author and screenwriter whose novel was adapted into the 1976 Jodie Foster-led horror movie “The Little Girl Who Lives Down the Lane.”
He was born on Sept. 14, 1927, in Seattle, and would go on to attend the University of Washington. Koenig worked in advertising before being approached by Peter L. Dixon, whom he would collaborate with extensively throughout his career, and went on to write for the adventure television series “Flipper.”
Koenig also wrote the screenplay for “The Cat” which starred Roger Perry, and the 1969 production of “The Dozens” which starred Al Freeman Jr., Morgan Freeman and Paula Kelly.
He notably wrote the screenplay for several Terence Young Films, including “Red Sun,” which starred Charles Bronson,...
Koenig was an American author and screenwriter whose novel was adapted into the 1976 Jodie Foster-led horror movie “The Little Girl Who Lives Down the Lane.”
He was born on Sept. 14, 1927, in Seattle, and would go on to attend the University of Washington. Koenig worked in advertising before being approached by Peter L. Dixon, whom he would collaborate with extensively throughout his career, and went on to write for the adventure television series “Flipper.”
Koenig also wrote the screenplay for “The Cat” which starred Roger Perry, and the 1969 production of “The Dozens” which starred Al Freeman Jr., Morgan Freeman and Paula Kelly.
He notably wrote the screenplay for several Terence Young Films, including “Red Sun,” which starred Charles Bronson,...
- 7/17/2023
- by McKinley Franklin
- Variety Film + TV
With "No Time To Die" in the rear-view mirror, can we all agree "Casino Royale" is the best Bond movie? If it weren't for the 2006 reboot, Sean Connery would remain the undisputed Bond king, and who knows, maybe the famed super-spy and his decades-old franchise would have fizzled out as society moved into the modern-day.
Thanks to Daniel Craig's broody and embattled take on Bond, and the general "gritty reboot" trend of the early 2000s, 007 was reinvigorated for a new generation. Yes, before Bond once again became a parody of himself, for a brief moment we were all treated to a glimpse at a truly 21st Century 007 that still remained true to Ian Fleming's original vision. Craig's scarred bruiser of a spy gave the impression that beneath the icy bravado and suave affectation, there existed a real person.
It seems Craig maintained some of that icy bravado off-camera too.
Thanks to Daniel Craig's broody and embattled take on Bond, and the general "gritty reboot" trend of the early 2000s, 007 was reinvigorated for a new generation. Yes, before Bond once again became a parody of himself, for a brief moment we were all treated to a glimpse at a truly 21st Century 007 that still remained true to Ian Fleming's original vision. Craig's scarred bruiser of a spy gave the impression that beneath the icy bravado and suave affectation, there existed a real person.
It seems Craig maintained some of that icy bravado off-camera too.
- 1/1/2023
- by Joe Roberts
- Slash Film
Corsage (2022).In Corsage, the young Louis Le Prince, the forefather of the early motion picture, instructs the Empress Elisabeth of Austria thusly: “As long as you smile, you can do anything,” before proceeding to film her. The outsized importance of keeping up appearances has never been lost on anyone, especially not a young monarch in 1877. Nearing age 40, the average life expectancy of women at the time, Elisabeth (nicknamed “Sisi”) begins to rebel against the stultifying ceremony of court life. With wit and verve, Austrian director Marie Kreutzer correspondingly follows suit, assembling a compellingly lush film that gently seethes below the surface. She fashions painterly frames that, upon further inspection, reveal politely surreal modifications—a modern door adorns an otherwise period-specific palace, contemporary leather goods sit alongside 19th-century silhouettes. These anachronistic flourishes casually accumulate; in one scene, the orchestral melody plinked by chamber musicians reveals itself as a cover of “As Tears Go By,...
- 12/21/2022
- MUBI
Monty Norman, who helped launch the James Bond franchise by composing the character’s beloved theme music, has died at the age of 94 following a brief illness. His family confirmed the news of his death to BBC, who first broke the story.
Norman was born in London on April 4, 1928. The son of Latvian immigrants, he was forced to evacuate the city during World War II but later returned during The Blitz. After serving in the Royal Air Force, he began pursuing a career in music. Norman first worked as a performer, singing with many prominent big band music acts and eventually sharing the stage with other top comedians and musicians of his time.
In the 1950s, Norman began to transition from performing to composing. He wrote lyrics for a variety of successful West End musicals, including “Make Me an Offer” and “Expresso Bongo,” and also wrote songs for various recording...
Norman was born in London on April 4, 1928. The son of Latvian immigrants, he was forced to evacuate the city during World War II but later returned during The Blitz. After serving in the Royal Air Force, he began pursuing a career in music. Norman first worked as a performer, singing with many prominent big band music acts and eventually sharing the stage with other top comedians and musicians of his time.
In the 1950s, Norman began to transition from performing to composing. He wrote lyrics for a variety of successful West End musicals, including “Make Me an Offer” and “Expresso Bongo,” and also wrote songs for various recording...
- 7/11/2022
- by Christian Zilko
- Indiewire
Monty Norman, the composer behind the iconic James Bond theme, has died at the age of 94.
A statement posted on his official website said, “It is with sadness we share the news that Monty Norman died on 11th July 2022 after a short illness.”
Norman most famously composed the score for “Dr. No,” the 1962 James Bond film starring Sean Connery. His theme for James Bond, as arranged by fellow Englishman John Barry, would go on to become the theme for the entire franchise.
As Norman said on his site, “We recognized we needed a fresh, contemporary sound for the main theme, and in the up-and-coming young John Barry we found a wonderful arranger, so the whole thing worked very well.”
But controversy erupted decades later when Barry claimed authorship of the theme, resulting in Norman suing the Times of London for libel over a 1997 story (“Theme Tune Wrangle Has 007 Shaken and...
A statement posted on his official website said, “It is with sadness we share the news that Monty Norman died on 11th July 2022 after a short illness.”
Norman most famously composed the score for “Dr. No,” the 1962 James Bond film starring Sean Connery. His theme for James Bond, as arranged by fellow Englishman John Barry, would go on to become the theme for the entire franchise.
As Norman said on his site, “We recognized we needed a fresh, contemporary sound for the main theme, and in the up-and-coming young John Barry we found a wonderful arranger, so the whole thing worked very well.”
But controversy erupted decades later when Barry claimed authorship of the theme, resulting in Norman suing the Times of London for libel over a 1997 story (“Theme Tune Wrangle Has 007 Shaken and...
- 7/11/2022
- by Jon Burlingame and Jazz Tangcay
- Variety Film + TV
Click here to read the full article.
Doug Liman was so committed to getting an adaptation of Robert Ludlum’s The Bourne Identity made for the big screen, he crashed a wedding and later piloted a prop plane to make it happen.
“I spent years hitting brick walls,” says Liman, who broke out directing indie stunner Swingers in 1996 but had yet to make a major studio play. “I even crashed a wedding to accost Warner Bros. president Terry Semel because Warners had the rights at the time,” Liman tells THR. “It got to the point that if I mentioned Bourne Identity to my agent, he would groan and roll his eyes.”
