3/10
VistaVision v, CinemaScope
7 November 2016
Warning: Spoilers
NOTES: Locations in the fishing village of Polperro, Cornwall. Interiors filmed at Elstree Studios, London. COMMENT: Out of a dime- store women's novel, Stanley Mann has constructed a screenplay of stupefying boredom, indifferently acted, and directed with suitable dullness. The film's only attractive feature is Jack Hildyard's black- and-white VistaVision photography, particularly of the locations in a small village in Cornwall. For a while there, it looked as if VistaVision was going to pose as a serious rival to CinemaScope, but this didn't happen. The fact that VistaVision (a non-anamorphic process achieved by the simple expedient of running standard 35mm film horizontally – instead of vertically – through the camera) produced a much sharper image failed to impress audiences who were sold on the much wider 'Scope screen.
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