While subdued and a little slow-moving, THE WORDS is a good--and not too heavy-handed--modern morality tale of how one serious act of dishonesty irreversibly affects a writer's entire life and career. The fact that his act would be difficult to ever prove or prosecute only makes things worse in many ways for Rory Jansen. The various additional elements of suspense and romance help to create a unique combination.
Interesting plot-structure: No huge twists or surprises, but everything fits together with slow, subtle tension. The acting ranges from tepid to quite good. Various details are also important; it might be a good idea, for example, to freeze-frame and read the rejection letters that Rory Jansen receives toward the beginning. A lot of people apparently don't like the way THE WORDS ends, but I sure do. Along with "the old man"'s embedded tale, the conversations between best-selling author Clay Hammond and fan/aspiring author Daniella are easily the most engaging aspects of this film.
Anyone with interests in fiction writing, the publishing industry, and/or related subjects will probably find THE WORDS a compelling enough film; those without such interests, however, may find it pretty dull. Even for the latter folks, I would also recommend SHATTERED GLASS (2004), starring Hayden Christensen, which has a similar conflict, a faster pace, and generally better acting.
Interesting plot-structure: No huge twists or surprises, but everything fits together with slow, subtle tension. The acting ranges from tepid to quite good. Various details are also important; it might be a good idea, for example, to freeze-frame and read the rejection letters that Rory Jansen receives toward the beginning. A lot of people apparently don't like the way THE WORDS ends, but I sure do. Along with "the old man"'s embedded tale, the conversations between best-selling author Clay Hammond and fan/aspiring author Daniella are easily the most engaging aspects of this film.
Anyone with interests in fiction writing, the publishing industry, and/or related subjects will probably find THE WORDS a compelling enough film; those without such interests, however, may find it pretty dull. Even for the latter folks, I would also recommend SHATTERED GLASS (2004), starring Hayden Christensen, which has a similar conflict, a faster pace, and generally better acting.