Eventually, the rights reverted to Ludlum, so Liman went to Montana to meet with him. The director flew solo in a tiny propeller plane to get there. “I had just gotten a license to fly,” Liman recalls. “My arrival...
Doug Liman was so committed to getting an adaptation of Robert Ludlum’s The Bourne Identity made for the big screen, he crashed a wedding and later piloted a prop plane to make it happen.
“I spent years hitting brick walls,” says Liman, who broke out directing indie stunner Swingers in 1996 but had yet to make a major studio play. “I even crashed a wedding to accost Warner Bros. president Terry Semel because Warners had the rights at the time,” Liman tells THR. “It got to the point that if I mentioned Bourne Identity to my agent, he would groan and roll his eyes.”
Eventually, the rights reverted to Ludlum, so Liman went to Montana to meet with him. The director flew solo in a tiny propeller plane to get there. “I had just gotten a license to fly,” Liman recalls. “My arrival...
- 6/13/2022
- by Mia Galuppo
- The Hollywood Reporter - Movie News
“I am a person rarely impressed by actors… but in the case of Mifune I was completely overwhelmed. The ordinary Japanese actor might need ten feet of film to get across an impression. Toshirō Mifune needed only three feet,” said Akira Kurosawa.
One of the greatest talents in cinema history, Toshirō Mifune left behind a staggering body of work amassing over 150 starring roles. Born on April 1, 1920, a retrospective was planned for 2020 timed to his centennial and now, after a delay due to the pandemic, it will kick off next week at NYC’s Film Forum. Featuring 35mm rarities and rediscoveries imported from the libraries of The Japan Foundation and The National Film Archive of Japan, the series will run for a whopping four weeks, from February 11 through March 10, and feature 33 films.
Ahead of the retrospective, we’re pleased to exclusively debut the trailer, edited by John Zhao, highlighting what is...
One of the greatest talents in cinema history, Toshirō Mifune left behind a staggering body of work amassing over 150 starring roles. Born on April 1, 1920, a retrospective was planned for 2020 timed to his centennial and now, after a delay due to the pandemic, it will kick off next week at NYC’s Film Forum. Featuring 35mm rarities and rediscoveries imported from the libraries of The Japan Foundation and The National Film Archive of Japan, the series will run for a whopping four weeks, from February 11 through March 10, and feature 33 films.
Ahead of the retrospective, we’re pleased to exclusively debut the trailer, edited by John Zhao, highlighting what is...
- 2/4/2022
- by Jordan Raup
- The Film Stage
In 1967, Audrey Hepburn was nominated for an Oscar for her performance in Wait Until Dark, a film about a blind woman who becomes the target of three con-men. Due to the character’s impairment, Terence Young’s film – ranked among AFI’s best thrills – becomes a much more anxiety-inducing experience than most thrillers. But what if the star was actually visually impaired? Something not thought of or considered at that time, but Randall Okita’s See for Me, written by Adam Yorke and Tommy Gushue, is one of only a handful of films that allow actors with disabilities to shine – in situations only they could fully understand or convey. Wheelchair user Kiera Allen shows immense strength as she attempts to escape the suffocating clutches of a psychotic mother in Run, giving one of the best performances in 2020. Representation like Allen’s on-screen is barrier-breaking because it shows that those with...
- 1/7/2022
- by Sara Clements
- DailyDead
Not all horror is about tearing your nerves to shreds, and of those that are, not all are as successful as their loud noises and jumpy antics might have you believe.
But among them, especially more recently, is a very special sub-genre of horror that’s truly not meant for the faint of heart. Works of masterful direction that not only leave you gnawing your fingernails to the bone, but questioning all you hold dear too, forever balancing on that knife edge of utter dread.
To celebrate the release of Don’t Breathe 2, available to Download & Keep, Rent on Digital, 4K Ultra HD, Blu-ray and DVD now, we take a look at five of the most nerve-racking horror films.
You can win a copy of Don’t Breathe 2 on Blu-ray right here.
Don’t Breathe (2016)
Case in point, Fede Alvarez and Rodo Sayagues’s original spin on The Blind Man; a novel,...
But among them, especially more recently, is a very special sub-genre of horror that’s truly not meant for the faint of heart. Works of masterful direction that not only leave you gnawing your fingernails to the bone, but questioning all you hold dear too, forever balancing on that knife edge of utter dread.
To celebrate the release of Don’t Breathe 2, available to Download & Keep, Rent on Digital, 4K Ultra HD, Blu-ray and DVD now, we take a look at five of the most nerve-racking horror films.
You can win a copy of Don’t Breathe 2 on Blu-ray right here.
Don’t Breathe (2016)
Case in point, Fede Alvarez and Rodo Sayagues’s original spin on The Blind Man; a novel,...
- 11/15/2021
- by Ben Robins
- HeyUGuys.co.uk
Let loose some airy English film aesthetes with a big budget, a French film studio and a theme somewhere between Marcel Proust and Jean Cocteau, and back comes this strange, slightly off-balance but extremely impressive objet d’art. Eric Portman is really good, Edana Romney not so much. English actresses Barbara Mullen and Joan Maude compensate greatly — they’re haunting, actually. For his first job of direction Terence Young gives us a flash of Christopher Lee in his first film, along with pretty Lois Maxwell. Content-wise the film has the screwiest construction … its style and obsessions are split between the two films presently rated the best ever made! Expect something different: the baroque style may prompt some viewers to reach for the ‘eject’ button.
Corridor of Mirrors
Blu-ray
1948 / B&w / 1:37 Academy / 96 min. / Street Date October 19, 2021 / Available from /
Starring: Eric Portman, Edana Romney, Barbara Mullen, Hugh Sinclair, Bruce Belfrage, Alan Wheatley,...
Corridor of Mirrors
Blu-ray
1948 / B&w / 1:37 Academy / 96 min. / Street Date October 19, 2021 / Available from /
Starring: Eric Portman, Edana Romney, Barbara Mullen, Hugh Sinclair, Bruce Belfrage, Alan Wheatley,...
- 10/16/2021
- by Glenn Erickson
- Trailers from Hell
Not only is the 25th James Bond film “No Time to Die” the last 007 adventure thriller starring Daniel Craig, it’s also the first one directed by an American: Cary Joji Fukunaga. The 44-year-old filmmaker won the Sundance dramatic directing award in 2009 for “Sin Nombre,” was the first Asian-American director to win an Emmy for directing in 2014 for “True Detective” and earned a Peabody in 2015 for “Beasts of No Nation.”
He joins other cutting-edge filmmakers to direct Craig as Bond including Oscar-winning English director Sam Mendes (“American Beauty”) who helmed 2012’s “Skyfall” and 2015’s “Spectre” and indie German filmmaker Marc Forster (2008’s “Quantum of Solace”), who had directed Halle Berry to an Oscar for 2001’s “Monster’s Ball” and Johnny Depp to a nomination for 2004’s “Finding Neverland.”
These three are a far cry from the early Bond directors who were British and had worked their way up the ranks...
He joins other cutting-edge filmmakers to direct Craig as Bond including Oscar-winning English director Sam Mendes (“American Beauty”) who helmed 2012’s “Skyfall” and 2015’s “Spectre” and indie German filmmaker Marc Forster (2008’s “Quantum of Solace”), who had directed Halle Berry to an Oscar for 2001’s “Monster’s Ball” and Johnny Depp to a nomination for 2004’s “Finding Neverland.”
