I had a relative who in the fringes of their job came into contact with people from the intelligence services.
They always said real spies were less James Bond and more Alec Leamas.
Middle aged, bitter, alone, likely to be divorced, drink too much, politically slightly left of centre.
John Le Carre's The Spy Who Came In from the Cold is noted for maybe showing the true face of spycraft.
On the fringes it has characters like George Smiley. As it goes on, the only person in control is Control. His talk to Leamas about the dirty things the spy services have to do. It is not small talk. It is the literal truth.
Alec Leamas (Richard Burton) messes up an operation in Berlin and is recalled to Britain.
He has been given a new assignment. Leamas has to pretend to have been thrown out by the security services.
It is a ruse for Leamas to come into the attention of British communists and East German intelligence. Be seen as a potential defector.
Leamas is meant to bring down an East German high ranking intelligence officer named Mundt. Leamas finds himself deep of a complex and messy espionage game.
American director Martin Ritt seems to be at ease with such complex material. He makes sure to include a pivotal scene where an important plot point is explained. So many times, espionage films want to leave it dense.
Ritt was left wing and a victim of the McCarthyite witch hunts. Maybe that explained why he was able to identify with an outsider like Leamas and the complex manoeuvrings of the intelligence agencies.
As for Burton, he was already halfway there as the self loathing alcoholic Leamas. The rest was courtesy of a good script and his acting ability.
They always said real spies were less James Bond and more Alec Leamas.
Middle aged, bitter, alone, likely to be divorced, drink too much, politically slightly left of centre.
John Le Carre's The Spy Who Came In from the Cold is noted for maybe showing the true face of spycraft.
On the fringes it has characters like George Smiley. As it goes on, the only person in control is Control. His talk to Leamas about the dirty things the spy services have to do. It is not small talk. It is the literal truth.
Alec Leamas (Richard Burton) messes up an operation in Berlin and is recalled to Britain.
He has been given a new assignment. Leamas has to pretend to have been thrown out by the security services.
It is a ruse for Leamas to come into the attention of British communists and East German intelligence. Be seen as a potential defector.
Leamas is meant to bring down an East German high ranking intelligence officer named Mundt. Leamas finds himself deep of a complex and messy espionage game.
American director Martin Ritt seems to be at ease with such complex material. He makes sure to include a pivotal scene where an important plot point is explained. So many times, espionage films want to leave it dense.
Ritt was left wing and a victim of the McCarthyite witch hunts. Maybe that explained why he was able to identify with an outsider like Leamas and the complex manoeuvrings of the intelligence agencies.
As for Burton, he was already halfway there as the self loathing alcoholic Leamas. The rest was courtesy of a good script and his acting ability.