The Spy Who Came In From the Cold stars Richard Burton as a world-weary, defeated, cynical and alcoholic ex-agent. It is the performance of his life. It is astonishing to think he was only 40 when he starred in it, as he looks so much older, perhaps from the five-pack-of-cigarettes and three bottles of hard liquor a day that was his habit then.
The movie is from the John Le Carre novel and is a hard-nosed look at the world of international espionage and double agents, as different from the Bond movies as night from day.
Stripped of glamour and endless sunshine, Martin Ritt, the director, uses black and white, rain and wind to enhance the story. One could say the cinematography is a character in itself.
There is no distinction here between the good guys and the bad guys. Spies are of themselves irredeemably evil men in the game for their own nefarious purposes, divorced from all that is decent and humane.
Burton's eyes constantly reflect this as he manages to infiltrate the East Communist Bloc and plays the game instigated by his "Control" in London.
Claire Bloom portrays his innocent young girlfriend, naive and pliable. Oskar Werner and Peter Van Eyck play the East Germans fighting for control of Burton's memoirs and each other.
It is hard to be believe that Burton lost his Oscar to Lee Marvin (in Cat Ballou!!) when he so richly deserved it for his once in a lifetime performance in "The Spy--" Cyril Cusack has a wonderful supporting role as "Control" and just about steals his two scenes from Burton. He never disappoints.
I loved this film in the theatre when it was released and subsequent viewings never fail to enthrall me.
8 out of 10.
The movie is from the John Le Carre novel and is a hard-nosed look at the world of international espionage and double agents, as different from the Bond movies as night from day.
Stripped of glamour and endless sunshine, Martin Ritt, the director, uses black and white, rain and wind to enhance the story. One could say the cinematography is a character in itself.
There is no distinction here between the good guys and the bad guys. Spies are of themselves irredeemably evil men in the game for their own nefarious purposes, divorced from all that is decent and humane.
Burton's eyes constantly reflect this as he manages to infiltrate the East Communist Bloc and plays the game instigated by his "Control" in London.
Claire Bloom portrays his innocent young girlfriend, naive and pliable. Oskar Werner and Peter Van Eyck play the East Germans fighting for control of Burton's memoirs and each other.
It is hard to be believe that Burton lost his Oscar to Lee Marvin (in Cat Ballou!!) when he so richly deserved it for his once in a lifetime performance in "The Spy--" Cyril Cusack has a wonderful supporting role as "Control" and just about steals his two scenes from Burton. He never disappoints.
I loved this film in the theatre when it was released and subsequent viewings never fail to enthrall me.
8 out of 10.