These three are a far cry from the early Bond directors who were British and had worked their way up the ranks...
- 10/8/2021
- by Susan King
- Gold Derby
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By Matt Davey
Released in 1971, ‘Red Sun’ is an enthralling Western starring Charles Bronson, Toshiro Mifune, Alain Delon and Ursula Andress. Bronson and Delon lead a group of bandits to rob a train, but get more than they bargained for as they discover the train is transporting a Japanese delegation featuring Mifune, who is guarding a priceless ceremonial sword, a gift from the Emperor of Japan meant for the President of the United States. Delon steals the sword and leaves co-conspirator Bronson for dead. Mifune and Bronson team up to make an unlikely alliance in search of Delon and the stolen sword.
“For the disgrace of failure, he will rip his abdomen and kill himself” roars the Japanese ambassador as he tries to solder Link (Bronson) and Kuroda Jubei (Mifune) into the unlikeliest good cop/bad cop routine you’re ever likely to witness.
By Matt Davey
Released in 1971, ‘Red Sun’ is an enthralling Western starring Charles Bronson, Toshiro Mifune, Alain Delon and Ursula Andress. Bronson and Delon lead a group of bandits to rob a train, but get more than they bargained for as they discover the train is transporting a Japanese delegation featuring Mifune, who is guarding a priceless ceremonial sword, a gift from the Emperor of Japan meant for the President of the United States. Delon steals the sword and leaves co-conspirator Bronson for dead. Mifune and Bronson team up to make an unlikely alliance in search of Delon and the stolen sword.
“For the disgrace of failure, he will rip his abdomen and kill himself” roars the Japanese ambassador as he tries to solder Link (Bronson) and Kuroda Jubei (Mifune) into the unlikeliest good cop/bad cop routine you’re ever likely to witness.
- 3/4/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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By Matt Davey
Released in 1972, The Valachi Papers depicts the rise and fall of Mafia informant Joseph Valachi, who became the first member of the Mafia (otherwise known as Cosa Nostra) to acknowledge its existence in public. Directed by Terence Young and produced by legendary Italian film producer Dino De Laurentiis The Valachi Papers stars Charles Bronson in the lead role, alongside his real-life wife Jill Ireland as well as Lino Ventura, Walter Chiari and Joseph Wiseman.
The film covers five decades of Valachi’s involvement in organised crime – from his burglaries with the Minutemen to working under mob boss Vito Genovese from the 1930s – as the film unceremoniously portrays life in the criminal underworld. Told from the perspective of Valachi, the film begins with the ageing gangster in prison fearing for his life after a contract for his killing is ordered...
By Matt Davey
Released in 1972, The Valachi Papers depicts the rise and fall of Mafia informant Joseph Valachi, who became the first member of the Mafia (otherwise known as Cosa Nostra) to acknowledge its existence in public. Directed by Terence Young and produced by legendary Italian film producer Dino De Laurentiis The Valachi Papers stars Charles Bronson in the lead role, alongside his real-life wife Jill Ireland as well as Lino Ventura, Walter Chiari and Joseph Wiseman.
The film covers five decades of Valachi’s involvement in organised crime – from his burglaries with the Minutemen to working under mob boss Vito Genovese from the 1930s – as the film unceremoniously portrays life in the criminal underworld. Told from the perspective of Valachi, the film begins with the ageing gangster in prison fearing for his life after a contract for his killing is ordered...
- 2/2/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. As if the pandemic isn’t bad enough news, we lost another movie great last week. Sean Connery passed away at the ripe old age of 90. R.I.P, Mr. Connery.
Dr. No, directed by Terence Young in 1962, was the first film in the James Bond series, Sean Connery played Bond, James Bond, opposite Ursula Andress. Nice work if you can get it. Remember how you couldn’t get away from spy shows in the ‘60s? Dr. No is why. After the film’s success, the spies all came in from the cold. The character Andress plays, by the way, is a shell diver. That’s right, she sells sea shells by the seashore.
The movie is set in Jamaica, so how about pairing it with Jamaican wine?...
Dr. No, directed by Terence Young in 1962, was the first film in the James Bond series, Sean Connery played Bond, James Bond, opposite Ursula Andress. Nice work if you can get it. Remember how you couldn’t get away from spy shows in the ‘60s? Dr. No is why. After the film’s success, the spies all came in from the cold. The character Andress plays, by the way, is a shell diver. That’s right, she sells sea shells by the seashore.
The movie is set in Jamaica, so how about pairing it with Jamaican wine?...
- 11/4/2020
- by Randy Fuller
- Trailers from Hell
Back in 2002, I had the wild idea of rounding up all five Bond actors for a Variety 40th anniversary tribute article, which later expanded into further reporting with the arrival of Daniel Craig as the sixth 007. But the first thing I was told, of course, was forget about getting Sean Connery — he never talks Bond. I said, “Never say never,” and, through a combination of persistence, patience, and luck, I got Connery on the phone in Prague on the set of — what turned out to be his final movie — “The League of Extraordinary Gentlemen.”
With the passing of Sir Sean Connery, the actor who invented Bond onscreen and redefined masculinity (a more dangerous Cary Grant), it turns out that my 30-minute conversation was his last extensive reminiscence of 007 in print: “They were exciting and funny and had good stories and pretty girls and intriguing locations,” he said of his six official and one off-franchise appearances.
With the passing of Sir Sean Connery, the actor who invented Bond onscreen and redefined masculinity (a more dangerous Cary Grant), it turns out that my 30-minute conversation was his last extensive reminiscence of 007 in print: “They were exciting and funny and had good stories and pretty girls and intriguing locations,” he said of his six official and one off-franchise appearances.
- 10/31/2020
- by Bill Desowitz
- Indiewire
By Lee Pfeiffer
Sir Sean Connery has passed away at age 90. One of the few remaining genuine legends of the film industry, Connery's passing will seem surrealistic to his legions of international fans, as he somehow seemed immortal. Connery overcame a humble upbringing in Edinburgh, Scotland to emerge as a cinematic icon. As young man, he entered the Royal Navy but his stint was short-lived, as he was released from service due to health issues. He later dabbled in weight lifting and was Scotland's candidate in the Mr. Universe contest. Connery drifted into acting quite by chance after someone suggested he audition for a chorus role in a London stage production of "South Pacific". He got the part and the acting bug got the better of him and he became determined to make it his profession. Connery secured bit roles in low-budget British films without making much of an impact,...
Sir Sean Connery has passed away at age 90. One of the few remaining genuine legends of the film industry, Connery's passing will seem surrealistic to his legions of international fans, as he somehow seemed immortal. Connery overcame a humble upbringing in Edinburgh, Scotland to emerge as a cinematic icon. As young man, he entered the Royal Navy but his stint was short-lived, as he was released from service due to health issues. He later dabbled in weight lifting and was Scotland's candidate in the Mr. Universe contest. Connery drifted into acting quite by chance after someone suggested he audition for a chorus role in a London stage production of "South Pacific". He got the part and the acting bug got the better of him and he became determined to make it his profession. Connery secured bit roles in low-budget British films without making much of an impact,...
