This is a difficult film to rate because there are equal parts that deserve a ten and those that deserve a one. That's why I rate this a five.
The plot elements that focus on the drama and intrigue of an informer in the midst of allied prisoners in a German WWII prison camp are excellent. If the film had focused only on that, along with the addition of the acting and screen presence of William Holden, this would have been a wonderful film. Unfortunately, it is hindered by an overabundance of stupid shenanigans by a few characters who are supposed to be the standard comic relief. I think the intention was to depict these figures as lovable goofballs who are doing what they can to cope with prison life. That intention fails completely, since they never give any indication that life in the POW camp is anything but a time for frivolity and pranks, as if they are just grade school brats away at summer camp.
Evidently, the idea was to have a film that was half-comedy and half-drama, but the comedic portions come off as annoying, time-consuming filler until the film can resume the interesting drama - and real story - involving Holden as the self-centered and unpopular fellow prisoner who is singled out as the traitor in the barracks.
Actually, the dry, cynical humor from Holden and some others would have provided just the right balance of comic relief. Unfortunately, the scenes in which the Shapiro and "Animal" characters all-too often dominate are virtually unbearable. Their inane antics are pathetically unfunny. The presence of the "Animal" in particular is made even more repulsive by the over-the-top attempt to appear grungy-charming while only coming off as a constant, grotesque and distracting irritant to what you really want to see.
It really is a shame. You can also take away the guy with the nasally voice who reads announcements. Toss him out with Shapiro, and the "Animal" and actually you might have a very enjoyable film.
The plot elements that focus on the drama and intrigue of an informer in the midst of allied prisoners in a German WWII prison camp are excellent. If the film had focused only on that, along with the addition of the acting and screen presence of William Holden, this would have been a wonderful film. Unfortunately, it is hindered by an overabundance of stupid shenanigans by a few characters who are supposed to be the standard comic relief. I think the intention was to depict these figures as lovable goofballs who are doing what they can to cope with prison life. That intention fails completely, since they never give any indication that life in the POW camp is anything but a time for frivolity and pranks, as if they are just grade school brats away at summer camp.
Evidently, the idea was to have a film that was half-comedy and half-drama, but the comedic portions come off as annoying, time-consuming filler until the film can resume the interesting drama - and real story - involving Holden as the self-centered and unpopular fellow prisoner who is singled out as the traitor in the barracks.
Actually, the dry, cynical humor from Holden and some others would have provided just the right balance of comic relief. Unfortunately, the scenes in which the Shapiro and "Animal" characters all-too often dominate are virtually unbearable. Their inane antics are pathetically unfunny. The presence of the "Animal" in particular is made even more repulsive by the over-the-top attempt to appear grungy-charming while only coming off as a constant, grotesque and distracting irritant to what you really want to see.
It really is a shame. You can also take away the guy with the nasally voice who reads announcements. Toss him out with Shapiro, and the "Animal" and actually you might have a very enjoyable film.