This cult achievement of Andrei Tarkovsky is generally accepted as one of the masterpieces of Russian cinematography. When I had the opportunity to see it on the big screen, I couldn't miss it. Fortunately, the ticket was extremely cheap.
"Stalker" is based on the SF novel "Roadside Picnic" by the Strugatskiy brothers, who adapted it into the script themselves. Although its genre classification is the same as that of the novel, "Stalker" is a philosophical and psychological drama, whose SF premise is only mentioned, and I believe that it is no more than a mere illusion in the minds of the protagonists, so the SF determinant leads to completely wrong expectations.
The film opens with a very slow but mesmerizingly atmospheric and superbly shot scene, each frame of which is an art photograph. Already in those first moments, I saw myself rating it a ten, but from there on the film only goes downhill.
To be clear, the rest of the film doesn't visually lag behind that first scene, but too long shots that show totally uninteresting people who do more or less nothing, no matter how beautifully shot, are not enough to hold my attention for almost three hours. If I wanted to enjoy top photography, I would go to an exhibition and not to the cinema. Of those three hours, perhaps a third is filled with plot, which again is largely reduced to monologues, while nothing really happens. Essentially, this looks more like a monodrama than a movie.
In the center of events is an area called the Zone, in which there is a room that, for those who get it alive, fulfills the greatest wish. The basic message of the film is: "Be careful what you wish for it might come true", because the Room does not fulfill the wish that we consciously ask for, but the essential one, hidden in the depths of man.
This is an interesting premise from which you will not see anything in the film. We don't know for sure whether the Zone is special in any way at all, nor do any of the protagonists use the Room. The premise is only there to give us the background to study the personalities of the people who headed to the zone and their guide, Stalker.
The plot itself can be told in a few sentences, while the whole story is reduced to a philosophical monologue by the author through the mouths of three protagonists. There are no original philosophical ideas or interesting views on life. Just a bunch of true, but long-worn philosophical and psychological phrases, pretentiously packaged so that they seem more profound and significant than they really are.
General impression - beautifully filmed but pretentious and hard to watch, without the essential strength to justify the effort. Just because of the technical qualities and the atmosphere, I can't go below
7/10
"The photography, in this case, is like the wrapping of an empty present box." - trans_mauro.
"Stalker" is based on the SF novel "Roadside Picnic" by the Strugatskiy brothers, who adapted it into the script themselves. Although its genre classification is the same as that of the novel, "Stalker" is a philosophical and psychological drama, whose SF premise is only mentioned, and I believe that it is no more than a mere illusion in the minds of the protagonists, so the SF determinant leads to completely wrong expectations.
The film opens with a very slow but mesmerizingly atmospheric and superbly shot scene, each frame of which is an art photograph. Already in those first moments, I saw myself rating it a ten, but from there on the film only goes downhill.
To be clear, the rest of the film doesn't visually lag behind that first scene, but too long shots that show totally uninteresting people who do more or less nothing, no matter how beautifully shot, are not enough to hold my attention for almost three hours. If I wanted to enjoy top photography, I would go to an exhibition and not to the cinema. Of those three hours, perhaps a third is filled with plot, which again is largely reduced to monologues, while nothing really happens. Essentially, this looks more like a monodrama than a movie.
In the center of events is an area called the Zone, in which there is a room that, for those who get it alive, fulfills the greatest wish. The basic message of the film is: "Be careful what you wish for it might come true", because the Room does not fulfill the wish that we consciously ask for, but the essential one, hidden in the depths of man.
This is an interesting premise from which you will not see anything in the film. We don't know for sure whether the Zone is special in any way at all, nor do any of the protagonists use the Room. The premise is only there to give us the background to study the personalities of the people who headed to the zone and their guide, Stalker.
The plot itself can be told in a few sentences, while the whole story is reduced to a philosophical monologue by the author through the mouths of three protagonists. There are no original philosophical ideas or interesting views on life. Just a bunch of true, but long-worn philosophical and psychological phrases, pretentiously packaged so that they seem more profound and significant than they really are.
General impression - beautifully filmed but pretentious and hard to watch, without the essential strength to justify the effort. Just because of the technical qualities and the atmosphere, I can't go below
7/10
"The photography, in this case, is like the wrapping of an empty present box." - trans_mauro.