- 10/31/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Sean Connery, the Scottish actor who embodied the Sexual Revolution of the 1960s as cinema’s debut James Bond, has died at 90. In a 45-year career that covered many genres, Connery proved, as much as anyone, that entertainment value and artistic quality could go hand-in-hand. Who else could claim they’d worked with Alfred Hitchcock and Michael Bay, John Huston and Gus Van Sant? Connery did — and he originated the most popular action hero of all time.
The list of plaudits Connery received in his lifetime span a wide spectrum. He won an Academy Award, for playing a hard-edged cop in “The Untouchables,” received the Kennedy Center Honor, and was knighted by Queen Elizabeth II. But his acclaim went to even greater extremes: Scottish newspaper The Sunday Herald called him “The Greatest Living Scot” while People Magazine didn’t just vote him “Sexiest Man Alive” in 1989 but “Sexiest Man of the Century” a decade later.
The list of plaudits Connery received in his lifetime span a wide spectrum. He won an Academy Award, for playing a hard-edged cop in “The Untouchables,” received the Kennedy Center Honor, and was knighted by Queen Elizabeth II. But his acclaim went to even greater extremes: Scottish newspaper The Sunday Herald called him “The Greatest Living Scot” while People Magazine didn’t just vote him “Sexiest Man Alive” in 1989 but “Sexiest Man of the Century” a decade later.
- 10/31/2020
- by Christian Blauvelt
- Indiewire
Olivia de Havilland, one of the last remaining actresses of Hollywood’s Golden Age and the last surviving star of Gone With the Wind, died July 26 of natural causes at her residence in Paris, where she lived for more than six decades, according to Variety. De Havilland was 104.
De Havilland turned 104 on July 1. She was the older sister of Joan Fontaine, who died in 2013 at 96. The two Academy Award-winning actresses were estranged for most of their lives. Olivia Mary de Havilland was born in Tokyo on July 1, 1916. Her parents, Walter de Havilland, an English professor, and actress Lilian Fontaine, were British. De Havilland and her sister grew up in Saratoga, California, with their mother. Her father married the family’s housekeeper and remained in Tokyo. Havilland’s first performance was in a school production of Alice in Wonderland.
She made her stage debut in Max Reinhardt’s production of Shakespeare’s A Midsummer Night’s Dream.
De Havilland turned 104 on July 1. She was the older sister of Joan Fontaine, who died in 2013 at 96. The two Academy Award-winning actresses were estranged for most of their lives. Olivia Mary de Havilland was born in Tokyo on July 1, 1916. Her parents, Walter de Havilland, an English professor, and actress Lilian Fontaine, were British. De Havilland and her sister grew up in Saratoga, California, with their mother. Her father married the family’s housekeeper and remained in Tokyo. Havilland’s first performance was in a school production of Alice in Wonderland.
She made her stage debut in Max Reinhardt’s production of Shakespeare’s A Midsummer Night’s Dream.
- 7/27/2020
- by Alec Bojalad
- Den of Geek
From today’s perspective, United Artists’ 1963 release of “Dr. No” looks like pure sabotage. After screening the first James Bond film for three weeks across 450 theaters in the Midwest, it finally debuted in New York and Los Angeles on the week of Memorial Day 1963. And yet, this modest acorn of a British movie produced not one but two business models that reshaped the industry: It led to the creation of the franchise film, and the blockbuster release strategy.
To be fair, while “Dr. No” wasn’t viewed as an A+ title, this distribution approach wasn’t meant to scorn. Top films usually opened as exclusive runs in larger cities with staggered dates; lesser titles sought a quick return via multiple theaters in the same metropolitan area. However, its status as a British hit didn’t carry much weight; it starred an unknown, Sean Connery, and it was overshadowed by “Hud...
To be fair, while “Dr. No” wasn’t viewed as an A+ title, this distribution approach wasn’t meant to scorn. Top films usually opened as exclusive runs in larger cities with staggered dates; lesser titles sought a quick return via multiple theaters in the same metropolitan area. However, its status as a British hit didn’t carry much weight; it starred an unknown, Sean Connery, and it was overshadowed by “Hud...
- 6/1/2020
- by Tom Brueggemann
- Indiewire
Van Johnson in Action Of The Tiger is available on Blu-ray From Warner Archive. Ordering information can be found Here
Van Johnson is Carson, a mercenary sea captain willing to do anything if the price is right, in this Cold War adventure set amidst the wilds of Greece and Albania. French bombshell Martine Carol makes her English-language feature-film debut as Tracy, the wealthy Frenchwoman able to pay Carson’s price and induce him to undertake a daring rescue mission inside Communist Albania. But their troubles are just beginning when they cross the border, and the mission grows larger and more complicated when their group is taken captive by guerrillas, led by the rogue Trifon (a scene-stealing Herbert Lom). Playing a loutish, drunken first mate is a young Sean Connery, working with action director Terence Young for the first time. Five years later, Connery and Young would make film history with the franchise-defining Dr.
Van Johnson is Carson, a mercenary sea captain willing to do anything if the price is right, in this Cold War adventure set amidst the wilds of Greece and Albania. French bombshell Martine Carol makes her English-language feature-film debut as Tracy, the wealthy Frenchwoman able to pay Carson’s price and induce him to undertake a daring rescue mission inside Communist Albania. But their troubles are just beginning when they cross the border, and the mission grows larger and more complicated when their group is taken captive by guerrillas, led by the rogue Trifon (a scene-stealing Herbert Lom). Playing a loutish, drunken first mate is a young Sean Connery, working with action director Terence Young for the first time. Five years later, Connery and Young would make film history with the franchise-defining Dr.
- 4/19/2020
- by Tom Stockman
- WeAreMovieGeeks.com
Van Johnson steps into adventure-guy shoes more suitable for Humphrey Bogart in this European-shot thriller. Daring Martine Carol provides the sex appeal as the mystery dame who entices Johnson to smuggle a man out of Red Albania. The movie is practically a proto- James Bond film: it’s directed by Terence Young, includes Sean Connery and Anthony Dawson in the cast list, and features a fight in a gypsy camp. But Herbert Lom steals the show from them all as a monocle-wearing, oversexed gypsy bandit who can’t abide Commies. Oh, and the disc has special treat in store for discerning, high-toned art-movie intellectuals: this is the film’s hotter Continental version.
Action of the Tiger
Blu-ray
Warner Archive Collection
1957 / Color / 2:35 widescreen / 93 min. / Street Date April 14, 2020 / available through the WBshop / 21.99
Starring: Van Johnson, Martine Carol, Herbert Lom, Gustavo Rojo, José Nieto, Helen Haye, Anna Gerber, Anthony Dawson, Sean Connery,...
Action of the Tiger
Blu-ray
Warner Archive Collection
1957 / Color / 2:35 widescreen / 93 min. / Street Date April 14, 2020 / available through the WBshop / 21.99
Starring: Van Johnson, Martine Carol, Herbert Lom, Gustavo Rojo, José Nieto, Helen Haye, Anna Gerber, Anthony Dawson, Sean Connery,...
- 4/4/2020
- by Glenn Erickson
- Trailers from Hell
Auger in a publicity photo for "Thunderball".
By Lee Pfeiffer
French model-turned actress Claudine Auger has passed away at age 78. Auger was France's entry in the Miss World contest at age 17 in 1958. She later entered the movie profession and caught the eye of James Bond producers Albert R. Broccoli and Harry Saltzman when they were casting the female lead for the fourth 007 blockbuster "Thunderball" starring Sean Connery in 1965. Auger wasn't their first choice, as Faye Dunaway, Julie Christie and Raquel Welch had been considered, but for different reasons, did not end up playing the pivotal role. In the film, Auger played Domino, the mistress of Spectre villain Emilio Largo, played by Adolfo Celi. Domino seems content with the life of luxury afforded her by Largo but upon being seduced by James Bond, she courageously risks her life to help him thwart Spectre's nuclear threat to Miami Beach. Although Auger could speak fluent English,...
By Lee Pfeiffer
French model-turned actress Claudine Auger has passed away at age 78. Auger was France's entry in the Miss World contest at age 17 in 1958. She later entered the movie profession and caught the eye of James Bond producers Albert R. Broccoli and Harry Saltzman when they were casting the female lead for the fourth 007 blockbuster "Thunderball" starring Sean Connery in 1965. Auger wasn't their first choice, as Faye Dunaway, Julie Christie and Raquel Welch had been considered, but for different reasons, did not end up playing the pivotal role. In the film, Auger played Domino, the mistress of Spectre villain Emilio Largo, played by Adolfo Celi. Domino seems content with the life of luxury afforded her by Largo but upon being seduced by James Bond, she courageously risks her life to help him thwart Spectre's nuclear threat to Miami Beach. Although Auger could speak fluent English,...
- 12/20/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
French actor Claudine Auger, who broke through internationally with her part opposite Sean Connery in the James Bond film “Thunderball,” has died. She was 78.
Auger’s talent agency Art Time announced the news and said she had died in Paris.
Auger started her acting career with a small part in the 1958 film “Christine,” in which she starred alongside Romy Schneider and Alain Delon. She then appeared in Jean Cocteau’s 1960 film “Testament Of Orpheus.”
She was the first French actress to be cast as a “Bond girl” in a movie with the dashing British spy, years ahead of Lea Seydoux, Sophie Marceau, Eva Green and Carole Bouquet. In 1965’s “Thunderball,” she played “Domino,” a femme fatale and mistress of Emilio Largo (Adolfo Celi) who falls in love with Bond and helps him bring down a criminal organization. She reportedly won the role over Raquel Welch, Faye Dunaway and Julie Christie.
Auger’s talent agency Art Time announced the news and said she had died in Paris.
Auger started her acting career with a small part in the 1958 film “Christine,” in which she starred alongside Romy Schneider and Alain Delon. She then appeared in Jean Cocteau’s 1960 film “Testament Of Orpheus.”
She was the first French actress to be cast as a “Bond girl” in a movie with the dashing British spy, years ahead of Lea Seydoux, Sophie Marceau, Eva Green and Carole Bouquet. In 1965’s “Thunderball,” she played “Domino,” a femme fatale and mistress of Emilio Largo (Adolfo Celi) who falls in love with Bond and helps him bring down a criminal organization. She reportedly won the role over Raquel Welch, Faye Dunaway and Julie Christie.
- 12/20/2019
- by Elsa Keslassy
- Variety Film + TV
French actress Claudine Auger, noted for her role as Dominique “Domino” Derval in James Bond film Thunderball, has died at the age of 78.
The news was announced by her agency Time Art, which said she died in Paris on Thursday (December 20), as reported by numerous French press. No cause of death was disclosed.
Auger began her acting career in France when Jean Cocteau cast her in a small role in his 1960 pic Testament Of Orpheus. At the age of 18, she married the French filmmaker Pierre Gaspard-Huit, who was 43 at the time, and he cast her in several of his films including his 1958 film Christine in which she appeared alongside Romy Schneider and Alain Delon.
Her big break came when she landed the role of Domino in Thunderball, the fourth pic in the James Bond franchise in which she starred with Sean Connery, playing the mistress of arch villain Emilio Largo...
The news was announced by her agency Time Art, which said she died in Paris on Thursday (December 20), as reported by numerous French press. No cause of death was disclosed.
Auger began her acting career in France when Jean Cocteau cast her in a small role in his 1960 pic Testament Of Orpheus. At the age of 18, she married the French filmmaker Pierre Gaspard-Huit, who was 43 at the time, and he cast her in several of his films including his 1958 film Christine in which she appeared alongside Romy Schneider and Alain Delon.
Her big break came when she landed the role of Domino in Thunderball, the fourth pic in the James Bond franchise in which she starred with Sean Connery, playing the mistress of arch villain Emilio Largo...
- 12/20/2019
- by Tom Grater
- Deadline Film + TV
(Welcome to The Best Movies You’ve Never Seen, a series that takes a look at slightly more obscure, under-the-radar, or simply under-appreciated movies. This week we focus on a director who made nearly forty films over forty years but is best known for only four of them.) Most filmmakers would be thrilled to have even a […]
The post The Best Terence Young Movies You’ve Never Seen appeared first on /Film.
The post The Best Terence Young Movies You’ve Never Seen appeared first on /Film.
- 4/18/2019
- by Rob Hunter
- Slash Film
Terence Young will forever be remembered amongst the pantheon of James Bond directors, having helmed Dr. No (1962), From Russia with Love (1963) and Thunderball (1965). But his filmography following these titles yields an interesting, if uneven coterie of classic thrillers and a variety of obscured curios. Amongst these is 1970’s Cold Sweat, a French-Italian co-produced thriller which features Charles Bronson and Liv Ullmann as a married couple who are confronted by the secret, criminal past he barely escaped from a decade years (the pairing would end up being the first of three from Young and Bronson) and based on a novel by Richard Matheson.…...
- 4/16/2019
- by Nicholas Bell
- IONCINEMA.com
This article marks Part 2 of the Gold Derby series reflecting on Horror Films at the Oscars. Join us as we look back at the spine-tingling movies that earned Academy Awards nominations, including the following films from the 1960s and 1970s.
Alfred Hitchcock‘s “Psycho” (1960) was met with enormous critical and commercial success upon release emerging the second-highest grossing film of the year, just behind Stanley Kubrick‘s “Spartacus.” Alas, the film was also greeted to a somewhat cool reception at the Oscars. “Psycho” did muster four nominations, in Best Director (Hitchcock’s fifth and final career bid), Best Supporting Actress (Janet Leigh), Best Art Direction and Best Cinematography. Notably absent was Anthony Perkins, unforgettable as Norman Bates. Leigh, who won the Golden Globe for her performance, was ultimately defeated by Shirley Jones (“Elmer Gantry”). The film also failed to win on any of its other three nominations.
The following year,...
Alfred Hitchcock‘s “Psycho” (1960) was met with enormous critical and commercial success upon release emerging the second-highest grossing film of the year, just behind Stanley Kubrick‘s “Spartacus.” Alas, the film was also greeted to a somewhat cool reception at the Oscars. “Psycho” did muster four nominations, in Best Director (Hitchcock’s fifth and final career bid), Best Supporting Actress (Janet Leigh), Best Art Direction and Best Cinematography. Notably absent was Anthony Perkins, unforgettable as Norman Bates. Leigh, who won the Golden Globe for her performance, was ultimately defeated by Shirley Jones (“Elmer Gantry”). The film also failed to win on any of its other three nominations.
The following year,...
- 10/22/2018
- by Andrew Carden
- Gold Derby
Paul Bradshaw Sep 24, 2018
Now that a director has been confirmed for Bond 25, we take a look back at the men who made 007.
This article comes from Den of Geek UK.
Directing a James Bond movie is pretty big deal. Bond 25 was thrown into chaos when Danny Boyle dropped out, and the news that Cary Fukunaga signed on to replace him has made headlines around the world. But it’s only recently that anyone actually cared who was behind the camera on a 007 film.
Partly because big name “auteurs” don’t often make franchise movies, partly because the Bond producers have always aimed for a kind of stylistic consistency to stop anyone putting a particularly big stamp on it, and mostly because 007 has always been more about a dozen other things that don’t have anything to do with the camerawork – most of the men (and they are all...
Now that a director has been confirmed for Bond 25, we take a look back at the men who made 007.
This article comes from Den of Geek UK.
Directing a James Bond movie is pretty big deal. Bond 25 was thrown into chaos when Danny Boyle dropped out, and the news that Cary Fukunaga signed on to replace him has made headlines around the world. But it’s only recently that anyone actually cared who was behind the camera on a 007 film.
Partly because big name “auteurs” don’t often make franchise movies, partly because the Bond producers have always aimed for a kind of stylistic consistency to stop anyone putting a particularly big stamp on it, and mostly because 007 has always been more about a dozen other things that don’t have anything to do with the camerawork – most of the men (and they are all...
- 9/23/2018
- Den of Geek
In case you hadn’t noticed, the filmmakers chosen in recent years to direct James Bond films represent a serious break with the past. The new way all started when the series’ overseers — who tend to weigh these decisions as if they were matters of state — chose Marc Forster, the acclaimed director of “Monster’s Ball” and “Finding Neverland,” to direct “Quantum of Solace.” The trend continued when Sam Mendes, the Oscar-winning director of “American Beauty,” was chosen to make “Skyfall,” and Danny Boyle, the Oscar-winning director of “Slumdog Millionaire,” was chosen to helm Bond 25 (even though he left before he began).
Now, with the choice of Cary Joji Fukunaga, the trend continues. Fukunaga has no Oscars under his belt, but he is, by any standard, an audacious and celebrated filmmaker. His first feature, “Sin Nombre,” took the best director prize at the 2009 Sundance Film Festival. He followed that...
Now, with the choice of Cary Joji Fukunaga, the trend continues. Fukunaga has no Oscars under his belt, but he is, by any standard, an audacious and celebrated filmmaker. His first feature, “Sin Nombre,” took the best director prize at the 2009 Sundance Film Festival. He followed that...
- 9/20/2018
- by Owen Gleiberman
- Variety Film + TV
Paul Bradshaw Sep 23, 2018
Now a director has been confirmed for Bond 25, we take a look back at the men who made 007
Directing a James Bond movie is pretty big deal. Bond 25 was thrown into chaos when Danny Boyle dropped out, and the news that Cary Fukunaga signed-on to replace him has made headlines around the world. But it’s only recently that anyone actually cared who was behind the camera on a 007 film.
See related Our pick of the best Nintendo Switch deals Our pick of the best handheld consoles (from the current generation) Our pick of the best projector screens
Partly because big name “auteurs” don’t often make action movies, partly because the Bond producers have always aimed for a kind of stylistic consistency to stop anyone putting a particularly big stamp on it, and mostly because 007 has always been more about a dozen other things...
Now a director has been confirmed for Bond 25, we take a look back at the men who made 007
Directing a James Bond movie is pretty big deal. Bond 25 was thrown into chaos when Danny Boyle dropped out, and the news that Cary Fukunaga signed-on to replace him has made headlines around the world. But it’s only recently that anyone actually cared who was behind the camera on a 007 film.
See related Our pick of the best Nintendo Switch deals Our pick of the best handheld consoles (from the current generation) Our pick of the best projector screens
Partly because big name “auteurs” don’t often make action movies, partly because the Bond producers have always aimed for a kind of stylistic consistency to stop anyone putting a particularly big stamp on it, and mostly because 007 has always been more about a dozen other things...
- 9/20/2018
- Den of Geek
By Lee Pfeiffer And Dave Worrall
Actress Eunice Gayson, who made screen history by playing the first love interest of James Bond on the big screen, has passed away at age 90. Gayson played the sexy, single woman Sean Connery's 007 encounters at a high end gambling club in the first Bond thriller "Dr. No" in 1962. Gayson's character set the standard for future "Bond Girls" by portraying an independent, self-assured woman who had no pangs of guilt in regard to engaging in a sexual relationship for the pure pleasure of it. In fact, it is she who seduces Bond, turning up in his apartment and putting a golf ball while clad only in one of his shirts. The character, Sylvia Trench, also appeared in a brief love scene with Bond in the second film in the series, "From Russia with Love". Gayson got the role because she had worked with director...
Actress Eunice Gayson, who made screen history by playing the first love interest of James Bond on the big screen, has passed away at age 90. Gayson played the sexy, single woman Sean Connery's 007 encounters at a high end gambling club in the first Bond thriller "Dr. No" in 1962. Gayson's character set the standard for future "Bond Girls" by portraying an independent, self-assured woman who had no pangs of guilt in regard to engaging in a sexual relationship for the pure pleasure of it. In fact, it is she who seduces Bond, turning up in his apartment and putting a golf ball while clad only in one of his shirts. The character, Sylvia Trench, also appeared in a brief love scene with Bond in the second film in the series, "From Russia with Love". Gayson got the role because she had worked with director...
- 6/9/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
“Indy, why does the floor move?”
Everyone knows that Art Hill, in front of the St. Louis Art Museum, is a great place to go sledding in the winter. But did you know it’s a great place to see movies in the summer?
Inspired by the remarkable story behind Sunken Cities: Egypt’s Lost Worlds, these four films follow the search for something vital—whether it be truth, treasure, or justice. Discover other lives, other eras, and other worlds with these Epic Quests.
The We Are Movie Geeks gang always goes to these, so if you wanna hang with the cool kids, you should go too. It’s free and they set up a big screen at the bottom of the hill. There are food trucks and beer and wine for sale. You can even go dine in the museum’s restaurant before the show if you got money to burn.
Everyone knows that Art Hill, in front of the St. Louis Art Museum, is a great place to go sledding in the winter. But did you know it’s a great place to see movies in the summer?
Inspired by the remarkable story behind Sunken Cities: Egypt’s Lost Worlds, these four films follow the search for something vital—whether it be truth, treasure, or justice. Discover other lives, other eras, and other worlds with these Epic Quests.
The We Are Movie Geeks gang always goes to these, so if you wanna hang with the cool kids, you should go too. It’s free and they set up a big screen at the bottom of the hill. There are food trucks and beer and wine for sale. You can even go dine in the museum’s restaurant before the show if you got money to burn.
- 5/14/2018
- by Tom Stockman
- WeAreMovieGeeks.com
He’s fast on his feet, quick with a gun, and faster with the to-die-for beauties that only existed in the swinging ’60s. The superspy exploits of Oss 117 were too big for just one actor, so meet all three iterations of the man they called Hubert Bonisseur de La Bath . . . seriously.
Oss 117 Five Film Collection
Blu-ray
Oss 117 Is Unleashed; Oss 117: Panic in Bangkok; Oss 117: Mission For a Killer; Oss 117: Mission to Tokyo; Oss 117: Double Agent
Kl Studio Classics
1963-1968 / B&W and Color / 1:85 widescreen + 2:35 widescreen / 528 min. / Street Date September 26, 2017 / available through Kino Lorber / 59.95
Starring: Kerwin Matthews, Nadia Sanders, Irina Demick, Daniel Emilfork; Kerwin Matthews, Pier Angeli, Robert Hossein; Frederick Stafford, Mylène Demongeot, Perrette Pradier, Dominique Wilms, Raymond Pellegrin, Annie Anderson; Frederick Stafford, Marina Vlad, Jitsuko Yoshimura; John Gavin, Margaret Lee, Curd Jurgens, Luciana Paluzzi, Rosalba Neri, Robert Hossein, George Eastman.
Cinematography: Raymond Pierre Lemoigne...
Oss 117 Five Film Collection
Blu-ray
Oss 117 Is Unleashed; Oss 117: Panic in Bangkok; Oss 117: Mission For a Killer; Oss 117: Mission to Tokyo; Oss 117: Double Agent
Kl Studio Classics
1963-1968 / B&W and Color / 1:85 widescreen + 2:35 widescreen / 528 min. / Street Date September 26, 2017 / available through Kino Lorber / 59.95
Starring: Kerwin Matthews, Nadia Sanders, Irina Demick, Daniel Emilfork; Kerwin Matthews, Pier Angeli, Robert Hossein; Frederick Stafford, Mylène Demongeot, Perrette Pradier, Dominique Wilms, Raymond Pellegrin, Annie Anderson; Frederick Stafford, Marina Vlad, Jitsuko Yoshimura; John Gavin, Margaret Lee, Curd Jurgens, Luciana Paluzzi, Rosalba Neri, Robert Hossein, George Eastman.
Cinematography: Raymond Pierre Lemoigne...
- 9/16/2017
- by Glenn Erickson
- Trailers from Hell
Charles Bronson plays a real-life Mafiosi in a period picture with a fine script, some good performances and a production so sloppy that the whole thing could be called The Anachronism Papers. Joseph Wiseman and Lino Ventura bring additional tough-guy star-power, and Bronson actually commits himself to the role — quite a change of pace for one of his later pictures.
The Valachi Papers
Blu-ray
Twilight Time
1972 / Color / 1:85 widescreen / 125 min. / Street Date June 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Charles Bronson, Lino Ventura, Jill Ireland, Walter Chiari, Joseph Wiseman, Gerald S. O’Loughlin, Amedeo Nazzari, Fausto Tozzi, Pupella Maggio, Angelo Infanti, Guido Leontini.
Cinematography: Aldo Tonti
Film Editor: Johnny Dwyre, Monica Finzi
Original Music: Riz Ortolani, Armando Trovajoli
Written by Stephen Geller from the novel by Peter Maas
Produced by Dino De Laurentiis, Roger Duchet
Directed by Terence Young
In 2001 I received the plum assignment of editing a...
The Valachi Papers
Blu-ray
Twilight Time
1972 / Color / 1:85 widescreen / 125 min. / Street Date June 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Charles Bronson, Lino Ventura, Jill Ireland, Walter Chiari, Joseph Wiseman, Gerald S. O’Loughlin, Amedeo Nazzari, Fausto Tozzi, Pupella Maggio, Angelo Infanti, Guido Leontini.
Cinematography: Aldo Tonti
Film Editor: Johnny Dwyre, Monica Finzi
Original Music: Riz Ortolani, Armando Trovajoli
Written by Stephen Geller from the novel by Peter Maas
Produced by Dino De Laurentiis, Roger Duchet
Directed by Terence Young
In 2001 I received the plum assignment of editing a...
- 7/15/2017
- by Glenn Erickson
- Trailers from Hell
By Fred Blosser
When Francis Ford Coppola’s “The Godfather” emerged as a surprise box-office smash in the early months of 1972, studios and distributors hustled to meet popular demand for more movies about life in the Mob. In New York, a dubbed print of Jean-Pierre Melville’s 1967 film “Le Samourai” was hurriedly retitled and screened as “The Godson” in a masterful example of bait-and-switch marketing. Melville’s chilly, claustrophobic picture about a hit man portrayed by Alain Delon is a fine crime drama, but it had no connection to Coppola’s picture or, for that matter, to any aspect of American Mafia lore at all. “The Valachi Papers,” based on Peter Maas’ bestselling nonfiction book, followed as a more legitimate successor. Rushed through production by Dino De Laurentiis in spring and summer 1972, the film was scripted by Stephen Geller and directed by Terence Young. Shooting largely took place at De Laurentiis’ Rome studio.
When Francis Ford Coppola’s “The Godfather” emerged as a surprise box-office smash in the early months of 1972, studios and distributors hustled to meet popular demand for more movies about life in the Mob. In New York, a dubbed print of Jean-Pierre Melville’s 1967 film “Le Samourai” was hurriedly retitled and screened as “The Godson” in a masterful example of bait-and-switch marketing. Melville’s chilly, claustrophobic picture about a hit man portrayed by Alain Delon is a fine crime drama, but it had no connection to Coppola’s picture or, for that matter, to any aspect of American Mafia lore at all. “The Valachi Papers,” based on Peter Maas’ bestselling nonfiction book, followed as a more legitimate successor. Rushed through production by Dino De Laurentiis in spring and summer 1972, the film was scripted by Stephen Geller and directed by Terence Young. Shooting largely took place at De Laurentiis’ Rome studio.
- 7/8/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Yvonne Monlaur: Cult horror movie actress & Bond Girl contender was featured in the 1960 British classics 'Circus of Horrors' & 'The Brides of Dracula.' Actress Yvonne Monlaur dead at 77: Best remembered for cult horror classics 'Circus of Horrors' & 'The Brides of Dracula' Actress Yvonne Monlaur, best known for her roles in the 1960 British cult horror classics Circus of Horrors and The Brides of Dracula, died of cardiac arrest on April 18 in the Paris suburb of Neuilly-sur-Seine. Monlaur was 77. According to various online sources, she was born Yvonne Thérèse Marie Camille Bédat de Monlaur in the southwestern town of Pau, in France's Pyrénées-Atlantiques department, on Dec. 15, 1939. Her father was poet and librettist Pierre Bédat de Monlaur; her mother was a Russian ballet dancer. The young Yvonne was trained in ballet and while still a teenager became a model for Elle magazine. She was “discovered” by newspaper publisher-turned-director André Hunebelle,...
- 4/27/2017
- by Andre Soares
- Alt Film Guide
No, not a blind Sherlock Holmes, but a blind Van Johnson, who directs his butler, his girlfriend Vera Miles and the London police to thwart a crime based on something he overheard in a bar. Henry Hathaway directs a complicated murder mystery that plays like a combo of Rear Window and Wait Until Dark, with a cranky Van Johnson as the central character.
23 Paces to Baker Street
Blu-ray
Kl Studio Classics
1956 / Color / 2:35 widescreen / 103 min. / Street Date February 21, 2017 / available through Kino Lorber / 29.95
Starring: Van Johnson, Vera Miles, Cecil Parker, Patricia Laffan, Maurice Denham, Estelle Winwood, Liam Redmond, Isobel Elsom, Martin Benson, Queenie Leonard.
Cinematography: Milton Krasner
Film Editor: James B. Clark
Original Music: Leigh Harline
Written by Nigel Balchin from the novel Warrant for X by Philip MacDonald
Produced by Henry Ephron
Directed by Henry Hathaway
In the 1950s the murder mystery thriller came of age, as creakier older formulas...
23 Paces to Baker Street
Blu-ray
Kl Studio Classics
1956 / Color / 2:35 widescreen / 103 min. / Street Date February 21, 2017 / available through Kino Lorber / 29.95
Starring: Van Johnson, Vera Miles, Cecil Parker, Patricia Laffan, Maurice Denham, Estelle Winwood, Liam Redmond, Isobel Elsom, Martin Benson, Queenie Leonard.
Cinematography: Milton Krasner
Film Editor: James B. Clark
Original Music: Leigh Harline
Written by Nigel Balchin from the novel Warrant for X by Philip MacDonald
Produced by Henry Ephron
Directed by Henry Hathaway
In the 1950s the murder mystery thriller came of age, as creakier older formulas...
- 3/25/2017
- by Glenn Erickson
- Trailers from Hell
Is this a genuine classic? I think so. Sure, it’s the old story of the blind girl in jeopardy, but it’s been worked out so well. Audrey Hepburn, Alan Arkin, Richard Crenna and Jack Weston shine in a keen adaptation of Frederick Knott’s play, which could be titled, Dial C for Can’t See Nuthin’.
Wait Until Dark
Blu-ray
Warner Archive Collection
1967 / Color / 1:85 widescreen / 108 min. / Street Date January 24, 2016 / available through the WBshop / 21.99
Starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efrem Zimbalist Jr., Jack Weston, Julie Herrod, Samantha Jones.
Cinematography Charles Lang
Art Direction George Jenkins
Film Editor Gene Milford
Original Music Henry Mancini
Written by Robert Howard-Carrington & Jane Howard-Carrington
from the play by Frederick Knott
Produced by Mel Ferrer
Directed by Terence Young
Reviewed by Glenn Erickson
This old-fashioned, semi- stage bound thriller is a real keeper: I must have seen it six times...
Wait Until Dark
Blu-ray
Warner Archive Collection
1967 / Color / 1:85 widescreen / 108 min. / Street Date January 24, 2016 / available through the WBshop / 21.99
Starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efrem Zimbalist Jr., Jack Weston, Julie Herrod, Samantha Jones.
Cinematography Charles Lang
Art Direction George Jenkins
Film Editor Gene Milford
Original Music Henry Mancini
Written by Robert Howard-Carrington & Jane Howard-Carrington
from the play by Frederick Knott
Produced by Mel Ferrer
Directed by Terence Young
Reviewed by Glenn Erickson
This old-fashioned, semi- stage bound thriller is a real keeper: I must have seen it six times...
- 12/30/2016
- by Glenn Erickson
- Trailers from Hell
Mark Harrison Oct 14, 2016
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival...
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival...
- 10/12/2016
- Den of Geek
The fear of losing one’s sight is perfectly captured in an inspiring docudrama about author and academic John Hull
Cinema’s paradoxical fascination with sightlessness has spawned movies as diverse as Terence Young’s 1967 thriller Wait Until Dark, Takeshi Kitano’s 2003 martial-arts actioner Zatôichi and Eskil Vogt’s prurient 2014 psychodrama Blind. Yet few films have portrayed the absence of vision with any degree of insight. Honourable exceptions include British film-maker Gary Tarn’s 2005 documentary Black Sun, an electrifying, expressionist portrait of painter and photographer Hugues de Montalembert, who found new ways of seeing after being blinded by a violent attack in 1978.
The film highlights the growing tactility of Hull's world, closing in on the sources of sound
Continue reading...
Cinema’s paradoxical fascination with sightlessness has spawned movies as diverse as Terence Young’s 1967 thriller Wait Until Dark, Takeshi Kitano’s 2003 martial-arts actioner Zatôichi and Eskil Vogt’s prurient 2014 psychodrama Blind. Yet few films have portrayed the absence of vision with any degree of insight. Honourable exceptions include British film-maker Gary Tarn’s 2005 documentary Black Sun, an electrifying, expressionist portrait of painter and photographer Hugues de Montalembert, who found new ways of seeing after being blinded by a violent attack in 1978.
The film highlights the growing tactility of Hull's world, closing in on the sources of sound
Continue reading...
- 7/3/2016
- by Mark Kermode, Observer film critic
- The Guardian - Film News
On this day in history as it relates to the movies...
1893 Lizzie Borden acquitted of the axe murders of her dad and stepmom but everyone still thinks she did it. I still haven't seen that show where Christina Ricci played her. Oops.
1905 Lillian Hellman, playwright and screenwriter is born.
1909 Swashbuckler supreme Errol Flynn is born
1910 Fanny Brice debuts in "Ziegfeld Follies". The moment was recreated (see photo above from the Academy's archives) and heavily fictionalized of course, in Barbra Streisand's Funny Girl (1968)
1915 Director Terence Young is born. Goes on to kick off the Bond franchise with Dr. No, From Russia With Love, and Thunderball and direct Audrey Hepburn to her last Oscar nomination for Wait Until Dark (1967)
1928 Martin Landau is born. 66 years, 9 months, and 7 days he wins a well-deserved Oscar for Ed Wood (1994)...
1893 Lizzie Borden acquitted of the axe murders of her dad and stepmom but everyone still thinks she did it. I still haven't seen that show where Christina Ricci played her. Oops.
1905 Lillian Hellman, playwright and screenwriter is born.
1909 Swashbuckler supreme Errol Flynn is born
1910 Fanny Brice debuts in "Ziegfeld Follies". The moment was recreated (see photo above from the Academy's archives) and heavily fictionalized of course, in Barbra Streisand's Funny Girl (1968)
1915 Director Terence Young is born. Goes on to kick off the Bond franchise with Dr. No, From Russia With Love, and Thunderball and direct Audrey Hepburn to her last Oscar nomination for Wait Until Dark (1967)
1928 Martin Landau is born. 66 years, 9 months, and 7 days he wins a well-deserved Oscar for Ed Wood (1994)...
- 6/20/2016
- by NATHANIEL R
- FilmExperience
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